Foto di Emosional | Scarica immagini royalty-free e in alta risoluzione https://www.cizucu.com/it/explore/photos/emosional it 2026-04-06T10:20:15+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. it https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Una donna in piedi vicino al fiume con la luce del sole sullo sfondo | a y a .]]> https://www.cizucu.com/it/photos/DknEnuMUo4l1v8rqLV2S a y a . https://www.cizucu.com/it/users/AwHTP8P9aegHy7M089QCGLMrH8j2 https://www.cizucu.com/it/photos/DknEnuMUo4l1v8rqLV2S Thu, 23 Jan 2025 10:11:57 GMT 2025-01-23T10:12:36+09:00 https://cdn.cizucu.com/images/photos/DknEnuMUo4l1v8rqLV2S.jpg?auto=compress,format <![CDATA[#kawaguchinishipark #cherryblossom🌸 #emortional | yoshiokatomohiro]]> https://www.cizucu.com/it/photos/caiBmXXBuBzS4sDZij1U yoshiokatomohiro https://www.cizucu.com/it/users/373sMaRnxdN7mswLaFaViGObbxc2 https://www.cizucu.com/it/photos/caiBmXXBuBzS4sDZij1U Sat, 14 Jun 2025 22:38:04 GMT 2025-06-14T22:38:04+09:00 https://cdn.cizucu.com/images/photos/caiBmXXBuBzS4sDZij1U.jpg?auto=compress,format <![CDATA[#kawaguchinishipark #cherryblossom🌸 #emortional | yoshiokatomohiro]]> https://www.cizucu.com/it/photos/VVTZoS8HlFrbOp7xnR3t yoshiokatomohiro https://www.cizucu.com/it/users/373sMaRnxdN7mswLaFaViGObbxc2 https://www.cizucu.com/it/photos/VVTZoS8HlFrbOp7xnR3t Sat, 14 Jun 2025 22:37:18 GMT 2025-06-14T22:37:18+09:00 https://cdn.cizucu.com/images/photos/VVTZoS8HlFrbOp7xnR3t.jpg?auto=compress,format <![CDATA[#kawaguchinishipark #cherryblossom🌸 #emortional | yoshiokatomohiro]]> https://www.cizucu.com/it/photos/T68ktCwWAOpwmYqr6WHU yoshiokatomohiro https://www.cizucu.com/it/users/373sMaRnxdN7mswLaFaViGObbxc2 https://www.cizucu.com/it/photos/T68ktCwWAOpwmYqr6WHU Sat, 14 Jun 2025 22:38:28 GMT 2025-06-14T22:38:28+09:00 https://cdn.cizucu.com/images/photos/T68ktCwWAOpwmYqr6WHU.jpg?auto=compress,format <![CDATA[#kawaguchinishipark #cherryblossom🌸 #emortional | yoshiokatomohiro]]> https://www.cizucu.com/it/photos/Dk09jXbqwwrLSxmZOFAr yoshiokatomohiro https://www.cizucu.com/it/users/373sMaRnxdN7mswLaFaViGObbxc2 https://www.cizucu.com/it/photos/Dk09jXbqwwrLSxmZOFAr Sat, 14 Jun 2025 22:18:09 GMT 2025-06-14T22:18:09+09:00 https://cdn.cizucu.com/images/photos/Dk09jXbqwwrLSxmZOFAr.jpg?auto=compress,format <![CDATA[#上野恩寵公園 #cherryblossom🌸 #emortional | yoshiokatomohiro]]> https://www.cizucu.com/it/photos/HiEUZdFj9otGeTwWTmzK yoshiokatomohiro https://www.cizucu.com/it/users/373sMaRnxdN7mswLaFaViGObbxc2 https://www.cizucu.com/it/photos/HiEUZdFj9otGeTwWTmzK Sat, 14 Jun 2025 22:32:13 GMT 2025-06-14T22:32:13+09:00 https://cdn.cizucu.com/images/photos/HiEUZdFj9otGeTwWTmzK.jpg?auto=compress,format <![CDATA[A shoreline moment where proximity and distance coexist. I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame. Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]> https://www.cizucu.com/it/photos/Zj6P1fgkM9oPCMFAGuev Adisatrya Johari https://www.cizucu.com/it/adisatryajohari https://www.cizucu.com/it/photos/Zj6P1fgkM9oPCMFAGuev Mon, 16 Mar 2026 13:12:44 GMT 2026-03-16T13:12:44+09:00 https://cdn.cizucu.com/images/photos/Zj6P1fgkM9oPCMFAGuev.jpg?auto=compress,format <![CDATA[初めて参加いたします。 日常の中に隠れているemotional 心に刺さる瞬間を残していきたいと思っています。 SEOULの街角で偶然訪れた数秒間の景色ですが わたしが一番好きな風景です。 | _nao_]]> https://www.cizucu.com/it/photos/gmLAmEJ8AodWiIgw6xgU _nao_ https://www.cizucu.com/it/users/iomMxdfmSLg7AefeWIEpBDWSIAm2 https://www.cizucu.com/it/photos/gmLAmEJ8AodWiIgw6xgU Sat, 30 Aug 2025 08:23:44 GMT 2025-08-30T08:23:44+09:00 https://cdn.cizucu.com/images/photos/gmLAmEJ8AodWiIgw6xgU.jpg?auto=compress,format <![CDATA[Agony Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface. In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm. This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]> https://www.cizucu.com/it/photos/c4l8EClWI13vYtOt0C54 Urasha https://www.cizucu.com/it/users/Tg8TYJOeO8hOTqB24cbHJsJ9RmD3 https://www.cizucu.com/it/photos/c4l8EClWI13vYtOt0C54 Fri, 13 Feb 2026 01:37:10 GMT 2026-02-13T01:37:10+09:00 https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format <![CDATA[Title: Dining with her Series: Dreams Status: On-going About: This is the first entry in this series, this as part of photo-essay will have a total of 15 main pictorial works and supporting supplements. “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage. REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief. This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function. I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations. - - - Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100 Fomadon LQN Year: August, 2025 - present Photo: November 2025 *** | Eli Mastaine]]> https://www.cizucu.com/it/photos/lLVqB9q7T3gHEIJx8LId Eli Mastaine https://www.cizucu.com/it/users/UfuI5w0ikDdd8SHxxQS0fW6D9dE3 https://www.cizucu.com/it/photos/lLVqB9q7T3gHEIJx8LId Mon, 09 Mar 2026 02:16:10 GMT 2026-03-09T02:16:10+09:00 https://cdn.cizucu.com/images/photos/lLVqB9q7T3gHEIJx8LId.jpg?auto=compress,format <![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]> https://www.cizucu.com/it/photos/hgTYSErakAPBxlkfS9Iv a.da.md https://www.cizucu.com/it/users/wLkRPPkJVNhxaYlznXVZoat6s4h1 https://www.cizucu.com/it/photos/hgTYSErakAPBxlkfS9Iv Sun, 18 Jan 2026 15:17:34 GMT 2026-01-18T15:17:34+09:00 https://cdn.cizucu.com/images/photos/hgTYSErakAPBxlkfS9Iv.jpg?auto=compress,format <![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]> https://www.cizucu.com/it/photos/5uQprujr5kh3O40uW4oI a.da.md https://www.cizucu.com/it/users/wLkRPPkJVNhxaYlznXVZoat6s4h1 https://www.cizucu.com/it/photos/5uQprujr5kh3O40uW4oI Sun, 18 Jan 2026 16:03:24 GMT 2026-01-18T16:03:24+09:00 https://cdn.cizucu.com/images/photos/5uQprujr5kh3O40uW4oI.jpg?auto=compress,format <![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season. At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future. Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]> https://www.cizucu.com/it/photos/pFQEsppBNxxk6rpAASrB Streetwala https://www.cizucu.com/it/users/OGYs9dPuIAXJAbbtI7qDEOZ2cq82 https://www.cizucu.com/it/photos/pFQEsppBNxxk6rpAASrB Wed, 25 Feb 2026 14:36:03 GMT 2026-02-25T14:36:03+09:00 https://cdn.cizucu.com/images/photos/pFQEsppBNxxk6rpAASrB.jpg?auto=compress,format <![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love. For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go. The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude. This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]> https://www.cizucu.com/it/photos/bm1s4iqsLRZClLEvpQxw Nishikantsnaps https://www.cizucu.com/it/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2 https://www.cizucu.com/it/photos/bm1s4iqsLRZClLEvpQxw Fri, 13 Mar 2026 13:43:41 GMT 2026-03-13T13:43:41+09:00 https://cdn.cizucu.com/images/photos/bm1s4iqsLRZClLEvpQxw.jpg?auto=compress,format <![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words. Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come. The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life. Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]> https://www.cizucu.com/it/photos/SaattyEITUWZ19MyOfcT Shetty Karthik https://www.cizucu.com/it/users/4CAGdl8B7GXvaOKe9WeEAoMcJ232 https://www.cizucu.com/it/photos/SaattyEITUWZ19MyOfcT Tue, 24 Feb 2026 18:17:48 GMT 2026-02-24T18:17:48+09:00 https://cdn.cizucu.com/images/photos/SaattyEITUWZ19MyOfcT.jpg?auto=compress,format