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          <title><![CDATA[Scultura di grifone dorato con ali montata su un muro di edificio | fyonetsu]]></title>
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          <description><![CDATA[Scarica foto di Scultura di grifone dorato con ali montata su un muro di edificio di alta qualità e gratuite scattate da fyonetsu su cizucu.]]></description>
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          <pubDate>Wed, 24 Jan 2024 02:31:30 GMT</pubDate>
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          <title><![CDATA[Una scultura in pietra che rappresenta una figura che grida verso il cielo circondata da rocce | ジョーナカ]]></title>
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          <description><![CDATA[Scarica foto di Una scultura in pietra che rappresenta una figura che grida verso il cielo circondata da rocce di alta qualità e gratuite scattate da ジョーナカ su cizucu.]]></description>
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          <pubDate>Mon, 11 Mar 2024 13:59:15 GMT</pubDate>
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          <title><![CDATA[“The world drifts away; the bloom stands timeless.”  世界が遠のき、花だけが時を越える。  #nikonzf #nikonuser #nikonphotographer #nikon #40mmf2 #wherestillnessmeetshope #静寂と希望 #quietandhope #静かな時間 #stillmoments #quietplaces #filmlook #minimaljapan #光と影 | RURI]]></title>
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          <description><![CDATA[Guarda altre splendide opere di RURI su cizucu.]]></description>
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          <pubDate>Sat, 07 Jun 2025 11:30:26 GMT</pubDate>
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            <media:title><![CDATA[“The world drifts away; the bloom stands timeless.”  世界が遠のき、花だけが時を越える。  #nikonzf #nikonuser #nikonphotographer #nikon #40mmf2 #wherestillnessmeetshope #静寂と希望 #quietandhope #静かな時間 #stillmoments #quietplaces #filmlook #minimaljapan #光と影 | RURI]]></media:title>
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          <title><![CDATA[伊根の舟屋 Tango, at Kyoto’s northern edge, faces the Sea of Japan. Here, there is no city rush, only coastlines, fields, and the slow passage of seasons. Since ancient times, Tango has kept its distance from the world, preserving raw landscapes, fishing villages, and unembellished life.  Ine’s boathouses hug the shore, ground floor for boats, upper floor for living. Wood absorbs the waves’ rhythm, light drifts across the water, and even time feels softened by the sea breeze. | Lawrence Liou]]></title>
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          <pubDate>Sat, 21 Mar 2026 13:53:18 GMT</pubDate>
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            <media:title><![CDATA[伊根の舟屋 Tango, at Kyoto’s northern edge, faces the Sea of Japan. Here, there is no city rush, only coastlines, fields, and the slow passage of seasons. Since ancient times, Tango has kept its distance from the world, preserving raw landscapes, fishing villages, and unembellished life.  Ine’s boathouses hug the shore, ground floor for boats, upper floor for living. Wood absorbs the waves’ rhythm, light drifts across the water, and even time feels softened by the sea breeze. | Lawrence Liou]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Lawrence Liou su cizucu.]]></media:description>
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          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
          <link>https://www.cizucu.com/it/photos/z51tp1hZVa8RWblaxQor</link>
          <description><![CDATA[Guarda altre splendide opere di Souvik Roy su cizucu.]]></description>
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            <name>Souvik Roy</name>
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          <pubDate>Sat, 14 Mar 2026 18:17:45 GMT</pubDate>
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            <media:title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></media:title>
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          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
          <link>https://www.cizucu.com/it/photos/2liSNRVpSQ1iBWS2wvoy</link>
          <description><![CDATA[Guarda altre splendide opere di Souvik Roy su cizucu.]]></description>
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            <name>Souvik Roy</name>
            <uri>https://www.cizucu.com/it/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2</uri>
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          <pubDate>Mon, 16 Mar 2026 03:16:14 GMT</pubDate>
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            <media:title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Souvik Roy su cizucu.]]></media:description>
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          <title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></title>
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          <description><![CDATA[Guarda altre splendide opere di INKAN su cizucu.]]></description>
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          <pubDate>Sat, 14 Mar 2026 02:33:47 GMT</pubDate>
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            <media:title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></media:title>
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