Foto di N° | Scarica immagini royalty-free e in alta risoluzione https://www.cizucu.com/it/explore/photos/n%C2%B0 it 2026-05-26T22:41:28+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. it https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[kyoto snap #竹林の小径 #竹林 #嵐山 #accent | Yukihiro]]> https://www.cizucu.com/it/photos/aXEUNTcqVghypCpJPHwH Yukihiro https://www.cizucu.com/it/kyoto_snap https://www.cizucu.com/it/photos/aXEUNTcqVghypCpJPHwH Thu, 15 May 2025 03:35:25 GMT 2026-05-04T09:33:46+09:00 https://cdn.cizucu.com/images/photos/aXEUNTcqVghypCpJPHwH.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[Out n Out | Room11]]> https://www.cizucu.com/it/photos/o64RYNwLFbqf5GcehSlf Room11 https://www.cizucu.com/it/room_11 https://www.cizucu.com/it/photos/o64RYNwLFbqf5GcehSlf Sun, 01 Mar 2026 21:54:34 GMT 2026-05-03T14:26:33+09:00 https://cdn.cizucu.com/images/photos/o64RYNwLFbqf5GcehSlf.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[冬の銀山温泉 | ishii]]> https://www.cizucu.com/it/photos/GDp0tmnGDLyWWNZC7vGJ ishii https://www.cizucu.com/it/users/4FuPOqduWSgjRWDlL6AVmrCfsqI3 https://www.cizucu.com/it/photos/GDp0tmnGDLyWWNZC7vGJ Mon, 08 Jul 2024 14:02:33 GMT 2026-01-21T10:08:27+09:00 https://cdn.cizucu.com/images/photos/GDp0tmnGDLyWWNZC7vGJ.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[#台湾 | TEN]]> https://www.cizucu.com/it/photos/76yGM8QC5fbFChOPDuzl TEN https://www.cizucu.com/it/ten https://www.cizucu.com/it/photos/76yGM8QC5fbFChOPDuzl Tue, 24 Jun 2025 20:46:48 GMT 2026-01-18T11:30:28+09:00 https://cdn.cizucu.com/images/photos/76yGM8QC5fbFChOPDuzl.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[Scheda di test colore standard per azoto (N) e reagente | モノヒョー]]> https://www.cizucu.com/it/photos/4JmixqsknuPgBbWYXM87 モノヒョー https://www.cizucu.com/it/monohyo https://www.cizucu.com/it/photos/4JmixqsknuPgBbWYXM87 Fri, 19 Jan 2024 23:07:51 GMT 2026-01-24T12:50:51+09:00 https://cdn.cizucu.com/images/photos/4JmixqsknuPgBbWYXM87.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[blocchi di legno con la scritta “MON” | Kayokophotos]]> https://www.cizucu.com/it/photos/N4ntBCFMnvYzw3oR4tnL Kayokophotos https://www.cizucu.com/it/users/IUbs7jahEYbndc8QOID3urDBGus1 https://www.cizucu.com/it/photos/N4ntBCFMnvYzw3oR4tnL Wed, 14 Feb 2024 10:41:50 GMT 2026-01-23T17:58:01+09:00 https://cdn.cizucu.com/images/photos/N4ntBCFMnvYzw3oR4tnL.