Barge의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드 https://www.cizucu.com/ko/explore/photos/Barge ko 2026-04-21T09:45:01+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ko https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[只今作業中 ＃川砂取り | ayukawa]]> https://www.cizucu.com/ko/photos/1ZYR7ed2pGlIacUHR2VL ayukawa https://www.cizucu.com/ko/users/Z1YfSBdswyNrj7Gp9DIiEWyl9pQ2 https://www.cizucu.com/ko/photos/1ZYR7ed2pGlIacUHR2VL Thu, 18 Apr 2024 00:17:34 GMT 2024-11-19T03:41:56+09:00 https://cdn.cizucu.com/images/photos/1ZYR7ed2pGlIacUHR2VL.jpg?auto=compress,format <![CDATA[수면 위의 작업 바지선과 근처의 현대 건물 | creampasta]]> https://www.cizucu.com/ko/photos/VutDwsrIn3xD2k758xpD creampasta https://www.cizucu.com/ko/users/rKkoVakkr7ZnBFwaGVU4M0r9aq73 https://www.cizucu.com/ko/photos/VutDwsrIn3xD2k758xpD Mon, 25 Mar 2024 23:48:49 GMT 2024-11-20T11:40:06+09:00 https://cdn.cizucu.com/images/photos/VutDwsrIn3xD2k758xpD.jpg?auto=compress,format <![CDATA[波止場 | garçon]]> https://www.cizucu.com/ko/photos/vGkPLbEKkpSquLfoMUN9 garçon https://www.cizucu.com/ko/users/xVCgWyWjCggN8rEcu20sPhS2OGN2 https://www.cizucu.com/ko/photos/vGkPLbEKkpSquLfoMUN9 Sun, 04 Aug 2024 17:29:47 GMT 2024-08-05T17:02:55+09:00 https://cdn.cizucu.com/images/photos/vGkPLbEKkpSquLfoMUN9.jpg?auto=compress,format <![CDATA[강에 떠 있는 바지선과 도시 풍경 | hiro]]> https://www.cizucu.com/ko/photos/Qh4bOO9ZpqFHCX4BYTVy hiro https://www.cizucu.com/ko/users/VpulCrfoxfSmIOFivj3y9CiDLyv2 https://www.cizucu.com/ko/photos/Qh4bOO9ZpqFHCX4BYTVy Fri, 01 Mar 2024 10:58:46 GMT 2024-11-22T06:15:14+09:00 https://cdn.cizucu.com/images/photos/Qh4bOO9ZpqFHCX4BYTVy.jpg?auto=compress,format <![CDATA[photo poster project in kyoto (2025.8.24) #photoposterproject #ppp #cizucu #Kyoto #gallerymetabo | Yukihiro]]> https://www.cizucu.com/ko/photos/pISwZ6KhQ4oHZBlRjOpD Yukihiro https://www.cizucu.com/ko/kyoto_snap https://www.cizucu.com/ko/photos/pISwZ6KhQ4oHZBlRjOpD Sun, 24 Aug 2025 21:07:52 GMT 2025-08-24T21:07:52+09:00 https://cdn.cizucu.com/images/photos/pISwZ6KhQ4oHZBlRjOpD.jpg?auto=compress,format <![CDATA[Large Magellanic Cloud 大マゼラン雲 撮影日2023/10/30 場所チリ（リモート撮影） 機材Samyang 135mm F2->3.5+ZWO 2600MM 露出SⅡ300秒x3枚Ha300秒x4枚+OⅢ300秒x8枚 #リコリモ#仙台天文同好会#天体#天体写真#星雲#銀河 | さら]]> https://www.cizucu.com/ko/photos/gGfXsVx1eko4cxy3b5CH さら https://www.cizucu.com/ko/sara56kg https://www.cizucu.com/ko/photos/gGfXsVx1eko4cxy3b5CH Tue, 11 Mar 2025 17:13:50 GMT 2025-03-13T08:43:21+09:00 3.5+ZWO 2600MM 露出SⅡ300秒x3枚Ha300秒x4枚+OⅢ300秒x8枚 #リコリモ#仙台天文同好会#天体#天体写真#星雲#銀河 | さら]]> https://cdn.cizucu.com/images/photos/gGfXsVx1eko4cxy3b5CH.jpg?auto=compress,format <![CDATA[That day came, and I was in KL. Seedance Hackathon was postponed days earlier, but a friend made a connection. Evangel and I met in that moment, an impromptu collaboration. So there we were, on a bare rooftop. Fireworks somewhere in the city, while Evangel danced with her own fire. Merdeka 118 towering behind her, and the full moon gazing upon me. Sometimes the day we didn’t plan becomes the day we remember. | Arron Teo]]> https://www.cizucu.com/ko/photos/KfUv2On08VgoN0ckoKRU Arron Teo https://www.cizucu.com/ko/users/Hnf9fhclZjeywWM41UAlecjJIXt2 https://www.cizucu.com/ko/photos/KfUv2On08VgoN0ckoKRU Mon, 09 Mar 2026 10:21:02 GMT 2026-03-09T10:21:02+09:00 https://cdn.cizucu.com/images/photos/KfUv2On08VgoN0ckoKRU.jpg?auto=compress,format <![CDATA[Neon, pigment, and the unblinking eye of childhood. On this stretch of Tokyo stone, the ritual of the "maid" is