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          <title><![CDATA[Interno di un treno con una panchina bordeaux e porte | みぃこ＊]]></title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4996ERygxkFAnSuDhwsp.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4996ERygxkFAnSuDhwsp.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4996ERygxkFAnSuDhwsp.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Guarda altre splendide opere di CLori su cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Midnight The day is over, and the city is quiet. Between the end of work and the drive home, there is only the cold glow of the machine and the weight of a long day. It is a solitary moment of transition—the silent, steady effort of a life built on showing up, time and time after. | Sam Ting]]></title>
          <link>https://www.cizucu.com/it/photos/zeQBG1PWRCcLsqxhUIaK</link>
          <description><![CDATA[Guarda altre splendide opere di Sam Ting su cizucu.]]></description>
          <author>
            <name>Sam Ting</name>
            <uri>https://www.cizucu.com/it/users/S4JiP3bMWXdhjAT70s84hhyZHQE3</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/it/photos/zeQBG1PWRCcLsqxhUIaK</guid>
          <pubDate>Wed, 04 Mar 2026 21:51:13 GMT</pubDate>
          <atom:updated>2026-03-04T21:51:13+09:00</atom:updated>
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            <media:title><![CDATA[Midnight The day is over, and the city is quiet. Between the end of work and the drive home, there is only the cold glow of the machine and the weight of a long day. It is a solitary moment of transition—the silent, steady effort of a life built on showing up, time and time after. | Sam Ting]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/zeQBG1PWRCcLsqxhUIaK.jpg?fm=jpg" type="image/jpeg" width="3464" height="4850" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/zeQBG1PWRCcLsqxhUIaK.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/zeQBG1PWRCcLsqxhUIaK.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/zeQBG1PWRCcLsqxhUIaK.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Guarda altre splendide opere di Sam Ting su cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Title: Midnight  The day is over, and the city is quiet. Between the end of work and the drive home, there is only the cold glow of the machine and the weight of a long day. It is a solitary moment of transition—the silent, steady effort of a life built on showing up, time and time after. | Sam Ting]]></title>
          <link>https://www.cizucu.com/it/photos/wVpXzN0qEuF4aZ4VjKcX</link>
          <description><![CDATA[Guarda altre splendide opere di Sam Ting su cizucu.]]></description>
          <author>
            <name>Sam Ting</name>
            <uri>https://www.cizucu.com/it/users/S4JiP3bMWXdhjAT70s84hhyZHQE3</uri>
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          <pubDate>Wed, 04 Mar 2026 21:49:14 GMT</pubDate>
          <atom:updated>2026-03-04T21:49:14+09:00</atom:updated>
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            <media:title><![CDATA[Title: Midnight  The day is over, and the city is quiet. Between the end of work and the drive home, there is only the cold glow of the machine and the weight of a long day. It is a solitary moment of transition—the silent, steady effort of a life built on showing up, time and time after. | Sam Ting]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/wVpXzN0qEuF4aZ4VjKcX.jpg?fm=jpg" type="image/jpeg" width="3464" height="4850" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wVpXzN0qEuF4aZ4VjKcX.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wVpXzN0qEuF4aZ4VjKcX.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wVpXzN0qEuF4aZ4VjKcX.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Guarda altre splendide opere di Sam Ting su cizucu.]]></media:description>
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        <item>
          <title><![CDATA[That instant recognition, when something ordinary suddenly connects us back to someone important.  The moment I took this photo, I recognized something I once had but never truly valued until it was gone. It reminded me of my grandmother—the quiet reason I am here today. Sometimes a single image can bring back the weight of memories and the people who shaped us long before we understood their worth. | Anamika]]></title>
          <link>https://www.cizucu.com/it/photos/9kCJljqc2Dn8wVHzN9lG</link>
          <description><![CDATA[Guarda altre splendide opere di Anamika su cizucu.]]></description>
          <author>
            <name>Anamika</name>
            <uri>https://www.cizucu.com/it/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/it/photos/9kCJljqc2Dn8wVHzN9lG</guid>
          <pubDate>Sat, 14 Mar 2026 01:57:30 GMT</pubDate>
          <atom:updated>2026-03-14T01:57:30+09:00</atom:updated>
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            <media:title><![CDATA[That instant recognition, when something ordinary suddenly connects us back to someone important.  The moment I took this photo, I recognized something I once had but never truly valued until it was gone. It reminded me of my grandmother—the quiet reason I am here today. Sometimes a single image can bring back the weight of memories and the people who shaped us long before we understood their worth. | Anamika]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/9kCJljqc2Dn8wVHzN9lG.jpg?fm=jpg" type="image/jpeg" width="3024" height="4032" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/9kCJljqc2Dn8wVHzN9lG.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/9kCJljqc2Dn8wVHzN9lG.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/9kCJljqc2Dn8wVHzN9lG.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Guarda altre splendide opere di Anamika su cizucu.]]></media:description>
