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          <title><![CDATA[「Mother's Strength」  location📍Hokkaido  #Hokkaido #fox #animal #wildlife #nature #キタキツネ | haru_wildlife]]></title>
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          <pubDate>Tue, 07 May 2024 21:33:59 GMT</pubDate>
          <atom:updated>2025-03-27T23:54:15+09:00</atom:updated>
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          <title><![CDATA[「Wild Strength」  location📍Hokkaido  #Hokkaido #wildlife #redfox #animal #nature #fox | haru_wildlife]]></title>
          <link>https://www.cizucu.com/it/photos/I48Yt96KbUTY2BjXVax4</link>
          <description><![CDATA[Scarica foto di Primo piano di una volpe rossa che guarda di lato nella neve di alta qualità e gratuite scattate da haru_wildlife su cizucu.]]></description>
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          <pubDate>Sun, 31 Mar 2024 09:25:50 GMT</pubDate>
          <atom:updated>2024-11-19T22:29:32+09:00</atom:updated>
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          <title><![CDATA[A tiny strength aspiring toward a grand power.  #pray | Room11]]></title>
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            <name>Room11</name>
            <uri>https://www.cizucu.com/it/kroom811</uri>
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          <pubDate>Mon, 12 Jan 2026 22:49:29 GMT</pubDate>
          <atom:updated>2026-01-12T22:49:29+09:00</atom:updated>
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          <title><![CDATA[Darkness, forcing truth, revealing hidden strength or ending illusions. | Anamika]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Anamika su cizucu.]]></description>
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          <pubDate>Sun, 22 Feb 2026 11:18:47 GMT</pubDate>
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            <media:title><![CDATA[Darkness, forcing truth, revealing hidden strength or ending illusions. | Anamika]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Anamika su cizucu.]]></media:description>
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          <title><![CDATA['Texture & Form'  A close study of an elephant’s trunk and tusk highlights the textures and structure that define its strength - form shaped by both function and time. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/it/photos/X13jRQpvvliICdDokUdD</link>
          <description><![CDATA[Guarda altre splendide opere di Jasmine Ee (Wildlife with Jas) su cizucu.]]></description>
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            <name>Jasmine Ee (Wildlife with Jas)</name>
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          <pubDate>Mon, 06 Apr 2026 19:54:16 GMT</pubDate>
          <atom:updated>2026-04-06T19:54:16+09:00</atom:updated>
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            <media:title><![CDATA['Texture & Form'  A close study of an elephant’s trunk and tusk highlights the textures and structure that define its strength - form shaped by both function and time. | Jasmine Ee (Wildlife with Jas)]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Jasmine Ee (Wildlife with Jas) su cizucu.]]></media:description>
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          <title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></title>
          <link>https://www.cizucu.com/it/photos/G1pEI8qxiuHKo467vUR2</link>
          <description><![CDATA[Guarda altre splendide opere di Shawn Lim su cizucu.]]></description>
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            <name>Shawn Lim</name>
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          <pubDate>Sat, 17 Jan 2026 02:27:45 GMT</pubDate>
          <atom:updated>2026-01-17T02:27:45+09:00</atom:updated>
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            <media:title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Shawn Lim su cizucu.]]></media:description>
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          <title><![CDATA[Years of ballet are built quietly, repeating the fundamentals until they become instinct. Before pointe comes patience: the strength no one sees, the discipline no one applauds, the resilience that keeps showing up.  This was her first pair of pointe shoes, a milestone earned and a photograph she asked for to celebrate the moment. | keithwee]]></title>
          <link>https://www.cizucu.com/it/photos/cB57oP00GBolvl17Bqt2</link>
          <description><![CDATA[Guarda altre splendide opere di keithwee su cizucu.]]></description>
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            <name>keithwee</name>
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          <pubDate>Tue, 13 Jan 2026 22:38:30 GMT</pubDate>
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            <media:title><![CDATA[Years of ballet are built quietly, repeating the fundamentals until they become instinct. Before pointe comes patience: the strength no one sees, the discipline no one applauds, the resilience that keeps showing up.  This was her first pair of pointe shoes, a milestone earned and a photograph she asked for to celebrate the moment. | keithwee]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di keithwee su cizucu.]]></media:description>
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          <title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></title>
          <link>https://www.cizucu.com/it/photos/l7VzRAizhwBNTQosF4N3</link>
          <description><![CDATA[Guarda altre splendide opere di Liza Medvedeva su cizucu.]]></description>
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            <name>Liza Medvedeva</name>
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          <pubDate>Sun, 15 Feb 2026 17:10:10 GMT</pubDate>
          <atom:updated>2026-02-15T17:10:10+09:00</atom:updated>
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            <media:title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Liza Medvedeva su cizucu.]]></media:description>
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          <title><![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words.  Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come.  The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life.  Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]></title>
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          <title><![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly. Growing up in poverty, she had to help with farming from a very young age. Years of hard labor and heavy housework have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for— the hands that held me and protected me as I grew up. Through this image, I hope more people can see the strength, history, and quiet magnificence these hands carry.  これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。 貧しい家庭に育ち、 幼い頃から農作業を手伝ってきました。 長年の労働と家事によって、 その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は 私を抱き、守り、育ててくれた大切な手です。 この写真を通して、 この手に刻まれた力強い歴史と、 その中にある静かな美しさが伝わればと思います。    這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。 因為從小家境貧困， 年幼時便要協助耕作。 長年的勞動與繁重的家務， 讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手—— 捧著我、守護著我長大。 我希望， 能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai  蔡易蓁]]></title>
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          <description><![CDATA[Guarda altre splendide opere di JoJo Tsai  蔡易蓁 su cizucu.]]></description>
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          <pubDate>Thu, 19 Feb 2026 04:15:08 GMT</pubDate>
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          <title><![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly. Growing up in poverty, she had to help with farming from a very young age. Years of hard labor and heavy housework have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for— the hands that held me and protected me as I grew up. Through this image, I hope more people can see the strength, history, and quiet magnificence these hands carry.  これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。 貧しい家庭に育ち、 幼い頃から農作業を手伝ってきました。 長年の労働と家事によって、 その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は 私を抱き、守り、育ててくれた大切な手です。 この写真を通して、 この手に刻まれた力強い歴史と、 その中にある静かな美しさが伝わればと思います。    這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。 因為從小家境貧困， 年幼時便要協助耕作。 長年的勞動與繁重的家務， 讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手—— 捧著我、守護著我長大。 我希望， 能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai  蔡易蓁]]></title>
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          <pubDate>Thu, 19 Feb 2026 04:18:22 GMT</pubDate>
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