Foto di Lokales | Scarica immagini royalty-free e in alta risoluzione https://www.cizucu.com/it/explore/photos/lokales it 2026-05-08T09:45:14+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. it https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[insegna di panetteria con esposizione di pane e vetrina lungo un vicolo | ちゃーりー]]> https://www.cizucu.com/it/photos/2r2SEQhwNJM0eCI4xhZ7 ちゃーりー https://www.cizucu.com/it/charliephotograph https://www.cizucu.com/it/photos/2r2SEQhwNJM0eCI4xhZ7 Thu, 06 Feb 2025 11:16:43 GMT 2026-05-05T02:06:44+09:00 https://cdn.cizucu.com/images/photos/2r2SEQhwNJM0eCI4xhZ7.jpg?auto=compress,format <![CDATA[cuoco in camice bianco che confeziona il pane in un’area cucina | Yuya]]> https://www.cizucu.com/it/photos/tyuCe9WK8xHcvnT2EfHI Yuya https://www.cizucu.com/it/yu6101photo https://www.cizucu.com/it/photos/tyuCe9WK8xHcvnT2EfHI Tue, 10 Jun 2025 20:14:52 GMT 2026-05-04T07:02:28+09:00 https://cdn.cizucu.com/images/photos/tyuCe9WK8xHcvnT2EfHI.jpg?auto=compress,format <![CDATA[espositore di pane in una vetrina di vetro | 柚羽]]> https://www.cizucu.com/it/photos/5wfwJxWe3iVrcgcuGAJB 柚羽 https://www.cizucu.com/it/you_yugram https://www.cizucu.com/it/photos/5wfwJxWe3iVrcgcuGAJB Tue, 17 Dec 2024 16:17:53 GMT 2026-05-05T21:08:23+09:00 https://cdn.cizucu.com/images/photos/5wfwJxWe3iVrcgcuGAJB.jpg?auto=compress,format <![CDATA[donna sorridente davanti a un espositore di pane | 柚羽]]> https://www.cizucu.com/it/photos/o01N1vQmw55HVAppbdHn 柚羽 https://www.cizucu.com/it/you_yugram https://www.cizucu.com/it/photos/o01N1vQmw55HVAppbdHn Tue, 17 Dec 2024 17:02:27 GMT 2026-05-05T20:54:53+09:00 https://cdn.cizucu.com/images/photos/o01N1vQmw55HVAppbdHn.jpg?auto=compress,format <![CDATA[焼きたての食パン #bread #香ばしい #パン | つばさ製作所]]> https://www.cizucu.com/it/photos/P1zZq91XQ4Z2bwnMVy50 つばさ製作所 https://www.cizucu.com/it/tsubasa_mfg https://www.cizucu.com/it/photos/P1zZq91XQ4Z2bwnMVy50 Sun, 25 Aug 2024 20:45:46 GMT 2026-01-21T06:30:50+09:00 https://cdn.cizucu.com/images/photos/P1zZq91XQ4Z2bwnMVy50.jpg?auto=compress,format <![CDATA[Buddhist monks take a daily trip downriver to receive alms from locals at a morning market. | Alexander Strandlien]]> https://www.cizucu.com/it/photos/K0PTCcObxrEKvf9LHyHV Alexander Strandlien https://www.cizucu.com/it/users/573wf6CkQxcjvEWbrxRPgPKsEK53 https://www.cizucu.com/it/photos/K0PTCcObxrEKvf9LHyHV Tue, 07 Apr 2026 13:22:12 GMT 2026-05-03T12:23:14+09:00 https://cdn.cizucu.com/images/photos/K0PTCcObxrEKvf9LHyHV.jpg?auto=compress,format <![CDATA[This was a picture taken in Hoi A depicting the everyday life of the locals here. | Keira Low]]> https://www.cizucu.com/it/photos/gn7rBr4E4Rnq01aQpzUi Keira Low https://www.cizucu.com/it/kwiechaen https://www.cizucu.com/it/photos/gn7rBr4E4Rnq01aQpzUi Mon, 02 Feb 2026 17:51:21 GMT 2026-02-02T17:53:41+09:00 https://cdn.cizucu.com/images/photos/gn7rBr4E4Rnq01aQpzUi.jpg?auto=compress,format <![CDATA[This photo was taken at a kopitiam in Kuching, Malaysia. They serve coffee with butter over here and as you can see, it is a regular hangout spot for locals to talk about their day. I really enjoy the decor of the space as it reminds me of a simpler time. | toot_a_loot]]> https://www.cizucu.com/it/photos/p5LpWRZZdSfzF4LfqujX toot_a_loot https://www.cizucu.com/it/tootaloot https://www.cizucu.com/it/photos/p5LpWRZZdSfzF4LfqujX Tue, 13 Jan 2026 16:48:53 GMT 2026-01-17T22:48:52+09:00 https://cdn.cizucu.com/images/photos/p5LpWRZZdSfzF4LfqujX.jpg?auto=compress,format <![CDATA[This was taken at the forbidden palace, and shows the aspects of people and locals going there. | Keira Low]]> https://www.cizucu.com/it/photos/hPyM2YnxtWqjr7t1CTBk Keira Low https://www.cizucu.com/it/kwiechaen https://www.cizucu.com/it/photos/hPyM2YnxtWqjr7t1CTBk Tue, 03 Feb 2026 07:55:37 GMT 2026-05-03T15:49:13+09:00 https://cdn.cizucu.com/images/photos/hPyM2YnxtWqjr7t1CTBk.jpg?auto=compress,format <![CDATA[横断歩道を渡る異なる文化を持つ外国からの旅行者たちと現地の人々。 