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          <title><![CDATA[Una mano che tiene una bottiglia versando pillole in un contenitore | 本気のくまにゃん]]></title>
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          <title><![CDATA[Primo piano della mano di una donna che tiene una pillola da un blister | Kayokophotos]]></title>
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          <title><![CDATA[Primo piano della mano di una donna che prende una pillola da un blister | Kayokophotos]]></title>
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          <title><![CDATA[An exploration of the subtle dramas woven into everyday life, a meditation on duality. | Eagan Hsu]]></title>
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            <media:description><![CDATA[Guarda altre splendide opere di Eagan Hsu su cizucu.]]></media:description>
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        <item>
          <title><![CDATA[This was taken during my most recent trip to my home country, Cyprus. I was invited to a private dervish show for the French consulate and I remember it vividly, the summer heat taking hold of the night, fans buzzing, and then a power outage which did not faze the dervish, he continued the performance as if nothing has happened, and that's when i captured this photo, completely in awe at his discipline and dedication. | Ruemus_]]></title>
          <link>https://www.cizucu.com/it/photos/jFOdHwLS1SAKau4XsKl6</link>
          <description><![CDATA[Guarda altre splendide opere di Ruemus_ su cizucu.]]></description>
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            <name>Ruemus_</name>
            <uri>https://www.cizucu.com/it/users/NVdm66y1qnXjtFRFnQmHlXgUWmA2</uri>
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          <pubDate>Tue, 24 Feb 2026 16:54:16 GMT</pubDate>
          <atom:updated>2026-02-24T16:54:16+09:00</atom:updated>
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            <media:description><![CDATA[Guarda altre splendide opere di Ruemus_ su cizucu.]]></media:description>
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          <title><![CDATA[This photograph came from a simple walk after my uncle’s wedding. While following a man carrying chairs, I noticed a mother and her child in the same street—an unplanned moment that quietly unfolded in front of me. It reminded me of my own mother, and how time slips by between small, everyday scenes. This image is a dedication to her, and to all mothers—an invitation for every child to pause, look back, and cherish these fleeting moments. | Akshob Ram Kumar]]></title>
          <link>https://www.cizucu.com/it/photos/1qSCLDbLWpeAHsWXsQ2o</link>
          <description><![CDATA[Guarda altre splendide opere di Akshob Ram Kumar su cizucu.]]></description>
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            <name>Akshob Ram Kumar</name>
            <uri>https://www.cizucu.com/it/akvisuals04</uri>
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          <pubDate>Mon, 26 Jan 2026 12:06:44 GMT</pubDate>
          <atom:updated>2026-01-26T12:06:44+09:00</atom:updated>
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            <media:title><![CDATA[This photograph came from a simple walk after my uncle’s wedding. While following a man carrying chairs, I noticed a mother and her child in the same street—an unplanned moment that quietly unfolded in front of me. It reminded me of my own mother, and how time slips by between small, everyday scenes. This image is a dedication to her, and to all mothers—an invitation for every child to pause, look back, and cherish these fleeting moments. | Akshob Ram Kumar]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Akshob Ram Kumar su cizucu.]]></media:description>
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        <item>
          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/it/photos/cLMlwd2zuriHaAa7UIXB</link>
          <description><![CDATA[Guarda altre splendide opere di Arthur Liew su cizucu.]]></description>
          <author>
            <name>Arthur Liew</name>
            <uri>https://www.cizucu.com/it/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2</uri>
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          <pubDate>Sun, 22 Mar 2026 16:38:29 GMT</pubDate>
          <atom:updated>2026-03-22T16:38:29+09:00</atom:updated>
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            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?fm=jpg" type="image/jpeg" width="4419" height="6629" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Guarda altre splendide opere di Arthur Liew su cizucu.]]></media:description>
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          <title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></title>
          <link>https://www.cizucu.com/it/photos/c6X5QFypeVexSKsL3yma</link>
          <description><![CDATA[Guarda altre splendide opere di INKAN su cizucu.]]></description>
          <author>
            <name>INKAN</name>
            <uri>https://www.cizucu.com/it/users/394o0WNHj6P0jZeascrsAkgBWDx1</uri>
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          <pubDate>Sat, 14 Mar 2026 02:33:47 GMT</pubDate>
