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          <title><![CDATA[No winter lasts forever.  No spring skips its turn. | Yosuke0312]]></title>
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          <pubDate>Mon, 24 Feb 2025 17:39:12 GMT</pubDate>
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          <title><![CDATA[Due bottiglie di siero per la cura della pelle su un tavolo di legno | ITSUKI WATANABE]]></title>
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          <pubDate>Sat, 08 Mar 2025 10:55:30 GMT</pubDate>
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          <title><![CDATA[化粧品  #イメージ #物撮り | fujikko]]></title>
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          <description><![CDATA[Scarica foto di Prodotti per la cura della pelle tra cui crema solare e siero disposti con un limone su uno sfondo blu di alta qualità e gratuite scattate da fujikko su cizucu.]]></description>
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          <pubDate>Mon, 10 Feb 2025 12:14:26 GMT</pubDate>
          <atom:updated>2025-02-15T20:10:47+09:00</atom:updated>
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          <title><![CDATA[Quattro dolci gnocchi su skewers serviti su un piatto bianco | しろくてしろい]]></title>
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          <pubDate>Thu, 29 Feb 2024 13:07:42 GMT</pubDate>
          <atom:updated>2024-11-22T08:54:17+09:00</atom:updated>
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          <title><![CDATA[Father shows his fishing skills | S.Kenny]]></title>
          <link>https://www.cizucu.com/it/photos/cZtfTkRWnaHfIkEfMO2I</link>
          <description><![CDATA[Guarda altre splendide opere di S.Kenny su cizucu.]]></description>
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          <pubDate>Mon, 28 Jul 2025 13:57:04 GMT</pubDate>
          <atom:updated>2025-07-28T13:57:04+09:00</atom:updated>
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          <title><![CDATA[White Skirt | 佐藤マコト]]></title>
          <link>https://www.cizucu.com/it/photos/866qYDIRhaX5gcYMZCd5</link>
          <description><![CDATA[Guarda altre splendide opere di 佐藤マコト su cizucu.]]></description>
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          <pubDate>Sun, 11 Jan 2026 14:38:11 GMT</pubDate>
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          <title><![CDATA[A fisheye perspective transforms the iconic Supertree Grove into a glowing cosmic canopy, bending the OCBC Skyway into an arc that frames the entire expanse.  Singapore rarely gets clear, starry night skies but in this moment, the illuminated Supertrees become our constellations. Their pink and violet lights scatter across the darkness like stars, transforming the urban canopy into a galaxy of our own. | kevouthere]]></title>
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          <description><![CDATA[Guarda altre splendide opere di kevouthere su cizucu.]]></description>
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          <pubDate>Wed, 18 Feb 2026 20:05:35 GMT</pubDate>
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            <media:title><![CDATA[A fisheye perspective transforms the iconic Supertree Grove into a glowing cosmic canopy, bending the OCBC Skyway into an arc that frames the entire expanse.  Singapore rarely gets clear, starry night skies but in this moment, the illuminated Supertrees become our constellations. Their pink and violet lights scatter across the darkness like stars, transforming the urban canopy into a galaxy of our own. | kevouthere]]></media:title>
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          <title><![CDATA[빠른 세상 속, 나의 느린 필름이 감기는 곳. 현상소 문을 열 때면 마음은 늘 처음처럼 설렌다. - In a rushing world, this is where my slow film winds. Each time I open the lab door, my heart stirs as if for the first time. | 0516film]]></title>
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          <description><![CDATA[Guarda altre splendide opere di 0516film su cizucu.]]></description>
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          <pubDate>Tue, 02 Sep 2025 09:42:37 GMT</pubDate>
          <atom:updated>2025-09-02T09:42:37+09:00</atom:updated>
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            <media:title><![CDATA[빠른 세상 속, 나의 느린 필름이 감기는 곳. 현상소 문을 열 때면 마음은 늘 처음처럼 설렌다. - In a rushing world, this is where my slow film winds. Each time I open the lab door, my heart stirs as if for the first time. | 0516film]]></media:title>
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          <title><![CDATA[That day, my brother and I braved our fist self-guided multi-day adventure through the Central Highlands of Tasmania/Luruwita. What looked like clear skies and path ahead took a turn when a raging blizzard arrived in the first hour. In hindsight, it was quite telling of what else lay ahead. That day was just the beginning of what we now reflect on as “The Hero’s Journey”. | nai.msz]]></title>
