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          <pubDate>Mon, 02 Oct 2023 12:47:46 GMT</pubDate>
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          <title><![CDATA[Rovine di antichi castelli in Etiopia con architettura unica | fyonetsu]]></title>
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          <title><![CDATA["In Darkness, We Find Light" Humanity has come so far to produce light and manipulate it that goes beyond its primary purpose which is to illuminate.  Now we use light to inspire and tell stories in the dark. Science and ingenuity is a powerful driving force of our current technology.  "Light Bending and Manipulation" with lens filters on multiple exposures capturing different artificial light sources. | JuskoLiy]]></title>
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            <media:title><![CDATA["In Darkness, We Find Light" Humanity has come so far to produce light and manipulate it that goes beyond its primary purpose which is to illuminate.  Now we use light to inspire and tell stories in the dark. Science and ingenuity is a powerful driving force of our current technology.  "Light Bending and Manipulation" with lens filters on multiple exposures capturing different artificial light sources. | JuskoLiy]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di JuskoLiy su cizucu.]]></media:description>
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          <title><![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly.  The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm.  This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]></title>
          <link>https://www.cizucu.com/it/photos/wrp6m3nBJ201XnfheCWK</link>
          <description><![CDATA[Guarda altre splendide opere di Nishikantsnaps su cizucu.]]></description>
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            <name>Nishikantsnaps</name>
            <uri>https://www.cizucu.com/it/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2</uri>
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          <pubDate>Fri, 13 Mar 2026 13:29:26 GMT</pubDate>
          <atom:updated>2026-03-13T13:29:26+09:00</atom:updated>
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            <media:title><![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly.  The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm.  This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Nishikantsnaps su cizucu.]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/it/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[Guarda altre splendide opere di Lucho Dávila su cizucu.]]></description>
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            <name>Lucho Dávila</name>
            <uri>https://www.cizucu.com/it/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3</uri>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
          <atom:updated>2026-03-30T21:51:53+09:00</atom:updated>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Lucho Dávila su cizucu.]]></media:description>
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          <title><![CDATA[This photograph was taken in 2019 in South Iceland during a road trip to celebrate turning thirty that year. Back then, it didn’t just mark a birthday, but also a personal milestone, one that was of pausing, reflecting, and choosing to step into a new decade with curiosity and courage. This image wasn’t easy to capture. Iceland is known for its powerful winds, and flying a drone against those winds meant that the drone's battery would drain much more quickly. I quickly realised that flying harder was not the way to go, and that I had to think differently. Instead of forcing my way through the wind, I had to allow the wind to work with me. So I landed the drone, hopped into the car with my friends, and drove nearly two kilometres ahead before launching my drone again, allowing the winds to guide me as I surveyed the landscape. By then, a storm was approaching, and I felt a strong sense of urgency, but I knew I had to stay focused and calm. Then this river stood out amongst the smaller streams, carving its way into the distance. In that moment, I knew I had to find the right composition. After capturing the shot, I felt an immense sense of satisfaction and elation. Not just because I succeeded technically, but because the photograph embodied something deeper. It reminded me to adapt instead of resist, to pause and rethink instead of pushing blindly forward, and that sometimes, working with the forces around us leads to something far more meaningful. | Nicholas]]></title>
          <link>https://www.cizucu.com/it/photos/MCq2HUqc07Cf0tkiHfQs</link>
          <description><![CDATA[Guarda altre splendide opere di Nicholas su cizucu.]]></description>
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            <name>Nicholas</name>
            <uri>https://www.cizucu.com/it/nickkloo</uri>
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          <pubDate>Sat, 17 Jan 2026 23:42:28 GMT</pubDate>
          <atom:updated>2026-01-17T23:42:28+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken in 2019 in South Iceland during a road trip to celebrate turning thirty that year. Back then, it didn’t just mark a birthday, but also a personal milestone, one that was of pausing, reflecting, and choosing to step into a new decade with curiosity and courage. This image wasn’t easy to capture. Iceland is known for its powerful winds, and flying a drone against those winds meant that the drone's battery would drain much more quickly. I quickly realised that flying harder was not the way to go, and that I had to think differently. Instead of forcing my way through the wind, I had to allow the wind to work with me. So I landed the drone, hopped into the car with my friends, and drove nearly two kilometres ahead before launching my drone again, allowing the winds to guide me as I surveyed the landscape. By then, a storm was approaching, and I felt a strong sense of urgency, but I knew I had to stay focused and calm. Then this river stood out amongst the smaller streams, carving its way into the distance. In that moment, I knew I had to find the right composition. After capturing the shot, I felt an immense sense of satisfaction and elation. Not just because I succeeded technically, but because the photograph embodied something deeper. It reminded me to adapt instead of resist, to pause and rethink instead of pushing blindly forward, and that sometimes, working with the forces around us leads to something far more meaningful. | Nicholas]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Nicholas su cizucu.]]></media:description>
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