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[pannello di test con scala colori per la concentrazione di azoto (N2) | モノヒョー]]> https://www.cizucu.com/it/photos/OVVTK8nuDOHp5NaRBF4C モノヒョー https://www.cizucu.com/it/monohyo https://www.cizucu.com/it/photos/OVVTK8nuDOHp5NaRBF4C Fri, 19 Jan 2024 23:07:49 GMT 2026-01-24T12:52:25+09:00 https://cdn.cizucu.com/images/photos/OVVTK8nuDOHp5NaRBF4C.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[Insegna su parete con motivo legno con logo « F r a n g e » | Kazuhiko Watanabe]]> https://www.cizucu.com/it/photos/A9bOiIma6S03ZEs1pW2H Kazuhiko Watanabe https://www.cizucu.com/it/users/F3Y39DxpLtSWV0G5Dn7QL1V645i2 https://www.cizucu.com/it/photos/A9bOiIma6S03ZEs1pW2H Sun, 01 Dec 2024 14:50:54 GMT 2026-01-20T12:55:26+09:00 https://cdn.cizucu.com/images/photos/A9bOiIma6S03ZEs1pW2H.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[insegna “FUN” davanti a un edificio in vetro con scale e piazza | つばさ製作所]]> https://www.cizucu.com/it/photos/cKm0FGp89tEAzQkK44KY つばさ製作所 https://www.cizucu.com/it/tsubasa_mfg https://www.cizucu.com/it/photos/cKm0FGp89tEAzQkK44KY Wed, 20 Mar 2024 15:58:33 GMT 2026-01-22T19:10:38+09:00 https://cdn.cizucu.com/images/photos/cKm0FGp89tEAzQkK44KY.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[과거와 현재가 공존하는 서울의 모습을 한 프레임 안에 담았다. 누군가는 매일 보는 풍경이라 무심코 지나치지만, 누군가에겐 새롭게 느껴지고 이국적으로 느껴지게 된다. 우리가 살고 있는 풍경들도 조금만 시선을 다르게 보면 아름답다는걸 모두가 알길 바란다. | chanifoto]]> https://www.cizucu.com/it/photos/hD00ZNJEW20Tt30AcJeK chanifoto https://www.cizucu.com/it/users/0W7YJwUKc8cHPC6nMjEOuZi35f92 https://www.cizucu.com/it/photos/hD00ZNJEW20Tt30AcJeK Thu, 08 Jan 2026 18:41:28 GMT 2026-05-03T17:11:03+09:00 https://cdn.cizucu.com/images/photos/hD00ZNJEW20Tt30AcJeK.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[這座城市的真實呼吸，往往不在繁華的主幹道，而是藏匿於建築背後的巷弄（Alleyways）。本件作品拍攝於溫哥華，創作者延續其建築攝影的空間透視感，將鏡頭轉向城市的背面，在冷冽的日常中，框列出一場極具社會批判意味的視覺碰撞。 畫面中，兩個人物構成了強烈的生存狀態對比：左側女子抬頭挺胸、步態自信，手邊的紅色皮包作為畫面中唯一的暖色破口，象徵著都市中的資源、優勢與能動性；而畫面右側，另一位身穿綠色兜帽的身影則彎腰駝背，幾乎與身旁的綠色工業垃圾桶融為一體，隱喻著在社會發展結構下被掩埋、停滯且被迫隱形的邊緣群體。 紅與綠的色彩牽制，抬頭與彎腰的姿態落差。在深邃的後巷透視與右側巨大「N」字牆的壓迫下，攝影師將兩條不對等的生命軌跡凍結於同一個時空，對「城市擴張中誰被看見、誰被遺忘」提出了深刻且無聲的叩問。 