Foto di Survival | Scarica immagini royalty-free e in alta risoluzione https://www.cizucu.com/it/explore/photos/survival it 2026-04-04T14:45:25+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. it https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[「Ice Age survivor」 location📍Hokkaido #Hokkaido #wildlife #animal #nature #mountain #秋 #ナキウサギ #登山 #北海道 #自然 #野生動物 #動物 | haru_wildlife]]> https://www.cizucu.com/it/photos/QikCy71AIpIkgmKlCZD1 haru_wildlife https://www.cizucu.com/it/haru_wildlife_ https://www.cizucu.com/it/photos/QikCy71AIpIkgmKlCZD1 Tue, 17 Sep 2024 21:12:57 GMT 2025-03-27T23:54:55+09:00 https://cdn.cizucu.com/images/photos/QikCy71AIpIkgmKlCZD1.jpg?auto=compress,format <![CDATA[The sight of mighty mountains made me realise how trivial we actually are...and no matter how much we (humans) may try to conquer - there is no winning from those who have survived for millions of years | awwsoumm]]> https://www.cizucu.com/it/photos/wFpdEvwDweDAtd5Nf7kl awwsoumm https://www.cizucu.com/it/users/WwwcAoWygLdf1FAiexi44qhI5Gz2 https://www.cizucu.com/it/photos/wFpdEvwDweDAtd5Nf7kl Tue, 17 Mar 2026 21:05:49 GMT 2026-03-17T21:05:49+09:00 https://cdn.cizucu.com/images/photos/wFpdEvwDweDAtd5Nf7kl.jpg?auto=compress,format <![CDATA[This is the man hanging out in Prague. I feel like this depicts our daily struggle to survive in our cut throat working culture. | Jonathan Hosea]]> https://www.cizucu.com/it/photos/KEo7lQWTiNz5MNSK5bCT Jonathan Hosea https://www.cizucu.com/it/users/ruGhhlOJk8PXxwvQok30IK0W8JE3 https://www.cizucu.com/it/photos/KEo7lQWTiNz5MNSK5bCT Mon, 23 Mar 2026 00:12:05 GMT 2026-03-23T00:12:05+09:00 https://cdn.cizucu.com/images/photos/KEo7lQWTiNz5MNSK5bCT.jpg?auto=compress,format <![CDATA['The Master of Stares' Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands. Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect. Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/it/photos/GmG5c98t8qyvIemmkbiY Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/it/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/it/photos/GmG5c98t8qyvIemmkbiY Mon, 16 Mar 2026 19:26:03 GMT 2026-03-16T19:26:03+09:00 https://cdn.cizucu.com/images/photos/GmG5c98t8qyvIemmkbiY.jpg?auto=compress,format <![CDATA[As the games intensify, crowds gather to watch these battles of wits. The spectators watch as if, for this brief moment, nothing else in the world matters. The person in the background wearing a cap that reads “Survival,” as if this game were a life-or-death match. | François Aubry]]> https://www.cizucu.com/it/photos/JOwJqZX3hmw6nhuuoknk François Aubry https://www.cizucu.com/it/users/gXllw3idrBZuCqVXPhdOtGLxigK2 https://www.cizucu.com/it/photos/JOwJqZX3hmw6nhuuoknk Sun, 30 Nov 2025 20:50:01 GMT 2025-11-30T20:50:01+09:00 https://cdn.cizucu.com/images/photos/JOwJqZX3hmw6nhuuoknk.jpg?auto=compress,format <![CDATA[“The Master of Stillness” Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands. Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.” Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/it/photos/1eyhxZQn4uTXWO7fHhv6 Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/it/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/it/photos/1eyhxZQn4uTXWO7fHhv6 Sat, 24 Jan 2026 20:08:23 GMT 2026-01-24T20:08:23+09:00 https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?auto=compress,format <![CDATA[In a city where ownership is rare and expression is regulated, this photograph captures the quiet reverence of Singapore’s car culture. Shaped by strict modification laws, soaring COE prices, and rising costs, each car becomes more than a machine — it is a symbol of devotion, restraint, and identity. What survives here is not excess, but intention: a sacred culture forged under limitation. | DORI]]> https://www.cizucu.com/it/photos/lUrE5MibITOs7WRzW9cq DORI https://www.cizucu.com/it/users/rBtgck6LohNr32NPWArgW9eXBCv2 https://www.cizucu.com/it/photos/lUrE5MibITOs7WRzW9cq Sat, 10 Jan 2026 14:29:13 GMT 2026-01-10T14:29:13+09:00 https://cdn.cizucu.com/images/photos/lUrE5MibITOs7WRzW9cq.jpg?auto=compress,format <![CDATA[Agony Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface. In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm. This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]> https://www.cizucu.com/it/photos/c4l8EClWI13vYtOt0C54 Urasha https://www.cizucu.com/it/users/Tg8TYJOeO8hOTqB24cbHJsJ9RmD3 https://www.cizucu.com/it/photos/c4l8EClWI13vYtOt0C54 Fri, 13 Feb 2026 01:37:10 GMT 2026-02-13T01:37:10+09:00 https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/it/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/it/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/it/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:51:53+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format <![CDATA[This photograph was taken at 萬里海灘 in Taiwan. On that day, a friend and I planned to photograph each other using film cameras. What remains in this image is not a pose, but the most honest moment I saw of him. I have always felt that he is a unique person. Perhaps shaped by certain experiences, there is a quiet loneliness in his eyes whenever we talk. Even when he says “it’s fine” or “it doesn’t matter,” that gaze never truly disappears. This photograph focuses on his eyes — the moment I realized that although we were traveling together, the loneliness was still there. Unique people often walk alone, yet continue to survive gently in this world. This work is dedicated to everyone who feels lonely, but keeps moving forward, including myself. | Erica_林瑋瑜]]> https://www.cizucu.com/it/photos/f18ScarEIZLJgxhe8xOy Erica_林瑋瑜 https://www.cizucu.com/it/erica09174 https://www.cizucu.com/it/photos/f18ScarEIZLJgxhe8xOy Wed, 18 Feb 2026 13:09:43 GMT 2026-02-18T13:09:43+09:00 https://cdn.cizucu.com/images/photos/f18ScarEIZLJgxhe8xOy.jpg?auto=compress,format <![CDATA[Living in Happyland In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in. I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere. As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances. This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]> https://www.cizucu.com/it/photos/5rLps4AdmWu1rEHn4sQW Victor Tan KH https://www.cizucu.com/it/users/iVywoqF9Dgd0tIYYYiwLtXXfs1n2 https://www.cizucu.com/it/photos/5rLps4AdmWu1rEHn4sQW Sun, 18 Jan 2026 21:43:45 GMT 2026-01-18T21:43:45+09:00 https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?auto=compress,format