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          <pubDate>Sun, 15 Mar 2026 20:03:55 GMT</pubDate>
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            <media:title><![CDATA[That day, my brother and I braved our fist self-guided multi-day adventure through the Central Highlands of Tasmania/Luruwita. What looked like clear skies and path ahead took a turn when a raging blizzard arrived in the first hour. In hindsight, it was quite telling of what else lay ahead. That day was just the beginning of what we now reflect on as “The Hero’s Journey”. | nai.msz]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di nai.msz su cizucu.]]></media:description>
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          <title><![CDATA[Wong Kar Wai's Rhapsody. Inspired by the color palette of Wong Kar-wai’s cinema, this photograph explores memory as atmosphere rather than narrative. The yellow-green room evokes a childhood space altered by time, while the girl’s tights and skirt reference images I once loved and imagined for myself. The work becomes a projection of past emotions—uncertain, intimate, and softly lingering. | Erica_林瑋瑜]]></title>
          <link>https://www.cizucu.com/it/photos/JY74wsRQI1CZhEOkJ8cN</link>
          <description><![CDATA[Guarda altre splendide opere di Erica_林瑋瑜 su cizucu.]]></description>
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            <name>Erica_林瑋瑜</name>
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          <pubDate>Thu, 22 Jan 2026 22:48:13 GMT</pubDate>
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            <media:title><![CDATA[Wong Kar Wai's Rhapsody. Inspired by the color palette of Wong Kar-wai’s cinema, this photograph explores memory as atmosphere rather than narrative. The yellow-green room evokes a childhood space altered by time, while the girl’s tights and skirt reference images I once loved and imagined for myself. The work becomes a projection of past emotions—uncertain, intimate, and softly lingering. | Erica_林瑋瑜]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Erica_林瑋瑜 su cizucu.]]></media:description>
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          <title><![CDATA[Dreams here are not just pretty images, they are paths to travel, skies to soar, minimal lights at the end of an immense corridor. Architecture becomes a metaphor for the process, a liminal space: the darkness is the fears and those slits of light are the ideas and desires that call us from afar. What invites us to transit, always in movement towards that clarity and to the transit through new nuances: search, get lost, try again. In the end, more than finding a perfect dream, what remains is the mark of the path traveled, the wake of that inner journey that reveals who we are when we decide to follow what our spirit yearns for. | Daniel]]></title>
          <link>https://www.cizucu.com/it/photos/ZnyO3IOFX2BuEHliyvOr</link>
          <description><![CDATA[Guarda altre splendide opere di Daniel su cizucu.]]></description>
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            <name>Daniel</name>
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          <pubDate>Sun, 05 Apr 2026 19:57:46 GMT</pubDate>
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            <media:title><![CDATA[Dreams here are not just pretty images, they are paths to travel, skies to soar, minimal lights at the end of an immense corridor. Architecture becomes a metaphor for the process, a liminal space: the darkness is the fears and those slits of light are the ideas and desires that call us from afar. What invites us to transit, always in movement towards that clarity and to the transit through new nuances: search, get lost, try again. In the end, more than finding a perfect dream, what remains is the mark of the path traveled, the wake of that inner journey that reveals who we are when we decide to follow what our spirit yearns for. | Daniel]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Daniel su cizucu.]]></media:description>
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          <title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></title>
          <link>https://www.cizucu.com/it/photos/ZGnqRjAS6NTCzWe3Irv5</link>
          <description><![CDATA[Guarda altre splendide opere di analogbysissi su cizucu.]]></description>
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            <name>analogbysissi</name>
            <uri>https://www.cizucu.com/it/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2</uri>
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          <pubDate>Wed, 25 Mar 2026 15:24:24 GMT</pubDate>
          <atom:updated>2026-03-25T15:24:24+09:00</atom:updated>
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            <media:title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di analogbysissi su cizucu.]]></media:description>
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