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        <item>
          <title><![CDATA[That night wasn’t about the building. It was about stillness in a city that never slows down.  I stood at the crossing as headlights carved through the dark, engines humming like a restless pulse. Steel and glass towered above like a portal in the sky.  For a moment, I didn’t move. I let the city perform.  The world rushes forward. Dreamers stay grounded.  Alan Ng— chasing light in the weight of night. | Alan Ng]]></title>
          <link>https://www.cizucu.com/it/photos/81r3xqsW6KWsDWn7AIQ1</link>
          <description><![CDATA[Guarda altre splendide opere di Alan Ng su cizucu.]]></description>
          <author>
            <name>Alan Ng</name>
            <uri>https://www.cizucu.com/it/5fivegraphy</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/it/photos/81r3xqsW6KWsDWn7AIQ1</guid>
          <pubDate>Tue, 17 Feb 2026 16:26:55 GMT</pubDate>
          <atom:updated>2026-02-17T16:26:55+09:00</atom:updated>
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            <media:title><![CDATA[That night wasn’t about the building. It was about stillness in a city that never slows down.  I stood at the crossing as headlights carved through the dark, engines humming like a restless pulse. Steel and glass towered above like a portal in the sky.  For a moment, I didn’t move. I let the city perform.  The world rushes forward. Dreamers stay grounded.  Alan Ng— chasing light in the weight of night. | Alan Ng]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/81r3xqsW6KWsDWn7AIQ1.jpg?fm=jpg" type="image/jpeg" width="3936" height="4920" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/81r3xqsW6KWsDWn7AIQ1.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/81r3xqsW6KWsDWn7AIQ1.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Guarda altre splendide opere di Alan Ng su cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Title: The Moment In Between.  It documents the seconds that exist between departure and arrival, between responsibility and rest. These moments often go unnoticed, yet they hold the weight of routine, devotion, and quiet resilienc. Through low light and restrained movement, the work invites viewers to slow down and recognize the d ignity found in ordinary transitions. This is not a story of travel, but of presence.  These images are not about where people are going. They are about where they pause. | Chawin Terk]]></title>
          <link>https://www.cizucu.com/it/photos/trC4T1git609KqNYjLla</link>
          <description><![CDATA[Guarda altre splendide opere di Chawin Terk su cizucu.]]></description>
          <author>
            <name>Chawin Terk</name>
            <uri>https://www.cizucu.com/it/users/7ugzKDRQELhWd6MSSq6NBqQqSaA3</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/it/photos/trC4T1git609KqNYjLla</guid>
          <pubDate>Mon, 02 Feb 2026 18:05:46 GMT</pubDate>
          <atom:updated>2026-02-02T18:05:46+09:00</atom:updated>
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            <media:title><![CDATA[Title: The Moment In Between.  It documents the seconds that exist between departure and arrival, between responsibility and rest. These moments often go unnoticed, yet they hold the weight of routine, devotion, and quiet resilienc. Through low light and restrained movement, the work invites viewers to slow down and recognize the d ignity found in ordinary transitions. This is not a story of travel, but of presence.  These images are not about where people are going. They are about where they pause. | Chawin Terk]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/trC4T1git609KqNYjLla.jpg?fm=jpg" type="image/jpeg" width="4961" height="7016" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/trC4T1git609KqNYjLla.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/trC4T1git609KqNYjLla.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Guarda altre splendide opere di Chawin Terk su cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></title>
          <link>https://www.cizucu.com/it/photos/c4l8EClWI13vYtOt0C54</link>
          <description><![CDATA[Guarda altre splendide opere di Urasha su cizucu.]]></description>
          <author>
            <name>Urasha</name>
            <uri>https://www.cizucu.com/it/users/Tg8TYJOeO8hOTqB24cbHJsJ9RmD3</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/it/photos/c4l8EClWI13vYtOt0C54</guid>
          <pubDate>Fri, 13 Feb 2026 01:37:10 GMT</pubDate>
          <atom:updated>2026-02-13T01:37:10+09:00</atom:updated>
