Foto di Place Name | Scarica immagini royalty-free e in alta risoluzione https://www.cizucu.com/it/explore/photos/place-name it 2026-05-28T04:55:29+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. it https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[insegna del nome della stazione con « Samani » e « Nishisamani » | taso583]]> https://www.cizucu.com/it/photos/YSmutiur3hMXn07Sfvne taso583 https://www.cizucu.com/it/users/84bpnu1F7PZAQdAicu8ymWEQ1db2 https://www.cizucu.com/it/photos/YSmutiur3hMXn07Sfvne Tue, 27 Aug 2024 20:53:25 GMT 2026-01-21T06:18:47+09:00 https://cdn.cizucu.com/images/photos/YSmutiur3hMXn07Sfvne.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[primo piano di un cartello con i nomi dei luoghi Urakawa e Hidaka | taso583]]> https://www.cizucu.com/it/photos/Z29H5lacFUPx4hzVab5Z taso583 https://www.cizucu.com/it/users/84bpnu1F7PZAQdAicu8ymWEQ1db2 https://www.cizucu.com/it/photos/Z29H5lacFUPx4hzVab5Z Tue, 27 Aug 2024 20:51:04 GMT 2026-05-06T20:46:26+09:00 https://cdn.cizucu.com/images/photos/Z29H5lacFUPx4hzVab5Z.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[Cartello stradale con nomi di luoghi giapponesi e frecce direzionali | 木葉]]> https://www.cizucu.com/it/photos/pWWRcok6KOvUizsSVIEb 木葉 https://www.cizucu.com/it/users/uUbL0Bl0bUQ7RE4vveiN8jOVIl33 https://www.cizucu.com/it/photos/pWWRcok6KOvUizsSVIEb Fri, 29 Mar 2024 17:44:13 GMT 2026-01-22T11:54:15+09:00 https://cdn.cizucu.com/images/photos/pWWRcok6KOvUizsSVIEb.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[Biciclette e cartello informativo davanti alla stazione di Odabayashi | エルエルシー]]> https://www.cizucu.com/it/photos/rQhPsIQ1uVVQEjFhtKqK エルエルシー https://www.cizucu.com/it/users/0H3PuPkjF8Yhs1Dc5tH3ABFbEQy1 https://www.cizucu.com/it/photos/rQhPsIQ1uVVQEjFhtKqK Thu, 09 May 2024 10:25:52 GMT 2026-05-08T04:18:29+09:00 https://cdn.cizucu.com/images/photos/rQhPsIQ1uVVQEjFhtKqK.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[Insegna dei nomi della stazione con “Obasute” e altri toponimi | 木葉]]> https://www.cizucu.com/it/photos/shvTlQMuZjGa9xhqQK9L 木葉 https://www.cizucu.com/it/users/uUbL0Bl0bUQ7RE4vveiN8jOVIl33 https://www.cizucu.com/it/photos/shvTlQMuZjGa9xhqQK9L Fri, 29 Mar 2024 17:44:06 GMT 2026-01-22T11:55:44+09:00 https://cdn.cizucu.com/images/photos/shvTlQMuZjGa9xhqQK9L.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[That day, Smoke hung in the air. Mahjong tiles cracked against the table like small acts of violence. Under a single lamp, the players emerged just enough to be seen, then slipped back into shadow. No names. No introductions. No one cared who you were outside the light. All that matters, IS TO WIN. This is a recreation of what it was like, The outfits were planned to fit how it was like. and only the lady boss of the house was the prominent one. the rest were just name less and fodder in the place. | Justin Ignatius Seow]]> https://www.cizucu.com/it/photos/OJq0C8tvGcOSUud9DHMx Justin Ignatius Seow https://www.cizucu.com/it/users/Xio2aQc1xLVifEs8ZWI9QhWKGVz1 https://www.cizucu.com/it/photos/OJq0C8tvGcOSUud9DHMx Mon, 16 Mar 2026 19:36:54 GMT 2026-05-03T13:44:34+09:00 https://cdn.cizucu.com/images/photos/OJq0C8tvGcOSUud9DHMx.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/it/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/it/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/it/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:52:00+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=format%2Ccompress&cs=srgb