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          <title><![CDATA[This was a picture taken in Hoi A depicting the everyday life of the locals here. | Keira Low]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Keira Low su cizucu.]]></description>
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            <name>Keira Low</name>
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          <pubDate>Mon, 02 Feb 2026 17:51:21 GMT</pubDate>
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            <media:title><![CDATA[This was a picture taken in Hoi A depicting the everyday life of the locals here. | Keira Low]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Keira Low su cizucu.]]></media:description>
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          <title><![CDATA[This was taken in Beijing, forbidden palace. It shows a tour guide raising a red fish, which is a popular symbol in Chinese culture, depicting wealth. | Keira Low]]></title>
          <link>https://www.cizucu.com/it/photos/khdIMNFnIdgHiYxlvIMb</link>
          <description><![CDATA[Guarda altre splendide opere di Keira Low su cizucu.]]></description>
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            <name>Keira Low</name>
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          <pubDate>Tue, 03 Feb 2026 08:03:45 GMT</pubDate>
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            <media:title><![CDATA[This was taken in Beijing, forbidden palace. It shows a tour guide raising a red fish, which is a popular symbol in Chinese culture, depicting wealth. | Keira Low]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Keira Low su cizucu.]]></media:description>
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          <title><![CDATA[This was taken during my most recent trip to my home country, Cyprus. I was invited to a private dervish show for the French consulate and I remember it vividly, the summer heat taking hold of the night, fans buzzing, and then a power outage which did not faze the dervish, he continued the performance as if nothing has happened, and that's when i captured this photo, completely in awe at his discipline and dedication. | Ruemus_]]></title>
          <link>https://www.cizucu.com/it/photos/jFOdHwLS1SAKau4XsKl6</link>
          <description><![CDATA[Guarda altre splendide opere di Ruemus_ su cizucu.]]></description>
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            <name>Ruemus_</name>
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          <pubDate>Tue, 24 Feb 2026 16:54:16 GMT</pubDate>
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            <media:title><![CDATA[This was taken during my most recent trip to my home country, Cyprus. I was invited to a private dervish show for the French consulate and I remember it vividly, the summer heat taking hold of the night, fans buzzing, and then a power outage which did not faze the dervish, he continued the performance as if nothing has happened, and that's when i captured this photo, completely in awe at his discipline and dedication. | Ruemus_]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Ruemus_ su cizucu.]]></media:description>
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          <title><![CDATA[This photograph came from a simple walk after my uncle’s wedding. While following a man carrying chairs, I noticed a mother and her child in the same street—an unplanned moment that quietly unfolded in front of me. It reminded me of my own mother, and how time slips by between small, everyday scenes. This image is a dedication to her, and to all mothers—an invitation for every child to pause, look back, and cherish these fleeting moments. | Akshob Ram Kumar]]></title>
          <link>https://www.cizucu.com/it/photos/1qSCLDbLWpeAHsWXsQ2o</link>
          <description><![CDATA[Guarda altre splendide opere di Akshob Ram Kumar su cizucu.]]></description>
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            <name>Akshob Ram Kumar</name>
            <uri>https://www.cizucu.com/it/akvisuals04</uri>
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          <pubDate>Mon, 26 Jan 2026 12:06:44 GMT</pubDate>
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            <media:title><![CDATA[This photograph came from a simple walk after my uncle’s wedding. While following a man carrying chairs, I noticed a mother and her child in the same street—an unplanned moment that quietly unfolded in front of me. It reminded me of my own mother, and how time slips by between small, everyday scenes. This image is a dedication to her, and to all mothers—an invitation for every child to pause, look back, and cherish these fleeting moments. | Akshob Ram Kumar]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Akshob Ram Kumar su cizucu.]]></media:description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/it/photos/cLMlwd2zuriHaAa7UIXB</link>
          <description><![CDATA[Guarda altre splendide opere di Arthur Liew su cizucu.]]></description>
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            <name>Arthur Liew</name>
            <uri>https://www.cizucu.com/it/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2</uri>
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          <pubDate>Sun, 22 Mar 2026 16:38:29 GMT</pubDate>
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            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Arthur Liew su cizucu.]]></media:description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/it/photos/aCRdHvBtI6EE9pHD6Jud</link>
          <description><![CDATA[Guarda altre splendide opere di Arthur Liew su cizucu.]]></description>
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            <name>Arthur Liew</name>
            <uri>https://www.cizucu.com/it/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2</uri>
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          <pubDate>Sun, 22 Mar 2026 16:32:12 GMT</pubDate>
          <atom:updated>2026-03-22T16:32:12+09:00</atom:updated>
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            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/it/photos/RDduCIQ1jlKWBqn7gdBH</link>
          <description><![CDATA[Guarda altre splendide opere di Arthur Liew su cizucu.]]></description>
          <author>
            <name>Arthur Liew</name>
            <uri>https://www.cizucu.com/it/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2</uri>
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          <pubDate>Sun, 22 Mar 2026 16:29:33 GMT</pubDate>
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            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
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          <title><![CDATA[This photograph created in 2021 is from a series of self-portraits called 'A study in Self' which has been ongoing since a few years. Around 2016-17, I found myself to be going through a serious mental health crisis, navigating through depression, anxiety and being diagnosed with OCD because of some resurfaced childhood trauma. Soon enough I had to be admitted to a rehabilitation center and put on medicines to recover, and couldn't really see myself living my life beyond my early 20s. As I was homebound during these phases, Self-portraiture came to me as a way of trying to find stillness and meaning within all the chaos of my life through these years. It became a means of reconnecting with myself and my body and mind. It was kind of a reassurance of my existence when I felt that I had lost myself. One such photograph among many self-portraits is this one, which was viscerally and spontaneously created depicting the stillness and serenity that I deeply craved inside. | Surabhi Manisha]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Surabhi Manisha su cizucu.]]></description>
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            <name>Surabhi Manisha</name>
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          <pubDate>Sat, 14 Mar 2026 22:52:50 GMT</pubDate>
          <atom:updated>2026-03-14T22:52:50+09:00</atom:updated>
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            <media:title><![CDATA[This photograph created in 2021 is from a series of self-portraits called 'A study in Self' which has been ongoing since a few years. Around 2016-17, I found myself to be going through a serious mental health crisis, navigating through depression, anxiety and being diagnosed with OCD because of some resurfaced childhood trauma. Soon enough I had to be admitted to a rehabilitation center and put on medicines to recover, and couldn't really see myself living my life beyond my early 20s. As I was homebound during these phases, Self-portraiture came to me as a way of trying to find stillness and meaning within all the chaos of my life through these years. It became a means of reconnecting with myself and my body and mind. It was kind of a reassurance of my existence when I felt that I had lost myself. One such photograph among many self-portraits is this one, which was viscerally and spontaneously created depicting the stillness and serenity that I deeply craved inside. | Surabhi Manisha]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Surabhi Manisha su cizucu.]]></media:description>
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