laid bare—not as a fantasy, but as a trade. As one girl constructs a costume of necessity, another deciphers the alchemy of the adult world. Between the glow of the screen and the silence of the pram, the city’s true face is found in the space between those who are performing, those who are watching, and those who have already looked away. | Petratheactionsuperstar]]> https://www.cizucu.com/ko/photos/JpBL1xNfUyJEXEAjQECk Petratheactionsuperstar https://www.cizucu.com/ko/users/cGhdI6z90hf12ObxDv2NMx2pUms2 https://www.cizucu.com/ko/photos/JpBL1xNfUyJEXEAjQECk Wed, 18 Mar 2026 04:11:12 GMT 2026-03-18T04:11:12+09:00 https://cdn.cizucu.com/images/photos/JpBL1xNfUyJEXEAjQECk.jpg?auto=compress,format <![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]> https://www.cizucu.com/ko/photos/hgTYSErakAPBxlkfS9Iv a.da.md https://www.cizucu.com/ko/users/wLkRPPkJVNhxaYlznXVZoat6s4h1 https://www.cizucu.com/ko/photos/hgTYSErakAPBxlkfS9Iv Sun, 18 Jan 2026 15:17:34 GMT 2026-01-18T15:17:34+09:00 https://cdn.cizucu.com/images/photos/hgTYSErakAPBxlkfS9Iv.jpg?auto=compress,format <![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]> https://www.cizucu.com/ko/photos/5uQprujr5kh3O40uW4oI a.da.md https://www.cizucu.com/ko/users/wLkRPPkJVNhxaYlznXVZoat6s4h1 https://www.cizucu.com/ko/photos/5uQprujr5kh3O40uW4oI Sun, 18 Jan 2026 16:03:24 GMT 2026-01-18T16:03:24+09:00 https://cdn.cizucu.com/images/photos/5uQprujr5kh3O40uW4oI.jpg?auto=compress,format <![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect. I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]> https://www.cizucu.com/ko/photos/z51tp1hZVa8RWblaxQor Souvik Roy https://www.cizucu.com/ko/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2 https://www.cizucu.com/ko/photos/z51tp1hZVa8RWblaxQor Sat, 14 Mar 2026 18:17:45 GMT 2026-03-14T18:17:45+09:00 https://cdn.cizucu.com/images/photos/z51tp1hZVa8RWblaxQor.jpg?auto=compress,format <![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect. I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]> https://www.cizucu.com/ko/photos/2liSNRVpSQ1iBWS2wvoy Souvik Roy https://www.cizucu.com/ko/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2 https://www.cizucu.com/ko/photos/2liSNRVpSQ1iBWS2wvoy Mon, 16 Mar 2026 03:16:14 GMT 2026-03-16T03:16:14+09:00 https://cdn.cizucu.com/images/photos/2liSNRVpSQ1iBWS2wvoy.jpg?auto=compress,format <![CDATA[The body rests where it does not belong. Draped across a splintered stump, the figure appears both offered and abandoned, suspended between elevation and collapse. Remnants lie bare and exposed; nakedness here is not intimacy but the anonymity of unadorned erasure. The coarse, surreal landscape remains indifferent to the scene—a neutral observer, if not entirely apathetic. In this realm, nothing is settled with certainty. Is this sleep, surrender, or aftermath? ​体は、ふさわしくない場所に横たわっています。 折れた切り株に体をあずけるその姿は、何かに捧げられているようでもあり、捨てられているようにも見えます。 高揚と崩壊の狭間で、宙吊りになったまま。 ​そこにあるのは、隠すもののない姿です。 ここでの「裸」は、親しみを感じさせるものではありません。それは、名前も個性も消し去られた、ただの「存在」です。 荒々しい景色は、この光景に興味を示しません。ただ黙って見ているだけか、あるいは、全く気にかけていないかのようです。 ​この場所では、確かなことは何もありません。 これは眠りなのか、あきらめなのか、それとも何かが終わった後の姿なのでしょうか。 | Yamedre]]> https://www.cizucu.com/ko/photos/A3CNYO4rLwcO7jbJhpI6 Yamedre https://www.cizucu.com/ko/users/nPYRwjPDAzQvkj5YCdt2W5y5Xc62 https://www.cizucu.com/ko/photos/A3CNYO4rLwcO7jbJhpI6 Sun, 21 Dec 2025 12:23:35 GMT 2025-12-21T12:23:35+09:00 https://cdn.cizucu.com/images/photos/A3CNYO4rLwcO7jbJhpI6.jpg?auto=compress,format