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          <title><![CDATA[#gleen #空 #雲 | 雷道輝一]]></title>
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          <title><![CDATA[タイの彩り #タイ #バンコク | masashi7069]]></title>
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          <title><![CDATA[#雪　#눈　#conviniencestore | Partofmyworld]]></title>
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          <pubDate>Sat, 30 Nov 2024 18:29:23 GMT</pubDate>
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          <title><![CDATA[都市のリズム | yan]]></title>
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          <description><![CDATA[Scarica su cizucu un'immagine gratuita e di alta qualità di yan raffigurante scorcio notturno di strada davanti a un minimarket.]]></description>
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          <pubDate>Wed, 18 Mar 2026 21:06:26 GMT</pubDate>
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          <title><![CDATA[迷惑駐車 #コンビニ駐車場 #迷惑駐車 #とあるコンビニ駐車場 #京都 やっぱ(笑)迷惑ですよね。 | ユウ3850]]></title>
          <link>https://www.cizucu.com/it/photos/w4MldO7AnF4GMKWIygF4</link>
          <description><![CDATA[Scarica su cizucu un'immagine gratuita e di alta qualità di ユウ3850 raffigurante Auto parcheggiate in un parcheggio di un minimarket con un cartello bancomat a Kyoto.]]></description>
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          <pubDate>Sun, 12 May 2024 14:38:22 GMT</pubDate>
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          <title><![CDATA[#レクサス  #レクサスnx  #セブンイレブン  #富士山  #コンビニ富士山   | とくさん]]></title>
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          <description><![CDATA[Scarica su cizucu un'immagine gratuita e di alta qualità di とくさん raffigurante Insegna Seven-Eleven con un’auto Lexus davanti e il Monte Fuji sullo sfondo.]]></description>
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          <pubDate>Thu, 23 Jan 2025 21:02:41 GMT</pubDate>
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          <title><![CDATA[scena notturna davanti a un minimarket con una moto parcheggiata e insegne | pmj film]]></title>
          <link>https://www.cizucu.com/it/photos/YsV47jom3oYmsKIGQ88O</link>
          <description><![CDATA[Guarda altre splendide opere di pmj film su cizucu.]]></description>
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          <pubDate>Sat, 08 Nov 2025 13:00:17 GMT</pubDate>
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          <title><![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align.  In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying.  There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines.  This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic.  A place where everyone meets—yet no one stays. | analogbysissi]]></title>
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          <pubDate>Fri, 10 Apr 2026 15:23:09 GMT</pubDate>
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            <media:title><![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align.  In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying.  There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines.  This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic.  A place where everyone meets—yet no one stays. | analogbysissi]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di analogbysissi su cizucu.]]></media:description>
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