Foto di Carey | Scarica immagini royalty-free e in alta risoluzione https://www.cizucu.com/it/explore/photos/carey it 2026-04-08T08:46:42+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. it https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Monkey chilling and takes care to each other | Pikanchor]]> https://www.cizucu.com/it/photos/cx4EOHI9HnSfYLeA931E Pikanchor https://www.cizucu.com/it/users/BGZ8WhAoOLbR8IbStD2ON5jI9wo1 https://www.cizucu.com/it/photos/cx4EOHI9HnSfYLeA931E Fri, 09 Jan 2026 18:40:01 GMT 2026-01-09T18:40:01+09:00 https://cdn.cizucu.com/images/photos/cx4EOHI9HnSfYLeA931E.jpg?auto=compress,format <![CDATA[Architecture shapes space as an extension of how we carry perception forward. | Lawrence Liou]]> https://www.cizucu.com/it/photos/KrvWZMI0O4g6dOvlWC8Q Lawrence Liou https://www.cizucu.com/it/momoliou https://www.cizucu.com/it/photos/KrvWZMI0O4g6dOvlWC8Q Sat, 21 Feb 2026 12:28:31 GMT 2026-02-21T12:28:31+09:00 https://cdn.cizucu.com/images/photos/KrvWZMI0O4g6dOvlWC8Q.jpg?auto=compress,format <![CDATA[Taking care of #halatefoto #blackandwhite #bw #leica #jakarta #oldlady #woman #asianwoman #oldpeople | novantino]]> https://www.cizucu.com/it/photos/hZOCQdFyuaqYfKRWvvuK novantino https://www.cizucu.com/it/users/IkRl799BouhofsG6DqaMr4W56dU2 https://www.cizucu.com/it/photos/hZOCQdFyuaqYfKRWvvuK Sun, 26 Jan 2025 18:56:07 GMT 2025-01-26T18:56:34+09:00 https://cdn.cizucu.com/images/photos/hZOCQdFyuaqYfKRWvvuK.jpg?auto=compress,format <![CDATA[A gardener sweeping the grounds of Humayun’s Tomb, reflecting the harmony between heritage and daily care. | Arjun. Kalwankar]]> https://www.cizucu.com/it/photos/Puq0owk5WkZnx3PPiChU Arjun. Kalwankar https://www.cizucu.com/it/users/HewVLZfnbRXfuFVu5eUFQJm54Oy1 https://www.cizucu.com/it/photos/Puq0owk5WkZnx3PPiChU Mon, 02 Mar 2026 03:31:39 GMT 2026-03-02T03:31:39+09:00 https://cdn.cizucu.com/images/photos/Puq0owk5WkZnx3PPiChU.jpg?auto=compress,format <![CDATA[蘋果熟成了，想不想一口咬下？ Tender and tempting… care for a taste? model： @yangzongxin3 （3333） Photo：@studio_iso_25 #攝影 #男體 #寫真 #人物攝影 #portraitphotography #bodyart | iSO人物體]]> https://www.cizucu.com/it/photos/hfdzANwpeW4p7TCcfAWl iSO人物體 https://www.cizucu.com/it/iso2000 https://www.cizucu.com/it/photos/hfdzANwpeW4p7TCcfAWl Wed, 22 Oct 2025 07:15:24 GMT 2025-10-22T07:15:24+09:00 https://cdn.cizucu.com/images/photos/hfdzANwpeW4p7TCcfAWl.jpg?auto=compress,format <![CDATA[Memories kept gnawing at me after a restless night. I woke up to the light, the rumpled sheets, my pajamas I’d picked out with so much care, and no face to show, not even wanting to see it after everything that happened. Mornings feel like quiet resets; this month has been a lot about that for me. Remembering, waking up, starting again—not with certainty, just taking a small step, learning to accept that I won’t understand everything when life crashes over me. | Rebecca Doracio]]> https://www.cizucu.com/it/photos/Y6pnCsHaA71Ro4IYKrPf Rebecca Doracio https://www.cizucu.com/it/rebeccadoracio https://www.cizucu.com/it/photos/Y6pnCsHaA71Ro4IYKrPf Sun, 22 Mar 2026 01:50:50 GMT 2026-03-22T01:50:50+09:00 https://cdn.cizucu.com/images/photos/Y6pnCsHaA71Ro4IYKrPf.jpg?auto=compress,format <![CDATA[Every morning, thousands of people rush to work beneath the towering glass buildings of Singapore’s financial district. An elderly man with a bag over his shoulder steps into a beam of sunlight breaking through the skyscrapers, briefly isolated in light while the rest of the city remains in shadow. Even in old age, some still carry on, continuing their daily journey beneath the towering symbols of success. | Simon]]> https://www.cizucu.com/it/photos/20whH9LTjLKGIhtJk0Fb Simon https://www.cizucu.com/it/users/z3srdNEcEHbC3Cn5pLrWSVLkptD2 https://www.cizucu.com/it/photos/20whH9LTjLKGIhtJk0Fb Wed, 04 Mar 2026 23:28:47 GMT 2026-03-04T23:28:47+09:00 