          <atom:updated>2026-03-14T02:33:47+09:00</atom:updated>
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            <media:title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?fm=jpg" type="image/jpeg" width="4950" height="7020" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Guarda altre splendide opere di INKAN su cizucu.]]></media:description>
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        <item>
          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/it/photos/aCRdHvBtI6EE9pHD6Jud</link>
          <description><![CDATA[Guarda altre splendide opere di Arthur Liew su cizucu.]]></description>
          <author>
            <name>Arthur Liew</name>
            <uri>https://www.cizucu.com/it/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/it/photos/aCRdHvBtI6EE9pHD6Jud</guid>
          <pubDate>Sun, 22 Mar 2026 16:32:12 GMT</pubDate>
          <atom:updated>2026-03-22T16:32:12+09:00</atom:updated>
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            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?fm=jpg" type="image/jpeg" width="4419" height="6629" />
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            <media:description><![CDATA[Guarda altre splendide opere di Arthur Liew su cizucu.]]></media:description>
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        <item>
          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/it/photos/RDduCIQ1jlKWBqn7gdBH</link>
          <description><![CDATA[Guarda altre splendide opere di Arthur Liew su cizucu.]]></description>
          <author>
            <name>Arthur Liew</name>
            <uri>https://www.cizucu.com/it/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2</uri>
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          <pubDate>Sun, 22 Mar 2026 16:29:33 GMT</pubDate>
          <atom:updated>2026-03-22T16:29:33+09:00</atom:updated>
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            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
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          <title><![CDATA[In December 2025, I mentored a group of medical students from Lee Kong Chian Medical School on their overseas community involvement project (OCIP) in Kolkata.   Project Kolkata serves women who are currently or formerly in the sex trade. Project Kolkata partners local NGOs to conduct health screenings and health education for these women and their children.   Human trafficking remains a significant problem in India. West Bengal, where Kolkata is the capital and largest city of, ranks consistently at the top of states with the highest number of human trafficking incidents and resulting crime rates. Most of the victims are women and children, transported through the state’s borders of Nepal and Bangladesh, to be recruited into the sex trade.   Many of the women who are actively in the sex trade came to our health screening wearing masks. Their faces are not shown in the photographs. | DrChuaYang]]></title>
          <link>https://www.cizucu.com/it/photos/KZDnxBOM6WBleZ6DoLfC</link>
          <description><![CDATA[Guarda altre splendide opere di DrChuaYang su cizucu.]]></description>
          <author>
            <name>DrChuaYang</name>
            <uri>https://www.cizucu.com/it/users/GWI7CPKnpjcKL3y0b7xMpqZRTg12</uri>
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          <pubDate>Wed, 11 Mar 2026 19:46:29 GMT</pubDate>
          <atom:updated>2026-03-11T19:46:29+09:00</atom:updated>
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            <media:title><![CDATA[In December 2025, I mentored a group of medical students from Lee Kong Chian Medical School on their overseas community involvement project (OCIP) in Kolkata.   Project Kolkata serves women who are currently or formerly in the sex trade. Project Kolkata partners local NGOs to conduct health screenings and health education for these women and their children.   Human trafficking remains a significant problem in India. West Bengal, where Kolkata is the capital and largest city of, ranks consistently at the top of states with the highest number of human trafficking incidents and resulting crime rates. Most of the victims are women and children, transported through the state’s borders of Nepal and Bangladesh, to be recruited into the sex trade.   Many of the women who are actively in the sex trade came to our health screening wearing masks. Their faces are not shown in the photographs. | DrChuaYang]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di DrChuaYang su cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life.  | Chan Jian Liang]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Chan Jian Liang su cizucu.]]></description>
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            <name>Chan Jian Liang</name>
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          <pubDate>Tue, 20 Jan 2026 21:49:17 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life.  | Chan Jian Liang]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Chan Jian Liang su cizucu.]]></media:description>
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