The true breath of a city is rarely found on its bustling main streets; rather, it is hidden within the alleyways behind its architecture. Shot in Vancouver, this piece extends the photographer's signature spatial perspective from architectural photography, turning the lens toward the city's backside to frame a visual collision laden with social critique amidst the cold, urban everyday. Within the frame, two figures form a stark contrast in their states of existence. The woman on the left walks with an upright, confident posture, her red handbag serving as the only warm visual breakthrough in the image—a symbol of urban resources, privilege, and agency. On the right, a figure in a green hoodie hunches over, almost blending into the adjacent green industrial dumpsters, serving as a metaphor for the marginalized groups buried, stagnated, and rendered invisible by the structures of social development. The visual tension between red and green, the physical disparity between the upright and the hunched. Under the profound perspective of the alleyway and the oppressive weight of the giant "N" on the right wall, the photographer freezes two unequal life trajectories in the same space and time, raising a profound, silent question: In the midst of urban expansion, who is seen, and who is forgotten? | Jerry Hung]]> https://www.cizucu.com/it/photos/xfe6FBSx8ZpSdo7Yn4Vv Jerry Hung https://www.cizucu.com/it/users/aVcN0i4tMPhFbKu7NacTApD5Ifk2 https://www.cizucu.com/it/photos/xfe6FBSx8ZpSdo7Yn4Vv Wed, 11 Mar 2026 02:56:35 GMT 2026-03-11T02:57:54+09:00 https://cdn.cizucu.com/images/photos/xfe6FBSx8ZpSdo7Yn4Vv.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[neutral森hotel https://note.com/dedeito/n/n9dbfea62f9a3 | dede dos film]]> https://www.cizucu.com/it/photos/s23NztamZnDep7YG9qDl dede dos film https://www.cizucu.com/it/users/ou3Xb5dQZWfMwCFVM6fhXb4k2jj1 https://www.cizucu.com/it/photos/s23NztamZnDep7YG9qDl Sun, 27 Apr 2025 10:47:16 GMT 2026-01-18T17:08:14+09:00 https://cdn.cizucu.com/images/photos/s23NztamZnDep7YG9qDl.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[這座城市的真實呼吸，往往不在繁華的主幹道，而是藏匿於建築背後的巷弄（Alleyways）。本件作品拍攝於溫哥華，創作者延續其建築攝影的空間透視感，將鏡頭轉向城市的背面，在冷冽的日常中，框列出一場極具社會批判意味的視覺碰撞。 畫面中，兩個人物構成了強烈的生存狀態對比：左側女子抬頭挺胸、步態自信，手邊的紅色皮包作為畫面中唯一的暖色破口，象徵著都市中的資源、優勢與能動性；而畫面右側，另一位身穿綠色兜帽的身影則彎腰駝背，幾乎與身旁的綠色工業垃圾桶融為一體，隱喻著在社會發展結構下被掩埋、停滯且被迫隱形的邊緣群體。 紅與綠的色彩牽制，抬頭與彎腰的姿態落差。在深邃的後巷透視與右側巨大「N」字牆的壓迫下，攝影師將兩條不對等的生命軌跡凍結於同一個時空，對「城市擴張中誰被看見、誰被遺忘」提出了深刻且無聲的叩問。 | Jerry Hung]]> https://www.cizucu.com/it/photos/XD84J4T8fREEYoMdTBCN Jerry Hung https://www.cizucu.com/it/users/aVcN0i4tMPhFbKu7NacTApD5Ifk2 https://www.cizucu.com/it/photos/XD84J4T8fREEYoMdTBCN Wed, 11 Mar 2026 03:10:07 GMT 2026-05-03T13:59:50+09:00 https://cdn.cizucu.com/images/photos/XD84J4T8fREEYoMdTBCN.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[Location: 福岡県福岡市中央区天神 Camera: X-T1 Lens: XF60mm F2.4 R Macro #streetphotography #streetsnap #snap #street #fujifilm | mame]]> https://www.cizucu.com/it/photos/I8TPs0BSJpM2dWiCJ5Hs mame https://www.cizucu.com/it/users/Iy55ja1nzgPBvsQRz2fEKXDXqcn2 https://www.cizucu.com/it/photos/I8TPs0BSJpM2dWiCJ5Hs Sat, 08 Mar 2025 20:04:08 GMT 2026-05-04T18:34:12+09:00 https://cdn.cizucu.com/images/photos/I8TPs0BSJpM2dWiCJ5Hs.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[11/9大阪ポスター展　登録 N// | N//]]> https://www.cizucu.com/it/photos/NdQvo8piRNXMMynLF17g N// https://www.cizucu.com/it/users/YJzmpTfn9dMylT4bD9QkuAR4LvV2 https://www.cizucu.com/it/photos/NdQvo8piRNXMMynLF17g Tue, 04 Nov 2025 13:08:13 GMT 2026-05-03T19:57:42+09:00 https://cdn.cizucu.com/images/photos/NdQvo8piRNXMMynLF17g.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[這座城市的真實呼吸，往往不在繁華的主幹道，而是藏匿於建築背後的巷弄（Alleyways）。本件作品拍攝於溫哥華，創作者延續其建築攝影的空間透視感，將鏡頭轉向城市的背面，在冷冽的日常中，框列出一場極具社會批判意味的視覺碰撞。 畫面中，兩個人物構成了強烈的生存狀態對比：左側女子抬頭挺胸、步態自信，手邊的紅色皮包作為畫面中唯一的暖色破口，象徵著都市中的資源、優勢與能動性；而畫面右側，另一位身穿綠色兜帽的身影則彎腰駝背，幾乎與身旁的綠色工業垃圾桶融為一體，隱喻著在社會發展結構下被掩埋、停滯且被迫隱形的邊緣群體。 紅與綠的色彩牽制，抬頭與彎腰的姿態落差。在深邃的後巷透視與右側巨大「N」字牆的壓迫下，攝影師將兩條不對等的生命軌跡凍結於同一個時空，對「城市擴張中誰被看見、誰被遺忘」提出了深刻且無聲的叩問。 | Jerry Hung]]> https://www.cizucu.com/it/photos/X3Ld51HSuIFThITpe8UG Jerry Hung https://www.cizucu.com/it/users/aVcN0i4tMPhFbKu7NacTApD5Ifk2 https://www.cizucu.com/it/photos/X3Ld51HSuIFThITpe8UG Wed, 11 Mar 2026 03:57:11 GMT 2026-05-03T13:59:48+09:00 https://cdn.cizucu.com/images/photos/X3Ld51HSuIFThITpe8UG.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[這座城市的真實呼吸，往往不在繁華的主幹道，而是藏匿於建築背後的巷弄（Alleyways）。本件作品拍攝於溫哥華，創作者延續其建築攝影的空間透視感，將鏡頭轉向城市的背面，在冷冽的日常中，框列出一場極具社會批判意味的視覺碰撞。 畫面中，兩個人物構成了強烈的生存狀態對比：左側女子抬頭挺胸、步態自信，手邊的紅色皮包作為畫面中唯一的暖色破口，象徵著都市中的資源、優勢與能動性；而畫面右側，另一位身穿綠色兜帽的身影則彎腰駝背，幾乎與身旁的綠色工業垃圾桶融為一體，隱喻著在社會發展結構下被掩埋、停滯且被迫隱形的邊緣群體。 紅與綠的色彩牽制，抬頭與彎腰的姿態落差。在深邃的後巷透視與右側巨大「N」字牆的壓迫下，攝影師將兩條不對等的生命軌跡凍結於同一個時空，對「城市擴張中誰被看見、誰被遺忘」提出了深刻且無聲的叩問。 | Jerry Hung]]> https://www.cizucu.com/it/photos/4nz43vCINu062ZZatumL Jerry Hung https://www.cizucu.com/it/users/aVcN0i4tMPhFbKu7NacTApD5Ifk2 https://www.cizucu.com/it/photos/4nz43vCINu062ZZatumL Wed, 11 Mar 2026 03:43:21 GMT 2026-05-03T13:59:48+09:00 https://cdn.cizucu.com/images/photos/4nz43vCINu062ZZatumL.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[這座城市的真實呼吸，往往不在繁華的主幹道，而是藏匿於建築背後的巷弄（Alleyways）。本件作品拍攝於溫哥華，創作者延續其建築攝影的空間透視感，將鏡頭轉向城市的背面，在冷冽的日常中，框列出一場極具社會批判意味的視覺碰撞。 畫面中，兩個人物構成了強烈的生存狀態對比：左側女子抬頭挺胸、步態自信，手邊的紅色皮包作為畫面中唯一的暖色破口，象徵著都市中的資源、優勢與能動性；而畫面右側，另一位身穿綠色兜帽的身影則彎腰駝背，幾乎與身旁的綠色工業垃圾桶融為一體，隱喻著在社會發展結構下被掩埋、停滯且被迫隱形的邊緣群體。 紅與綠的色彩牽制，抬頭與彎腰的姿態落差。在深邃的後巷透視與右側巨大「N」字牆的壓迫下，攝影師將兩條不對等的生命軌跡凍結於同一個時空，對「城市擴張中誰被看見、誰被遺忘」提出了深刻且無聲的叩問。 | Jerry Hung]]> https://www.cizucu.com/it/photos/LyZodfFTrueKaQZ1Z3LE Jerry Hung https://www.cizucu.com/it/users/aVcN0i4tMPhFbKu7NacTApD5Ifk2 https://www.cizucu.com/it/photos/LyZodfFTrueKaQZ1Z3LE Fri, 13 Mar 2026 03:12:28 GMT 2026-03-13T03:12:34+09:00 https://cdn.cizucu.com/images/photos/LyZodfFTrueKaQZ1Z3LE.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[這座城市的真實呼吸，往往不在繁華的主幹道，而是藏匿於建築背後的巷弄（Alleyways）。本件作品拍攝於溫哥華，創作者延續其建築攝影的空間透視感，將鏡頭轉向城市的背面，在冷冽的日常中，框列出一場極具社會批判意味的視覺碰撞。 畫面中，兩個人物構成了強烈的生存狀態對比：左側女子抬頭挺胸、步態自信，手邊的紅色皮包作為畫面中唯一的暖色破口，象徵著都市中的資源、優勢與能動性；而畫面右側，另一位身穿綠色兜帽的身影則彎腰駝背，幾乎與身旁的綠色工業垃圾桶融為一體，隱喻著在社會發展結構下被掩埋、停滯且被迫隱形的邊緣群體。 紅與綠的色彩牽制，抬頭與彎腰的姿態落差。在深邃的後巷透視與右側巨大「N」字牆的壓迫下，攝影師將兩條不對等的生命軌跡凍結於同一個時空，對「城市擴張中誰被看見、誰被遺忘」提出了深刻且無聲的叩問。 | Jerry Hung]]> https://www.cizucu.com/it/photos/8zwIaRBWrp3raJbdiaGB Jerry Hung https://www.cizucu.com/it/users/aVcN0i4tMPhFbKu7NacTApD5Ifk2 https://www.cizucu.com/it/photos/8zwIaRBWrp3raJbdiaGB Tue, 17 Mar 2026 05:02:54 GMT 2026-05-03T13:42:36+09:00 https://cdn.cizucu.com/images/photos/8zwIaRBWrp3raJbdiaGB.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[這座城市的真實呼吸，往往不在繁華的主幹道，而是藏匿於建築背後的巷弄（Alleyways）。本件作品拍攝於溫哥華，創作者延續其建築攝影的空間透視感，將鏡頭轉向城市的背面，在冷冽的日常中，框列出一場極具社會批判意味的視覺碰撞。 畫面中，兩個人物構成了強烈的生存狀態對比：左側女子抬頭挺胸、步態自信，手邊的紅色皮包作為畫面中唯一的暖色破口，象徵著都市中的資源、優勢與能動性；而畫面右側，另一位身穿綠色兜帽的身影則彎腰駝背，幾乎與身旁的綠色工業垃圾桶融為一體，隱喻著在社會發展結構下被掩埋、停滯且被迫隱形的邊緣群體。 紅與綠的色彩牽制，抬頭與彎腰的姿態落差。在深邃的後巷透視與右側巨大「N」字牆的壓迫下，攝影師將兩條不對等的生命軌跡凍結於同一個時空，對「城市擴張中誰被看見、誰被遺忘」提出了深刻且無聲的叩問。 | Jerry Hung]]> https://www.cizucu.com/it/photos/jSWbcMuhHHeXyZjDpdm7 Jerry Hung https://www.cizucu.com/it/users/aVcN0i4tMPhFbKu7NacTApD5Ifk2 https://www.cizucu.com/it/photos/jSWbcMuhHHeXyZjDpdm7 Wed, 11 Mar 2026 03:42:36 GMT 2026-05-03T13:59:47+09:00 https://cdn.cizucu.com/images/photos/jSWbcMuhHHeXyZjDpdm7.jpg?auto=format%2Ccompress&cs=srgb