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            <media:title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?fm=jpg" type="image/jpeg" width="4000" height="6000" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Guarda altre splendide opere di Urasha su cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Today I want to share this portrait I made at Singapore Japanese Cemetery Park, a place most people associate with quietness and memory. It’s not where you’d normally go looking for “pretty”, and yet that’s exactly the point: beauty often hides in the least expected places, waiting for us to slow down enough to notice it. The afternoon light was gentle, the bougainvillea was in bloom, and in that stillness, her expression felt even more tender, like a small moment of life whispering back into a space meant for remembrance. I love how photography can do that: it doesn’t erase the weight of a place, but it lets grace exist alongside it. | keithwee]]></title>
          <link>https://www.cizucu.com/it/photos/bPTnOCwkXSKamWI4XYCz</link>
          <description><![CDATA[Guarda altre splendide opere di keithwee su cizucu.]]></description>
          <author>
            <name>keithwee</name>
            <uri>https://www.cizucu.com/it/users/fxdhdPm0AKY0fV1ane3AERkTCXk2</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/it/photos/bPTnOCwkXSKamWI4XYCz</guid>
          <pubDate>Mon, 16 Feb 2026 21:28:40 GMT</pubDate>
          <atom:updated>2026-02-16T21:28:40+09:00</atom:updated>
          <enclosure url="https://cdn.cizucu.com/images/photos/bPTnOCwkXSKamWI4XYCz.jpg?fm=jpg" length="0" type="image/jpeg" />
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            <media:title><![CDATA[Today I want to share this portrait I made at Singapore Japanese Cemetery Park, a place most people associate with quietness and memory. It’s not where you’d normally go looking for “pretty”, and yet that’s exactly the point: beauty often hides in the least expected places, waiting for us to slow down enough to notice it. The afternoon light was gentle, the bougainvillea was in bloom, and in that stillness, her expression felt even more tender, like a small moment of life whispering back into a space meant for remembrance. I love how photography can do that: it doesn’t erase the weight of a place, but it lets grace exist alongside it. | keithwee]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/bPTnOCwkXSKamWI4XYCz.jpg?fm=jpg" type="image/jpeg" width="5039" height="7620" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bPTnOCwkXSKamWI4XYCz.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bPTnOCwkXSKamWI4XYCz.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bPTnOCwkXSKamWI4XYCz.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Guarda altre splendide opere di keithwee su cizucu.]]></media:description>
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        <item>
          <title><![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly.  The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm.  This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]></title>
          <link>https://www.cizucu.com/it/photos/wrp6m3nBJ201XnfheCWK</link>
          <description><![CDATA[Guarda altre splendide opere di Nishikantsnaps su cizucu.]]></description>
          <author>
            <name>Nishikantsnaps</name>
            <uri>https://www.cizucu.com/it/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/it/photos/wrp6m3nBJ201XnfheCWK</guid>
          <pubDate>Fri, 13 Mar 2026 13:29:26 GMT</pubDate>
          <atom:updated>2026-03-13T13:29:26+09:00</atom:updated>
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            <media:title><![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly.  The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm.  This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Nishikantsnaps su cizucu.]]></media:description>
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          <title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Tristan Tan su cizucu.]]></description>
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            <name>Tristan Tan</name>
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          <pubDate>Sat, 21 Feb 2026 04:20:42 GMT</pubDate>
          <atom:updated>2026-02-21T04:20:42+09:00</atom:updated>
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            <media:title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Tristan Tan su cizucu.]]></media:description>
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          <title><![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align.  In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying.  There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines.  This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic.  A place where everyone meets—yet no one stays. | analogbysissi]]></title>
          <link>https://www.cizucu.com/it/photos/T23GHpu4jeBibaaVi8wS</link>
          <description><![CDATA[Guarda altre splendide opere di analogbysissi su cizucu.]]></description>
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            <name>analogbysissi</name>
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          <pubDate>Fri, 10 Apr 2026 15:23:09 GMT</pubDate>
          <atom:updated>2026-04-10T15:23:09+09:00</atom:updated>
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            <media:title><![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align.  In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying.  There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines.  This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic.  A place where everyone meets—yet no one stays. | analogbysissi]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di analogbysissi su cizucu.]]></media:description>
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