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      <description><![CDATA[Trova le migliori 8 foto Opportunità in alta risoluzione su cizucu. Tutte sono royalty-free, gratuite da scaricare e perfette per qualsiasi progetto, senza necessità di attribuzione.]]></description>
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          <title><![CDATA[【夢】 夢だけは誰もが買える事が出来る。  #宝くじ #チャンスセンター #SNAP #Monochrome #夢を買う | RYUURI]]></title>
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          <description><![CDATA[Scarica su cizucu un'immagine gratuita e di alta qualità di RYUURI raffigurante Scena urbana in monocromo davanti a un centro scommesse/lotto con persone.]]></description>
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            <name>RYUURI</name>
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          <pubDate>Sat, 03 Aug 2024 18:26:51 GMT</pubDate>
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            <media:description><![CDATA[Scarica su cizucu un'immagine gratuita e di alta qualità di RYUURI raffigurante Scena urbana in monocromo davanti a un centro scommesse/lotto con persone.]]></media:description>
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          <title><![CDATA[I believe that: To be a photographer is to be willing to give up the opportunity of admiring the present moment, to exclude ourselves from reality, in order to immortalize a fraction of a second.  As the shutter opens and the viewfinder dims, all what is left of that moment in our memory is pitch black, but is also immortalized on the film. | vemuon]]></title>
          <link>https://www.cizucu.com/it/photos/l6PApopjFqAxzegIdmWb</link>
          <description><![CDATA[Guarda altre splendide opere di vemuon su cizucu.]]></description>
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          <pubDate>Tue, 20 Feb 2024 20:58:35 GMT</pubDate>
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            <media:title><![CDATA[I believe that: To be a photographer is to be willing to give up the opportunity of admiring the present moment, to exclude ourselves from reality, in order to immortalize a fraction of a second.  As the shutter opens and the viewfinder dims, all what is left of that moment in our memory is pitch black, but is also immortalized on the film. | vemuon]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di vemuon su cizucu.]]></media:description>
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          <title><![CDATA[When I got stuck in Vietnam for about five months during the pandemic, it made me realize that it's possible to have a life outside my home country with only a few things with me.  In 2022, when some countries slowly started opening up again, I decided to take the opportunity to go somewhere far for at least a year. Somehow, I ended up in Latin America.  My first stop was Perú. | Gemille]]></title>
          <link>https://www.cizucu.com/it/photos/s65vpQ0QqettMSkqyDml</link>
          <description><![CDATA[Guarda altre splendide opere di Gemille su cizucu.]]></description>
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            <name>Gemille</name>
            <uri>https://www.cizucu.com/it/users/vHupKCVWeAc7ks57TyoOEaIhk5A3</uri>
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          <pubDate>Sun, 05 Apr 2026 02:11:15 GMT</pubDate>
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            <media:title><![CDATA[When I got stuck in Vietnam for about five months during the pandemic, it made me realize that it's possible to have a life outside my home country with only a few things with me.  In 2022, when some countries slowly started opening up again, I decided to take the opportunity to go somewhere far for at least a year. Somehow, I ended up in Latin America.  My first stop was Perú. | Gemille]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Gemille su cizucu.]]></media:description>
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          <title><![CDATA[Industrial Scape, perspective from inside The London Eye in London, United Kingdom.  153 meters high from The London Eye, one is fed with a landscape of industrialized development, places that holds great history, it gives you the opportunity to fixate on the slower, smaller more meaningful things in life.   Repetition, repetition. Buildings after buildings, what makes them special? Because like life, with abundance to see, places you slowly grow into — one must never forget to look past the walls and remember the lives it held within. | lucion j. orion]]></title>
          <link>https://www.cizucu.com/it/photos/puyvXkP9v1WuoVMct1gm</link>
          <description><![CDATA[Guarda altre splendide opere di lucion j. orion su cizucu.]]></description>
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            <name>lucion j. orion</name>
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          <pubDate>Sat, 18 Apr 2026 14:32:50 GMT</pubDate>
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            <media:title><![CDATA[Industrial Scape, perspective from inside The London Eye in London, United Kingdom.  153 meters high from The London Eye, one is fed with a landscape of industrialized development, places that holds great history, it gives you the opportunity to fixate on the slower, smaller more meaningful things in life.   Repetition, repetition. Buildings after buildings, what makes them special? Because like life, with abundance to see, places you slowly grow into — one must never forget to look past the walls and remember the lives it held within. | lucion j. orion]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di lucion j. orion su cizucu.]]></media:description>
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          <title><![CDATA[This image is from a music video by FahProud.  I had the opportunity to document both the photos and behind-the-scenes video during the shoot. Going back to shooting behind the scenes made me reflect on when I first started working as a photographer.  I’ve always enjoyed capturing moments quietly, without anyone really noticing I’m there. I feel I do my best work when I have the freedom to observe and create, without the pressure of expectations. | michaelsirachuch]]></title>
          <link>https://www.cizucu.com/it/photos/wPDTNPZo39s5BEYDr2EV</link>
          <description><![CDATA[Guarda altre splendide opere di michaelsirachuch su cizucu.]]></description>
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            <name>michaelsirachuch</name>
            <uri>https://www.cizucu.com/it/michaelsirachuch</uri>
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          <pubDate>Fri, 10 Apr 2026 01:55:23 GMT</pubDate>
          <atom:updated>2026-04-10T01:55:48+09:00</atom:updated>
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            <media:title><![CDATA[This image is from a music video by FahProud.  I had the opportunity to document both the photos and behind-the-scenes video during the shoot. Going back to shooting behind the scenes made me reflect on when I first started working as a photographer.  I’ve always enjoyed capturing moments quietly, without anyone really noticing I’m there. I feel I do my best work when I have the freedom to observe and create, without the pressure of expectations. | michaelsirachuch]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di michaelsirachuch su cizucu.]]></media:description>
