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          <title><![CDATA[キンシバイが最盛期。すごい勢いで咲いている   #flower #yellow #powerful | つばさ製作所]]></title>
          <link>https://www.cizucu.com/it/photos/bGnf1rC8EEoZruLy5iek</link>
          <description><![CDATA[Guarda altre splendide opere di つばさ製作所 su cizucu.]]></description>
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          <pubDate>Mon, 26 May 2025 22:54:05 GMT</pubDate>
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          <title><![CDATA[powerful | Nuki]]></title>
          <link>https://www.cizucu.com/it/photos/BorqwQC4KJvTYbI6fDGE</link>
          <description><![CDATA[Guarda altre splendide opere di Nuki su cizucu.]]></description>
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          <pubDate>Wed, 24 Sep 2025 12:35:01 GMT</pubDate>
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          <title><![CDATA[Red is not just what she wears—it’s what she carries. With her eyes hidden beneath the hat, there’s nothing to read, nothing to confirm—only presence. The red becomes her voice, holding strength, emotion, and everything she chooses not to reveal. She doesn’t need to be seen fully to be felt. What she carries is hers alone—steady, composed, and quietly powerful. | Bryan Goh]]></title>
          <link>https://www.cizucu.com/it/photos/aW8UJmaWO4w9dc2lwflc</link>
          <description><![CDATA[Guarda altre splendide opere di Bryan Goh su cizucu.]]></description>
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            <name>Bryan Goh</name>
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          <pubDate>Wed, 22 Apr 2026 15:06:19 GMT</pubDate>
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            <media:title><![CDATA[Red is not just what she wears—it’s what she carries. With her eyes hidden beneath the hat, there’s nothing to read, nothing to confirm—only presence. The red becomes her voice, holding strength, emotion, and everything she chooses not to reveal. She doesn’t need to be seen fully to be felt. What she carries is hers alone—steady, composed, and quietly powerful. | Bryan Goh]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Bryan Goh su cizucu.]]></media:description>
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          <title><![CDATA["In Darkness, We Find Light" Humanity has come so far to produce light and manipulate it that goes beyond its primary purpose which is to illuminate.  Now we use light to inspire and tell stories in the dark. Science and ingenuity is a powerful driving force of our current technology.  "Light Bending and Manipulation" with lens filters on multiple exposures capturing different artificial light sources. | JuskoLiy]]></title>
          <link>https://www.cizucu.com/it/photos/y4dUsQS7SWFJtsiebLQ6</link>
          <description><![CDATA[Guarda altre splendide opere di JuskoLiy su cizucu.]]></description>
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          <pubDate>Sat, 21 Mar 2026 09:11:14 GMT</pubDate>
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            <media:title><![CDATA["In Darkness, We Find Light" Humanity has come so far to produce light and manipulate it that goes beyond its primary purpose which is to illuminate.  Now we use light to inspire and tell stories in the dark. Science and ingenuity is a powerful driving force of our current technology.  "Light Bending and Manipulation" with lens filters on multiple exposures capturing different artificial light sources. | JuskoLiy]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di JuskoLiy su cizucu.]]></media:description>
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          <title><![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]></title>
          <link>https://www.cizucu.com/it/photos/V5JHBW1HDaXNSD8IsPHt</link>
          <description><![CDATA[Guarda altre splendide opere di Saikiran Kesari su cizucu.]]></description>
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            <name>Saikiran Kesari</name>
            <uri>https://www.cizucu.com/it/users/7yxwA3chDThYdBy723P8VLpXbGP2</uri>
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          <pubDate>Sun, 15 Mar 2026 19:21:10 GMT</pubDate>
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            <media:title><![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Saikiran Kesari su cizucu.]]></media:description>
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          <title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></title>
          <link>https://www.cizucu.com/it/photos/bm1s4iqsLRZClLEvpQxw</link>
          <description><![CDATA[Guarda altre splendide opere di Nishikantsnaps su cizucu.]]></description>
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            <name>Nishikantsnaps</name>
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          <pubDate>Fri, 13 Mar 2026 13:43:41 GMT</pubDate>
          <atom:updated>2026-03-13T13:43:41+09:00</atom:updated>
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            <media:title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></media:title>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Ek Cheeze Dikhau su cizucu.]]></description>
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            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/it/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 05 Mar 2026 03:55:29 GMT</pubDate>
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            <media:title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></media:title>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/it/photos/Jnx8ZtJKhekws72e8Vrq</link>
          <description><![CDATA[Guarda altre splendide opere di Ek Cheeze Dikhau su cizucu.]]></description>
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            <name>Ek Cheeze Dikhau</name>
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          <pubDate>Thu, 26 Feb 2026 19:22:02 GMT</pubDate>
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            <media:title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></media:title>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Ek Cheeze Dikhau su cizucu.]]></description>