それぞれ異なる人生を生きる人たちが、ほんの一瞬、同じ信号のもとで重なり合う―― | yumemaruco]]> https://www.cizucu.com/it/photos/vm2vH1mDgS8topmhHNXa yumemaruco https://www.cizucu.com/it/users/9BtuFZc9Keh8560Av7ntVuRtPk13 https://www.cizucu.com/it/photos/vm2vH1mDgS8topmhHNXa Sun, 11 Jan 2026 21:14:33 GMT 2026-01-17T22:53:12+09:00 https://cdn.cizucu.com/images/photos/vm2vH1mDgS8topmhHNXa.jpg?auto=compress,format <![CDATA[横断歩道を渡る異なる文化を持つ外国からの旅行者たちと現地の人々。 それぞれ異なる人生を生きる人たちが、ほんの一瞬、同じ信号のもとで重なり合う―― | yumemaruco]]> https://www.cizucu.com/it/photos/QVSaYKNT42ecH9FVwPN4 yumemaruco https://www.cizucu.com/it/users/9BtuFZc9Keh8560Av7ntVuRtPk13 https://www.cizucu.com/it/photos/QVSaYKNT42ecH9FVwPN4 Sun, 11 Jan 2026 21:12:50 GMT 2026-01-17T22:53:13+09:00 https://cdn.cizucu.com/images/photos/QVSaYKNT42ecH9FVwPN4.jpg?auto=compress,format <![CDATA[A stylish man seated in front of his shop at a local market in Maubisse, Timor Leste. Virgin exhibitor here. Timor Leste has been a place that's close to my heart since I first travelled there in 2018, and again in 2024. So felt it was only fitting to showcase something from there for my first exhibition 😊 Having gained independence only in 2002, Timor is Asia's youngest country. Inspired after watching John Pilger's documentary 'Death of a Nation: The Timor Conspiracy', I set out in search to better understand how a country is post-war. I solo travelled around Timor for 2 months capturing different stories and lived experiences during the war from Timorese folks, and learnt so much about what happened during, before, and after the war from a local's perspective. It was one of the most eye-opening, truly heartwarming, and utterly heart-wrenching experiences of my life, but what stuck was the wisdom, quiet strength, resilience and beauty of the Timorese which are forever etched in me. This also kick-started my journey towards questioning Western media reportages, biases, and their heavy but not necessarily full-picture influence on us, their global audience. We really do need to hear more voices from within, not just Western perspectives. I hope to encourage opening up convos about Timor Leste, and would love for more people to learn about Asia's youngest country. | Lavita Kala]]> https://www.cizucu.com/it/photos/frHzhbGPsM4jSEmlQNpw Lavita Kala https://www.cizucu.com/it/users/Z34f8fLvXpWSxV1cqJZle6GsHOi2 https://www.cizucu.com/it/photos/frHzhbGPsM4jSEmlQNpw Sat, 21 Mar 2026 15:27:31 GMT 2026-03-29T14:19:39+09:00 https://cdn.cizucu.com/images/photos/frHzhbGPsM4jSEmlQNpw.jpg?auto=compress,format <![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’. Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world. Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me. It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary. His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]> https://www.cizucu.com/it/photos/RsubPbXXibrVGCnrOtp8 Yash Rane https://www.cizucu.com/it/users/p4C2inUv1ih89epMzxU1Djvz4B03 https://www.cizucu.com/it/photos/RsubPbXXibrVGCnrOtp8 Fri, 13 Mar 2026 17:52:43 GMT 2026-03-13T17:53:03+09:00 https://cdn.cizucu.com/images/photos/RsubPbXXibrVGCnrOtp8.jpg?auto=compress,format <![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align. In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying. There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines. This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic. A place where everyone meets—yet no one stays. | analogbysissi]]> https://www.cizucu.com/it/photos/T23GHpu4jeBibaaVi8wS analogbysissi https://www.cizucu.com/it/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2 https://www.cizucu.com/it/photos/T23GHpu4jeBibaaVi8wS Fri, 10 Apr 2026 15:23:09 GMT 2026-04-10T15:23:16+09:00 https://cdn.cizucu.com/images/photos/T23GHpu4jeBibaaVi8wS.jpg?auto=compress,format