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          <title><![CDATA[ピオーネ  #撮るを楽しむ #季節の果物 #tablephoto #oldlens  | -kenchi-]]></title>
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          <title><![CDATA[#retro  The everyday life of the old lanes of Mumbai. | Shradhac]]></title>
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          <pubDate>Wed, 01 Apr 2026 15:50:07 GMT</pubDate>
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          <title><![CDATA[If a city’s neon could breathe, it would be here in Dotonbori, lingering like a quiet thought. | Lawrence Liou]]></title>
          <link>https://www.cizucu.com/it/photos/LYgd5hUgVfm54JwdWNh5</link>
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          <pubDate>Sat, 21 Mar 2026 16:34:05 GMT</pubDate>
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          <title><![CDATA[OLD TIME  #AKS #cityscape #board  | つばさ製作所]]></title>
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          <pubDate>Thu, 30 Jan 2025 23:40:13 GMT</pubDate>
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          <title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></title>
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          <description><![CDATA[Scarica foto di Scena di lavanderia interna con lavatrici viste attraverso il vetro di alta qualità e gratuite scattate da analogbysissi su cizucu.]]></description>
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          <pubDate>Wed, 25 Mar 2026 15:24:24 GMT</pubDate>
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            <media:title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></media:title>
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            <media:description><![CDATA[Scarica foto di Scena di lavanderia interna con lavatrici viste attraverso il vetro di alta qualità e gratuite scattate da analogbysissi su cizucu.]]></media:description>
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          <title><![CDATA[#retro  The everyday life of the old lanes of Mumbai. | Shradhac]]></title>
          <link>https://www.cizucu.com/it/photos/u0c5y2ERXlu8yVkQq8G8</link>
          <description><![CDATA[Guarda altre splendide opere di Shradhac su cizucu.]]></description>
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          <pubDate>Wed, 01 Apr 2026 15:50:07 GMT</pubDate>
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          <title><![CDATA[If a city’s neon could breathe, it would be here in Dotonbori, lingering like a quiet thought. | Lawrence Liou]]></title>
          <link>https://www.cizucu.com/it/photos/LYgd5hUgVfm54JwdWNh5</link>
          <description><![CDATA[Guarda altre splendide opere di Lawrence Liou su cizucu.]]></description>
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            <name>Lawrence Liou</name>
            <uri>https://www.cizucu.com/it/momoliou</uri>
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          <pubDate>Sat, 21 Mar 2026 16:34:05 GMT</pubDate>
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          <title><![CDATA[The Switz alps, shot in Zurich, Switzerland.  The sun sets, and you're in a scenic train. The icy cold air brushes your skin, as the warmth from the sun reminds you that life is indeed worth living.  | lucion j. orion]]></title>
          <link>https://www.cizucu.com/it/photos/2UlMQCydn6yoHyazt2wA</link>
          <description><![CDATA[Guarda altre splendide opere di lucion j. orion su cizucu.]]></description>
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          <pubDate>Sat, 18 Apr 2026 15:15:18 GMT</pubDate>
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          <title><![CDATA[They could fight us like an army if they chose to. | qwace.c]]></title>
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          <title><![CDATA[The Switz alps, shot in Zurich, Switzerland.  The sun sets, and you're in a scenic train. The icy cold air brushes your skin, as the warmth from the sun reminds you that life is indeed worth living.  | lucion j. orion]]></title>
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          <title><![CDATA[Catching Gold- As the rising sun starts sparkling over Inle Lake, it is a treat for the eyes to watch these unique fishing community, splashing their nets while rowing with legs. It almost felt like they are catching gold from the water. | Mangalika]]></title>
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          <title><![CDATA[Midnight The day is over, and the city is quiet. Between the end of work and the drive home, there is only the cold glow of the machine and the weight of a long day. It is a solitary moment of transition—the silent, steady effort of a life built on showing up, time and time after. | Sam Ting]]></title>
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          <title><![CDATA[They could fight us like an army if they chose to. Taken on 13/8/25. Anniversary date with my partner @ Bird Paradise | qwace.c]]></title>
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          <pubDate>Sat, 18 Apr 2026 01:33:59 GMT</pubDate>
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          <title><![CDATA[Midnight The day is over, and the city is quiet. Between the end of work and the drive home, there is only the cold glow of the machine and the weight of a long day. It is a solitary moment of transition—the silent, steady effort of a life built on showing up, time and time after. | Sam Ting]]></title>
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          <pubDate>Wed, 04 Mar 2026 21:51:13 GMT</pubDate>
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          <title><![CDATA[A sulphur miner smiles warmly at us, despite having just put his life in danger just moments prior to gather the "devil's gold", and with no protective gear. | nai.msz]]></title>
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