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            <name>Ek Cheeze Dikhau</name>
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          <pubDate>Thu, 05 Mar 2026 03:14:04 GMT</pubDate>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Ek Cheeze Dikhau su cizucu.]]></description>
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            <name>Ek Cheeze Dikhau</name>
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          <pubDate>Thu, 26 Feb 2026 18:25:42 GMT</pubDate>
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          <title><![CDATA[A Language Beyond Words  Chiang Mai taught me that the deepest conversations do not always depend on perfect language.  I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper.  Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway   The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Lanna Shuttered Moments su cizucu.]]></description>
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            <name>Lanna Shuttered Moments</name>
            <uri>https://www.cizucu.com/it/users/zLWK6aZf3majg9NHN7feKot3mzs1</uri>
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          <pubDate>Sat, 14 Feb 2026 10:30:49 GMT</pubDate>
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            <media:title><![CDATA[A Language Beyond Words  Chiang Mai taught me that the deepest conversations do not always depend on perfect language.  I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper.  Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway   The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]></media:title>
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          <title><![CDATA[Title: Is this a Phoenix?  Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light.  This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration.  I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]></title>
          <link>https://www.cizucu.com/it/photos/HaRlbV8HZph6qTP7CEe0</link>
          <description><![CDATA[Guarda altre splendide opere di Victor Zhuo su cizucu.]]></description>
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            <name>Victor Zhuo</name>
            <uri>https://www.cizucu.com/it/users/4QDNraPSayPI6l1z44LmNKePpYg2</uri>
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          <pubDate>Tue, 06 Jan 2026 15:31:12 GMT</pubDate>
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            <media:description><![CDATA[Guarda altre splendide opere di Victor Zhuo su cizucu.]]></media:description>
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          <title><![CDATA[This photograph was taken in 2019 in South Iceland during a road trip to celebrate turning thirty that year. Back then, it didn’t just mark a birthday, but also a personal milestone, one that was of pausing, reflecting, and choosing to step into a new decade with curiosity and courage. This image wasn’t easy to capture. Iceland is known for its powerful winds, and flying a drone against those winds meant that the drone's battery would drain much more quickly. I quickly realised that flying harder was not the way to go, and that I had to think differently. Instead of forcing my way through the wind, I had to allow the wind to work with me. So I landed the drone, hopped into the car with my friends, and drove nearly two kilometres ahead before launching my drone again, allowing the winds to guide me as I surveyed the landscape. By then, a storm was approaching, and I felt a strong sense of urgency, but I knew I had to stay focused and calm. Then this river stood out amongst the smaller streams, carving its way into the distance. In that moment, I knew I had to find the right composition. After capturing the shot, I felt an immense sense of satisfaction and elation. Not just because I succeeded technically, but because the photograph embodied something deeper. It reminded me to adapt instead of resist, to pause and rethink instead of pushing blindly forward, and that sometimes, working with the forces around us leads to something far more meaningful. | Nicholas]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Nicholas su cizucu.]]></description>
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            <uri>https://www.cizucu.com/it/nickkloo</uri>
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          <pubDate>Sat, 17 Jan 2026 23:42:28 GMT</pubDate>
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            <media:title><![CDATA[This photograph was taken in 2019 in South Iceland during a road trip to celebrate turning thirty that year. Back then, it didn’t just mark a birthday, but also a personal milestone, one that was of pausing, reflecting, and choosing to step into a new decade with curiosity and courage. This image wasn’t easy to capture. Iceland is known for its powerful winds, and flying a drone against those winds meant that the drone's battery would drain much more quickly. I quickly realised that flying harder was not the way to go, and that I had to think differently. Instead of forcing my way through the wind, I had to allow the wind to work with me. So I landed the drone, hopped into the car with my friends, and drove nearly two kilometres ahead before launching my drone again, allowing the winds to guide me as I surveyed the landscape. By then, a storm was approaching, and I felt a strong sense of urgency, but I knew I had to stay focused and calm. Then this river stood out amongst the smaller streams, carving its way into the distance. In that moment, I knew I had to find the right composition. After capturing the shot, I felt an immense sense of satisfaction and elation. Not just because I succeeded technically, but because the photograph embodied something deeper. It reminded me to adapt instead of resist, to pause and rethink instead of pushing blindly forward, and that sometimes, working with the forces around us leads to something far more meaningful. | Nicholas]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Nicholas su cizucu.]]></media:description>
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