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          <title><![CDATA[Lines of Becoming is not about arriving at certainty, but about learning to move with the wind—trusting that even in the unknown, there is direction, grace, and purpose. | paritem]]></title>
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          <description><![CDATA[Guarda altre splendide opere di paritem su cizucu.]]></description>
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          <pubDate>Wed, 25 Mar 2026 18:57:06 GMT</pubDate>
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          <title><![CDATA[As usual, everyone seems chosen by time, appearing here at just the right moment, becoming part of Bangkok as a living canvas. Bangkok never tells you where to go. It lays every possibility in front of you. Each step, each passing glance, each turn of a corner can be more compelling than the destination itself. | Lawrence Liou]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Lawrence Liou su cizucu.]]></description>
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            <name>Lawrence Liou</name>
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          <pubDate>Mon, 26 Jan 2026 09:29:09 GMT</pubDate>
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            <media:description><![CDATA[Guarda altre splendide opere di Lawrence Liou su cizucu.]]></media:description>
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          <title><![CDATA[As usual, everyone seems chosen by time, appearing here at just the right moment, becoming part of Bangkok as a living canvas. Bangkok never tells you where to go. It lays every possibility in front of you. Each step, each passing glance, each turn of a corner can be more compelling than the destination itself. #travel | Lawrence Liou]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Lawrence Liou su cizucu.]]></description>
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            <name>Lawrence Liou</name>
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          <pubDate>Thu, 29 Jan 2026 10:57:10 GMT</pubDate>
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            <media:description><![CDATA[Guarda altre splendide opere di Lawrence Liou su cizucu.]]></media:description>
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          <title><![CDATA[To photograph is to be a silent witness to the unseen. It is the art of stepping into the quiet corners of curiosity and capturing life in its rawest form. Lingering only for a heartbeat, the objective is to capture the moment as it is and vanishing like dust in the wind, leaving nothing behind except for an untold story, slowly becoming only a memory. | timkoh]]></title>
          <link>https://www.cizucu.com/it/photos/URadMcQ5lDbUIkVT6Bwe</link>
          <description><![CDATA[Guarda altre splendide opere di timkoh su cizucu.]]></description>
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          <pubDate>Mon, 05 Jan 2026 13:14:38 GMT</pubDate>
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            <media:title><![CDATA[To photograph is to be a silent witness to the unseen. It is the art of stepping into the quiet corners of curiosity and capturing life in its rawest form. Lingering only for a heartbeat, the objective is to capture the moment as it is and vanishing like dust in the wind, leaving nothing behind except for an untold story, slowly becoming only a memory. | timkoh]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di timkoh su cizucu.]]></media:description>
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          <title><![CDATA[The Last Interred  I brought a medium format camera to my grandmother’s funeral to capture the beauty found in the face of death. Rather than a mournful event, we celebrated her life and marked a new chapter in our family’s collective memory. She was the last of us to be interred; the rising cost and difficulty of burial mean that those who follow her will not have the same physical anchor. Without the permanence of a grave, future generations risk becoming only faint memories. In this shift, these photographs are meant to do more than just document. They now act in place of the stone. | Kitty Chirapongse]]></title>
          <link>https://www.cizucu.com/it/photos/p4nmJi7ozAJ0V0pp0po0</link>
          <description><![CDATA[Guarda altre splendide opere di Kitty Chirapongse su cizucu.]]></description>
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            <name>Kitty Chirapongse</name>
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          <pubDate>Mon, 06 Apr 2026 13:35:44 GMT</pubDate>
          <atom:updated>2026-04-06T13:35:44+09:00</atom:updated>
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            <media:title><![CDATA[The Last Interred  I brought a medium format camera to my grandmother’s funeral to capture the beauty found in the face of death. Rather than a mournful event, we celebrated her life and marked a new chapter in our family’s collective memory. She was the last of us to be interred; the rising cost and difficulty of burial mean that those who follow her will not have the same physical anchor. Without the permanence of a grave, future generations risk becoming only faint memories. In this shift, these photographs are meant to do more than just document. They now act in place of the stone. | Kitty Chirapongse]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Kitty Chirapongse su cizucu.]]></media:description>
