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          <title><![CDATA[#noodlevoice #池袋 #ラーメン  | CoQ10]]></title>
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          <description><![CDATA[Scarica foto di Esterno del ristorante Noodle Voice con insegna luminosa e muro bianco di alta qualità e gratuite scattate da CoQ10 su cizucu.]]></description>
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          <pubDate>Tue, 11 Feb 2025 21:10:33 GMT</pubDate>
          <atom:updated>2025-02-15T20:43:03+09:00</atom:updated>
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            <media:title><![CDATA[#noodlevoice #池袋 #ラーメン  | CoQ10]]></media:title>
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            <media:description><![CDATA[Scarica foto di Esterno del ristorante Noodle Voice con insegna luminosa e muro bianco di alta qualità e gratuite scattate da CoQ10 su cizucu.]]></media:description>
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          <title><![CDATA["The Subconscious Screams"  Motion surrounds us, continuous and indifferent. The scream folds inward, unheard. In this tension between movement and stillness, the subconscious becomes the only voice, holding what cannot be expressed and be revealed. | BettyGoh]]></title>
          <link>https://www.cizucu.com/it/photos/MRsr1Qr8mIhm1XFg4mdV</link>
          <description><![CDATA[Guarda altre splendide opere di BettyGoh su cizucu.]]></description>
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            <name>BettyGoh</name>
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          <pubDate>Thu, 08 Jan 2026 23:25:19 GMT</pubDate>
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            <media:title><![CDATA["The Subconscious Screams"  Motion surrounds us, continuous and indifferent. The scream folds inward, unheard. In this tension between movement and stillness, the subconscious becomes the only voice, holding what cannot be expressed and be revealed. | BettyGoh]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di BettyGoh su cizucu.]]></media:description>
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          <title><![CDATA[Red is not just what she wears—it’s what she carries. With her eyes hidden beneath the hat, there’s nothing to read, nothing to confirm—only presence. The red becomes her voice, holding strength, emotion, and everything she chooses not to reveal. She doesn’t need to be seen fully to be felt. What she carries is hers alone—steady, composed, and quietly powerful. | Bryan Goh]]></title>
          <link>https://www.cizucu.com/it/photos/aW8UJmaWO4w9dc2lwflc</link>
          <description><![CDATA[Guarda altre splendide opere di Bryan Goh su cizucu.]]></description>
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            <name>Bryan Goh</name>
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          <pubDate>Wed, 22 Apr 2026 15:06:19 GMT</pubDate>
          <atom:updated>2026-04-22T15:06:19+09:00</atom:updated>
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            <media:title><![CDATA[Red is not just what she wears—it’s what she carries. With her eyes hidden beneath the hat, there’s nothing to read, nothing to confirm—only presence. The red becomes her voice, holding strength, emotion, and everything she chooses not to reveal. She doesn’t need to be seen fully to be felt. What she carries is hers alone—steady, composed, and quietly powerful. | Bryan Goh]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Bryan Goh su cizucu.]]></media:description>
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          <title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></title>
          <link>https://www.cizucu.com/it/photos/F3NgSSzO6r8lgqyxoKae</link>
          <description><![CDATA[Guarda altre splendide opere di Him謙 su cizucu.]]></description>
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            <name>Him謙</name>
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          <pubDate>Wed, 15 Apr 2026 13:40:04 GMT</pubDate>
          <atom:updated>2026-04-15T13:40:04+09:00</atom:updated>
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            <media:title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Him謙 su cizucu.]]></media:description>
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          <title><![CDATA[Full sky of lantern is one of the magnificent things you must experience once in a life. This moment was capture during the Yi Peng and Loy krathong festival held in Chiang Mai, Thailand. Yi Peng features the sky lantern while Loy Krathong involve floating of a basket or vessel. Yi Peng is originated from Lanna culture in northern Thailand. It means the second full moon of lanna calender month, is a religious event that people put up the lanterns to show devotion to Buddha, to worship the god in the high heaven. It is believed that lantern will carry away all the unfortunate things and making ways for good luck and bright future. People also putting the krathong to show gratefulness to the goddess of water, letting go of anger and bad luck you have been holding in the past and welcoming the good fortune that’s free of negativity in the coming year.   Shot by iPhone 16 Pro Max | Jing Kang]]></title>
          <link>https://www.cizucu.com/it/photos/FD6FQi6UblP8Ok9v6tQJ</link>
          <description><![CDATA[Guarda altre splendide opere di Jing Kang su cizucu.]]></description>
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            <name>Jing Kang</name>
            <uri>https://www.cizucu.com/it/jklifeimmerse</uri>
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          <pubDate>Tue, 17 Mar 2026 01:23:33 GMT</pubDate>
          <atom:updated>2026-03-17T01:23:33+09:00</atom:updated>
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            <media:title><![CDATA[Full sky of lantern is one of the magnificent things you must experience once in a life. This moment was capture during the Yi Peng and Loy krathong festival held in Chiang Mai, Thailand. Yi Peng features the sky lantern while Loy Krathong involve floating of a basket or vessel. Yi Peng is originated from Lanna culture in northern Thailand. It means the second full moon of lanna calender month, is a religious event that people put up the lanterns to show devotion to Buddha, to worship the god in the high heaven. It is believed that lantern will carry away all the unfortunate things and making ways for good luck and bright future. People also putting the krathong to show gratefulness to the goddess of water, letting go of anger and bad luck you have been holding in the past and welcoming the good fortune that’s free of negativity in the coming year.   Shot by iPhone 16 Pro Max | Jing Kang]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Jing Kang su cizucu.]]></media:description>
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          <title><![CDATA[Title: Is this a Phoenix?  Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light.  This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration.  I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Victor Zhuo su cizucu.]]></description>
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            <name>Victor Zhuo</name>
            <uri>https://www.cizucu.com/it/users/4QDNraPSayPI6l1z44LmNKePpYg2</uri>
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          <pubDate>Tue, 06 Jan 2026 15:31:12 GMT</pubDate>
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            <media:title><![CDATA[Title: Is this a Phoenix?  Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light.  This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration.  I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Victor Zhuo su cizucu.]]></media:description>
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