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          <title><![CDATA[This alley becomes a living metaphor of society’s layered realities. The beggar relies on other people's generosity. The rider chases progress. The buyer present who can afford the luxuries in life. All of them share the same narrow passage, brushing past one another, connected by space but separated by circumstance. The light pouring through the torn ceiling quietly suggests that while their journeys differ, they all walk beneath the same fragile shelter called life — where fate, opportunity, and struggle intersect in ways both visible and unseen. | donparohinog]]></title>
          <link>https://www.cizucu.com/it/photos/ZPLdPl9OCw2jT7XnH1P4</link>
          <description><![CDATA[Guarda altre splendide opere di donparohinog su cizucu.]]></description>
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            <name>donparohinog</name>
            <uri>https://www.cizucu.com/it/users/XIR62JTKUiMagFjBwdux3bcrdK82</uri>
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          <pubDate>Fri, 13 Feb 2026 23:45:07 GMT</pubDate>
          <atom:updated>2026-05-03T15:17:11+09:00</atom:updated>
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            <media:title><![CDATA[This alley becomes a living metaphor of society’s layered realities. The beggar relies on other people's generosity. The rider chases progress. The buyer present who can afford the luxuries in life. All of them share the same narrow passage, brushing past one another, connected by space but separated by circumstance. The light pouring through the torn ceiling quietly suggests that while their journeys differ, they all walk beneath the same fragile shelter called life — where fate, opportunity, and struggle intersect in ways both visible and unseen. | donparohinog]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di donparohinog su cizucu.]]></media:description>
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          <title><![CDATA[that day of play at the pool with 5 adults looking on. Nephew had no cousin to play with as his uncle (me) decided not to have any kids. A somewhat familiar sight in an aging society like Singapore. this was one of the few times he "dived" under as he was still building on his water confidence. Doing much better now!  Photo was taken with a sports housing that was acquired due to the appeal of surfing photography - a genre that brings together my love for nature and sports at the same time. But never got to try to date. In the mean time, have always been looking for the opportunity to take half and half shots like these that capture moments in two separate worlds in the same frame. | nothatjon]]></title>
          <link>https://www.cizucu.com/it/photos/K5m8PKwVJqxEaB4ZWpBU</link>
          <description><![CDATA[Guarda altre splendide opere di nothatjon su cizucu.]]></description>
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            <name>nothatjon</name>
            <uri>https://www.cizucu.com/it/nothatjon</uri>
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          <pubDate>Thu, 19 Mar 2026 22:59:39 GMT</pubDate>
          <atom:updated>2026-03-19T22:59:57+09:00</atom:updated>
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            <media:title><![CDATA[that day of play at the pool with 5 adults looking on. Nephew had no cousin to play with as his uncle (me) decided not to have any kids. A somewhat familiar sight in an aging society like Singapore. this was one of the few times he "dived" under as he was still building on his water confidence. Doing much better now!  Photo was taken with a sports housing that was acquired due to the appeal of surfing photography - a genre that brings together my love for nature and sports at the same time. But never got to try to date. In the mean time, have always been looking for the opportunity to take half and half shots like these that capture moments in two separate worlds in the same frame. | nothatjon]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di nothatjon su cizucu.]]></media:description>
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          <title><![CDATA[This photograph was taken during a collaboration with singer-songwriter Utsavi Jha. At the time, I had stepped away from pursuing photography professionally and had shifted my focus to working as a color grading artist, keeping photography primarily for personal expression. Photographing this moment became more meaningful than I initially expected. I had long admired Utsavi’s music, so having the opportunity to collaborate with her was something I felt deeply grateful for. More importantly, this experience helped me overcome a quiet anxiety I had developed about photographing people in public spaces. What began as a simple collaboration gradually reopened a creative door for me. It reminded me why I was drawn to photographing people in the first place and gave me the confidence to return to it without hesitation. This image, therefore, represents more than a portrait—it marks a personal turning point where photography once again became something I could approach with curiosity and freedom. | Nandan Nabodit]]></title>
          <link>https://www.cizucu.com/it/photos/u35nF2vuBkD5ZcGa44FI</link>
          <description><![CDATA[Guarda altre splendide opere di Nandan Nabodit su cizucu.]]></description>
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            <name>Nandan Nabodit</name>
            <uri>https://www.cizucu.com/it/nandannabodit</uri>
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          <pubDate>Fri, 13 Mar 2026 16:26:03 GMT</pubDate>
          <atom:updated>2026-03-13T16:26:21+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken during a collaboration with singer-songwriter Utsavi Jha. At the time, I had stepped away from pursuing photography professionally and had shifted my focus to working as a color grading artist, keeping photography primarily for personal expression. Photographing this moment became more meaningful than I initially expected. I had long admired Utsavi’s music, so having the opportunity to collaborate with her was something I felt deeply grateful for. More importantly, this experience helped me overcome a quiet anxiety I had developed about photographing people in public spaces. What began as a simple collaboration gradually reopened a creative door for me. It reminded me why I was drawn to photographing people in the first place and gave me the confidence to return to it without hesitation. This image, therefore, represents more than a portrait—it marks a personal turning point where photography once again became something I could approach with curiosity and freedom. | Nandan Nabodit]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Nandan Nabodit su cizucu.]]></media:description>
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