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          <title><![CDATA[A Language Beyond Words  Chiang Mai taught me that the deepest conversations do not always depend on perfect language.  I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper.  Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway   The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]></title>
          <link>https://www.cizucu.com/it/photos/bqXUVMgMXBlAsPM7Qjwu</link>
          <description><![CDATA[Guarda altre splendide opere di Lanna Shuttered Moments su cizucu.]]></description>
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            <name>Lanna Shuttered Moments</name>
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          <pubDate>Sat, 14 Feb 2026 10:30:49 GMT</pubDate>
          <atom:updated>2026-02-14T10:30:49+09:00</atom:updated>
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            <media:title><![CDATA[A Language Beyond Words  Chiang Mai taught me that the deepest conversations do not always depend on perfect language.  I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper.  Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway   The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Lanna Shuttered Moments su cizucu.]]></media:description>
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          <title><![CDATA[Full sky of lantern is one of the magnificent things you must experience once in a life. This moment was capture during the Yi Peng and Loy krathong festival held in Chiang Mai, Thailand. Yi Peng features the sky lantern while Loy Krathong involve floating of a basket or vessel. Yi Peng is originated from Lanna culture in northern Thailand. It means the second full moon of lanna calender month, is a religious event that people put up the lanterns to show devotion to Buddha, to worship the god in the high heaven. It is believed that lantern will carry away all the unfortunate things and making ways for good luck and bright future. People also putting the krathong to show gratefulness to the goddess of water, letting go of anger and bad luck you have been holding in the past and welcoming the good fortune that’s free of negativity in the coming year.   Shot by iPhone 16 Pro Max | Jing Kang]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Jing Kang su cizucu.]]></description>
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            <name>Jing Kang</name>
            <uri>https://www.cizucu.com/it/jklifeimmerse</uri>
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          <pubDate>Tue, 17 Mar 2026 01:23:33 GMT</pubDate>
          <atom:updated>2026-03-17T01:23:33+09:00</atom:updated>
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            <media:title><![CDATA[Full sky of lantern is one of the magnificent things you must experience once in a life. This moment was capture during the Yi Peng and Loy krathong festival held in Chiang Mai, Thailand. Yi Peng features the sky lantern while Loy Krathong involve floating of a basket or vessel. Yi Peng is originated from Lanna culture in northern Thailand. It means the second full moon of lanna calender month, is a religious event that people put up the lanterns to show devotion to Buddha, to worship the god in the high heaven. It is believed that lantern will carry away all the unfortunate things and making ways for good luck and bright future. People also putting the krathong to show gratefulness to the goddess of water, letting go of anger and bad luck you have been holding in the past and welcoming the good fortune that’s free of negativity in the coming year.   Shot by iPhone 16 Pro Max | Jing Kang]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Jing Kang su cizucu.]]></media:description>
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          <title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Nishikantsnaps su cizucu.]]></description>
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            <name>Nishikantsnaps</name>
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          <pubDate>Fri, 13 Mar 2026 13:43:41 GMT</pubDate>
          <atom:updated>2026-03-13T13:43:41+09:00</atom:updated>
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            <media:title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Nishikantsnaps su cizucu.]]></media:description>
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          <title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Yash Rane su cizucu.]]></description>
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            <name>Yash Rane</name>
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          <pubDate>Fri, 13 Mar 2026 17:52:43 GMT</pubDate>
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            <media:title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Yash Rane su cizucu.]]></media:description>
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          <title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Victor Tan KH su cizucu.]]></description>
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            <name>Victor Tan KH</name>
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          <pubDate>Sun, 18 Jan 2026 21:43:45 GMT</pubDate>
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            <media:description><![CDATA[Guarda altre splendide opere di Victor Tan KH su cizucu.]]></media:description>
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