Foto di Reliefs | Scarica immagini royalty-free e in alta risoluzione https://www.cizucu.com/it/explore/photos/reliefs it 2026-04-11T12:41:44+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. it https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[カンボジア大使館のレリーフ #Cambodia #Relief #gold #Anembassy #AKS #MNT #tokyo #cityscape | つばさ製作所]]> https://www.cizucu.com/it/photos/7d4iMDAU4GvztBSnR86z つばさ製作所 https://www.cizucu.com/it/tsubasa_mfg https://www.cizucu.com/it/photos/7d4iMDAU4GvztBSnR86z Thu, 13 Feb 2025 22:04:51 GMT 2025-02-15T22:32:59+09:00 https://cdn.cizucu.com/images/photos/7d4iMDAU4GvztBSnR86z.jpg?auto=compress,format <![CDATA[Primo piano di un reef corallino immerso in acqua blu | スサダイキ]]> https://www.cizucu.com/it/photos/jgfijXsjfAPgtRgA1qg9 スサダイキ https://www.cizucu.com/it/users/19zZbgWCrgXxM7HrZdHBVh8Obcd2 https://www.cizucu.com/it/photos/jgfijXsjfAPgtRgA1qg9 Mon, 11 Nov 2024 10:49:32 GMT 2024-11-11T10:49:59+09:00 https://cdn.cizucu.com/images/photos/jgfijXsjfAPgtRgA1qg9.jpg?auto=compress,format <![CDATA[フェンス越しのレリーフ #gold #relief #Cambodia #Akasaka #tokyo #cityscape | つばさ製作所]]> https://www.cizucu.com/it/photos/t7kIGQGrzWnwRSo6TZDu つばさ製作所 https://www.cizucu.com/it/tsubasa_mfg https://www.cizucu.com/it/photos/t7kIGQGrzWnwRSo6TZDu Wed, 18 Jun 2025 22:10:47 GMT 2025-06-18T22:10:47+09:00 https://cdn.cizucu.com/images/photos/t7kIGQGrzWnwRSo6TZDu.jpg?auto=compress,format <![CDATA[Relief | Thesaruuuuu]]> https://www.cizucu.com/it/photos/D6jvMFfxTvpGwMRQPHaI Thesaruuuuu https://www.cizucu.com/it/users/wQJvLvR860OA3A1r0knyqB5whMo1 https://www.cizucu.com/it/photos/D6jvMFfxTvpGwMRQPHaI Sun, 15 Feb 2026 11:25:39 GMT 2026-02-15T11:25:39+09:00 https://cdn.cizucu.com/images/photos/D6jvMFfxTvpGwMRQPHaI.jpg?auto=compress,format <![CDATA[Fronte di un vecchio camion esposto davanti a un muro blu con un'insegna per Road Relics | Pepper05]]> https://www.cizucu.com/it/photos/uKQof6yRDasH4bcTkndw Pepper05 https://www.cizucu.com/it/users/o0efczKoOkX7jqUaIq9AMvR33aW2 https://www.cizucu.com/it/photos/uKQof6yRDasH4bcTkndw Sat, 10 Feb 2024 19:41:57 GMT 2024-11-23T15:29:26+09:00 https://cdn.cizucu.com/images/photos/uKQof6yRDasH4bcTkndw.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/it/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/it/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/it/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:51:53+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format <![CDATA[This alley becomes a living metaphor of society’s layered realities. The beggar relies on other people's generosity. The rider chases progress. The buyer present who can afford the luxuries in life. All of them share the same narrow passage, brushing past one another, connected by space but separated by circumstance. The light pouring through the torn ceiling quietly suggests that while their journeys differ, they all walk beneath the same fragile shelter called life — where fate, opportunity, and struggle intersect in ways both visible and unseen. | donparohinog]]> https://www.cizucu.com/it/photos/ZPLdPl9OCw2jT7XnH1P4 donparohinog https://www.cizucu.com/it/users/XIR62JTKUiMagFjBwdux3bcrdK82 https://www.cizucu.com/it/photos/ZPLdPl9OCw2jT7XnH1P4 Fri, 13 Feb 2026 23:45:07 GMT 2026-02-13T23:45:07+09:00 https://cdn.cizucu.com/images/photos/ZPLdPl9OCw2jT7XnH1P4.jpg?auto=compress,format <![CDATA[Title: Dining with her Series: Dreams Status: On-going About: This is the first entry in this series, this as part of photo-essay will have a total of 15 main pictorial works and supporting supplements. “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage. REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief. This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function. I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations. - - - Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100 Fomadon LQN Year: August, 2025 - present Photo: November 2025 *** | Eli Mastaine]]> https://www.cizucu.com/it/photos/lLVqB9q7T3gHEIJx8LId Eli Mastaine https://www.cizucu.com/it/users/UfuI5w0ikDdd8SHxxQS0fW6D9dE3 https://www.cizucu.com/it/photos/lLVqB9q7T3gHEIJx8LId Mon, 09 Mar 2026 02:16:10 GMT 2026-03-09T02:16:10+09:00 https://cdn.cizucu.com/images/photos/lLVqB9q7T3gHEIJx8LId.jpg?auto=compress,format <![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season. At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future. Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]> https://www.cizucu.com/it/photos/pFQEsppBNxxk6rpAASrB Streetwala https://www.cizucu.com/it/users/OGYs9dPuIAXJAbbtI7qDEOZ2cq82 https://www.cizucu.com/it/photos/pFQEsppBNxxk6rpAASrB Wed, 25 Feb 2026 14:36:03 GMT 2026-02-25T14:36:03+09:00 https://cdn.cizucu.com/images/photos/pFQEsppBNxxk6rpAASrB.jpg?auto=compress,format