Foto di Deidades | Scarica immagini royalty-free e in alta risoluzione https://www.cizucu.com/it/explore/photos/deidades it 2026-04-28T16:17:31+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. it https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have. Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]> https://www.cizucu.com/it/photos/jrUyyDVwvyIJ5TtiMGXS Moodeeprincess https://www.cizucu.com/it/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2 https://www.cizucu.com/it/photos/jrUyyDVwvyIJ5TtiMGXS Sun, 05 Apr 2026 06:44:38 GMT 2026-04-05T06:44:38+09:00 https://cdn.cizucu.com/images/photos/jrUyyDVwvyIJ5TtiMGXS.jpg?auto=compress,format <![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have. Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]> https://www.cizucu.com/it/photos/d7oBNJGRG3OmKgbsoSBc Moodeeprincess https://www.cizucu.com/it/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2 https://www.cizucu.com/it/photos/d7oBNJGRG3OmKgbsoSBc Sun, 05 Apr 2026 06:46:15 GMT 2026-04-05T06:46:15+09:00 https://cdn.cizucu.com/images/photos/d7oBNJGRG3OmKgbsoSBc.jpg?auto=compress,format <![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have. Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness - a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]> https://www.cizucu.com/it/photos/CxXrx2pjX0GCiSt7KmKs Moodeeprincess https://www.cizucu.com/it/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2 https://www.cizucu.com/it/photos/CxXrx2pjX0GCiSt7KmKs Sun, 05 Apr 2026 06:30:24 GMT 2026-04-05T06:30:24+09:00 https://cdn.cizucu.com/images/photos/CxXrx2pjX0GCiSt7KmKs.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/it/photos/cLMlwd2zuriHaAa7UIXB Arthur Liew https://www.cizucu.com/it/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/it/photos/cLMlwd2zuriHaAa7UIXB Sun, 22 Mar 2026 16:38:29 GMT 2026-03-22T16:38:29+09:00 https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/it/photos/aCRdHvBtI6EE9pHD6Jud Arthur Liew https://www.cizucu.com/it/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/it/photos/aCRdHvBtI6EE9pHD6Jud Sun, 22 Mar 2026 16:32:12 GMT 2026-03-22T16:32:12+09:00 https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/it/photos/RDduCIQ1jlKWBqn7gdBH Arthur Liew https://www.cizucu.com/it/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/it/photos/RDduCIQ1jlKWBqn7gdBH Sun, 22 Mar 2026 16:29:33 GMT 2026-03-22T16:29:33+09:00 https://cdn.cizucu.com/images/photos/RDduCIQ1jlKWBqn7gdBH.jpg?auto=compress,format