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          <title><![CDATA[Letters from traditional | herohero228]]></title>
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          <pubDate>Sat, 01 Jun 2024 18:51:47 GMT</pubDate>
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          <title><![CDATA[#frame  日枝神社  #HIE #shrine #gate #NGC #CYD #tokyo #Traditional culture #japan | つばさ製作所]]></title>
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          <description><![CDATA[Scarica foto di Porta giapponese tradizionale con un santuario visibile sullo sfondo di alta qualità e gratuite scattate da つばさ製作所 su cizucu.]]></description>
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          <pubDate>Mon, 17 Feb 2025 21:17:25 GMT</pubDate>
          <atom:updated>2025-03-27T23:58:02+09:00</atom:updated>
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          <title><![CDATA[Origami is a traditional Japanese art. You can play with just one sheet of paper.  Please come to Japan and experience Origami ! | bikkya]]></title>
          <link>https://www.cizucu.com/it/photos/O4QKX14iBOci4WSaGvUW</link>
          <description><![CDATA[Scarica foto di Gru in origami rossa che galleggia su uno sfondo scuro di alta qualità e gratuite scattate da bikkya su cizucu.]]></description>
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          <pubDate>Sun, 26 May 2024 15:52:21 GMT</pubDate>
          <atom:updated>2025-03-27T23:52:37+09:00</atom:updated>
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            <media:description><![CDATA[Scarica foto di Gru in origami rossa che galleggia su uno sfondo scuro di alta qualità e gratuite scattate da bikkya su cizucu.]]></media:description>
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          <title><![CDATA[遠く離れる私に友人が贈ってくれた可愛いおひなさま。毎年飾ってお祝いするたびに一つ歳を重ねる。  ＃おひなさま ＃贈り物 ＃お祝い ＃誕生日 #hinamatsuri #hina-dolls #doll'sday #traditional #still-life #march #birthday | littlekiss photography]]></title>
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          <pubDate>Thu, 28 Mar 2024 03:32:05 GMT</pubDate>
          <atom:updated>2024-11-20T04:51:39+09:00</atom:updated>
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          <title><![CDATA[Traditional juice vendor in Taiwan | Sullivan]]></title>
          <link>https://www.cizucu.com/it/photos/LE8rlzssfDiVHDuom7yG</link>
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          <pubDate>Sun, 01 Feb 2026 14:55:44 GMT</pubDate>
          <atom:updated>2026-02-01T14:55:44+09:00</atom:updated>
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            <media:title><![CDATA[Traditional juice vendor in Taiwan | Sullivan]]></media:title>
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          <title><![CDATA[Portrait of a Kyudo practitioner wearing a traditional custom. | Edder Vargas]]></title>
          <link>https://www.cizucu.com/it/photos/rTJmNWhyrxLxWGjXKY3v</link>
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          <pubDate>Tue, 07 Apr 2026 12:16:25 GMT</pubDate>
          <atom:updated>2026-04-07T12:16:25+09:00</atom:updated>
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          <title><![CDATA[早池峰神社例大祭 岳神楽 #日本　#伝統芸能　#神楽 #岩手県　#早池峰神楽  #japanese #culture #traditional | kodashimylife]]></title>
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          <pubDate>Mon, 04 Aug 2025 17:01:09 GMT</pubDate>
          <atom:updated>2025-08-04T17:01:09+09:00</atom:updated>
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          <title><![CDATA[In the Altay Mountains of Xinjiang Uyghur Autonomous Region, a Kazakh man blows a sybyzgy (a traditional Kazakh wind instrument) on a frozen lake. | Rudy]]></title>
          <link>https://www.cizucu.com/it/photos/MkSbvygLFumzK0CSRB4p</link>
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          <pubDate>Tue, 10 Mar 2026 22:09:16 GMT</pubDate>
          <atom:updated>2026-03-10T22:09:16+09:00</atom:updated>
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          <title><![CDATA[I took this photo in Wakhari pandharpur right after the Ringan Sohala was over. Even after walking for so many days, the Warkari still had so much energy left to play these traditional games. I saw them starting to form these human pyramids and circles, and I knew I had to get a different view. I actually sat down on the ground and leaned back to shoot from a very low angle. I wanted to show how they look up at each other and support one another. You can see the mud and sweat on their faces, but more than that, you just see how happy they are to be together in that moment. | msquare more]]></title>
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          <pubDate>Fri, 13 Mar 2026 04:24:26 GMT</pubDate>
          <atom:updated>2026-03-13T04:24:26+09:00</atom:updated>
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          <title><![CDATA[Capturing this moment during the Raulane festival was a race against the clock. The narrow, sloping lanes were crowded with people, making it difficult to find a clear spot to stand. As the procession moved quickly downhill, I had only a split second to frame the shot through my viewfinder. The central figure, wearing a traditional mask and a crown of bright pom-poms, is the heart of the image. Surrounded by local women in their signature Himachali caps, the scene shows the living history of the mountains. This photo isn't just about a festival; it’s about the luck and timing required to catch a sacred tradition in motion, right in the middle of a busy, cramped street. | shantanu sarwade]]></title>
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          <pubDate>Fri, 13 Mar 2026 01:38:35 GMT</pubDate>
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          <title><![CDATA[I took this photo in Wakhari right after the Ringan Sohala was over. Even after walking for so many days, the Warkaris still had so much energy left to play these traditional games. I saw them starting to form these human pyramids and circles, and I knew I had to get a different view. I actually sat down on the ground and leaned back to shoot from a very low angle. I wanted to show how they look up at each other and support one another. You can see the mud and sweat on their faces, but more than that, you just see how happy they are to be together in that moment. | msquare more]]></title>
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          <pubDate>Fri, 13 Mar 2026 04:31:49 GMT</pubDate>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Ek Cheeze Dikhau su cizucu.]]></description>
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          <pubDate>Thu, 05 Mar 2026 03:55:29 GMT</pubDate>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <pubDate>Thu, 26 Feb 2026 19:22:02 GMT</pubDate>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <pubDate>Thu, 05 Mar 2026 03:14:04 GMT</pubDate>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <pubDate>Thu, 26 Feb 2026 18:25:42 GMT</pubDate>
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          <title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></title>
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          <pubDate>Sun, 15 Mar 2026 16:26:26 GMT</pubDate>
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          <title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></title>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
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          <pubDate>Sun, 22 Mar 2026 16:38:29 GMT</pubDate>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
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          <pubDate>Sun, 22 Mar 2026 16:32:12 GMT</pubDate>
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