https://cdn.cizucu.com/images/photos/20whH9LTjLKGIhtJk0Fb.jpg?auto=compress,format <![CDATA[That day, Smoke hung in the air. Mahjong tiles cracked against the table like small acts of violence. Under a single lamp, the players emerged just enough to be seen, then slipped back into shadow. No names. No introductions. No one cared who you were outside the light. All that matters, IS TO WIN. This is a recreation of what it was like, The outfits were planned to fit how it was like. and only the lady boss of the house was the prominent one. the rest were just name less and fodder in the place. | Justin Ignatius Seow]]> https://www.cizucu.com/it/photos/OJq0C8tvGcOSUud9DHMx Justin Ignatius Seow https://www.cizucu.com/it/users/Xio2aQc1xLVifEs8ZWI9QhWKGVz1 https://www.cizucu.com/it/photos/OJq0C8tvGcOSUud9DHMx Mon, 16 Mar 2026 19:36:54 GMT 2026-03-16T19:36:54+09:00 https://cdn.cizucu.com/images/photos/OJq0C8tvGcOSUud9DHMx.jpg?auto=compress,format <![CDATA[This photograph was taken at Badwater Basin in Death Valley National Park, USA, at around 6:30 in the evening during golden hour. In the distance, three people sat quietly on the vast salt flats. Before them stood a mountain range, with the sun slowly descending behind it. Seeing this scene, I instinctively raised my camera and pressed the shutter. What moved me in that moment was the quiet power of nature, its scale, its stillness, and its beauty. Standing there, I felt how small we are in comparison, and how many of the worries we carry in daily life fade when placed against something so immense. Compared to the world, to nature, or even to the universe, those concerns suddenly feel insignificant. | josecheang]]> https://www.cizucu.com/it/photos/zk1DPuOPqv65Z91GXk21 josecheang https://www.cizucu.com/it/users/z5wugtbtv9f74MnC8uEpqUTGj1U2 https://www.cizucu.com/it/photos/zk1DPuOPqv65Z91GXk21 Thu, 15 Jan 2026 11:24:24 GMT 2026-01-15T11:24:24+09:00 https://cdn.cizucu.com/images/photos/zk1DPuOPqv65Z91GXk21.jpg?auto=compress,format <![CDATA[This photograph captures a quiet moment of solitude. A young boy sits beneath a tree, absorbed in his own small world while the surrounding environment fades into shadow. The image explores the contrast between stillness and the larger world around him, highlighting how simple moments can carry deep meaning. The photograph was created using natural light to emphasise the mood and intimacy of the scene. By using black and white, the focus shifts from colour to emotion, allowing the viewer to reflect on the subject’s quiet concentration and the calm atmosphere of the setting. Through this work, I aim to present an honest and timeless moment of everyday life. It invites viewers to pause and reflect on the quiet spaces that exist within our busy world. | Akshob Ram Kumar]]> https://www.cizucu.com/it/photos/TEzS1WccQibnKLVjPtrC Akshob Ram Kumar https://www.cizucu.com/it/akvisuals04 https://www.cizucu.com/it/photos/TEzS1WccQibnKLVjPtrC Sat, 14 Mar 2026 10:47:05 GMT 2026-03-14T10:47:05+09:00 https://cdn.cizucu.com/images/photos/TEzS1WccQibnKLVjPtrC.jpg?auto=compress,format <![CDATA[This photograph captures a quiet moment of solitude beneath a tree. A young boy sits absorbed in his own world, momentarily separated from the noise and movement of everyday life around him. The scene reflects the small spaces of stillness that exist even within busy environments. Using black and white allows the image to focus on mood, light, and emotion rather than colour. The contrast between shadow and light highlights the boy’s concentration while the surrounding darkness frames the moment, creating a sense of calm and introspection. Through this work, I aim to show how simple, ordinary moments can carry quiet depth. The photograph invites viewers to pause and reflect on the unnoticed moments of stillness that often exist in our everyday lives. | Akshob Ram Kumar]]> https://www.cizucu.com/it/photos/LAPIO77FAZzvwhueWaVW Akshob Ram Kumar https://www.cizucu.com/it/akvisuals04 https://www.cizucu.com/it/photos/LAPIO77FAZzvwhueWaVW Sat, 14 Mar 2026 10:56:17 GMT 2026-03-14T10:56:17+09:00 https://cdn.cizucu.com/images/photos/LAPIO77FAZzvwhueWaVW.jpg?auto=compress,format <![CDATA[A Language Beyond Words Chiang Mai taught me that the deepest conversations do not always depend on perfect language. I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper. Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]> https://www.cizucu.com/it/photos/bqXUVMgMXBlAsPM7Qjwu Lanna Shuttered Moments https://www.cizucu.com/it/users/zLWK6aZf3majg9NHN7feKot3mzs1 https://www.cizucu.com/it/photos/bqXUVMgMXBlAsPM7Qjwu Sat, 14 Feb 2026 10:30:49 GMT 2026-02-14T10:30:49+09:00 https://cdn.cizucu.com/images/photos/bqXUVMgMXBlAsPM7Qjwu.jpg?auto=compress,format <![CDATA[Full sky of lantern is one of the magnificent things you must experience once in a life. This moment was capture during the Yi Peng and Loy krathong festival held in Chiang Mai, Thailand. Yi Peng features the sky lantern while Loy Krathong involve floating of a basket or vessel. Yi Peng is originated from Lanna culture in northern Thailand. It means the second full moon of lanna calender month, is a religious event that people put up the lanterns to show devotion to Buddha, to worship the god in the high heaven. It is believed that lantern will carry away all the unfortunate things and making ways for good luck and bright future. People also putting the krathong to show gratefulness to the goddess of water, letting go of anger and bad luck you have been holding in the past and welcoming the good fortune that’s free of negativity in the coming year. Shot by iPhone 16 Pro Max | Jing Kang]]> https://www.cizucu.com/it/photos/FD6FQi6UblP8Ok9v6tQJ Jing Kang https://www.cizucu.com/it/jklifeimmerse https://www.cizucu.com/it/photos/FD6FQi6UblP8Ok9v6tQJ Tue, 17 Mar 2026 01:23:33 GMT 2026-03-17T01:23:33+09:00 https://cdn.cizucu.com/images/photos/FD6FQi6UblP8Ok9v6tQJ.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/it/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/it/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/it/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:51:53+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format <![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words. Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come. The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life. Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]> https://www.cizucu.com/it/photos/SaattyEITUWZ19MyOfcT Shetty Karthik https://www.cizucu.com/it/users/4CAGdl8B7GXvaOKe9WeEAoMcJ232 https://www.cizucu.com/it/photos/SaattyEITUWZ19MyOfcT Tue, 24 Feb 2026 18:17:48 GMT 2026-02-24T18:17:48+09:00 https://cdn.cizucu.com/images/photos/SaattyEITUWZ19MyOfcT.jpg?auto=compress,format <![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly.
Growing up in poverty,
she had to help with farming from a very young age.
Years of hard labor and heavy housework
have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for—
the hands that held me
and protected me as I grew up. Through this image,
I hope more people can see the strength, history,
and quiet magnificence these hands carry. これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。
貧しい家庭に育ち、
幼い頃から農作業を手伝ってきました。
長年の労働と家事によって、
その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は
私を抱き、守り、育ててくれた大切な手です。 この写真を通して、
この手に刻まれた力強い歴史と、
その中にある静かな美しさが伝わればと思います。

 這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。
因為從小家境貧困，
年幼時便要協助耕作。
長年的勞動與繁重的家務，
讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手——
捧著我、守護著我長大。 我希望，
能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai 蔡易蓁]]> https://www.cizucu.com/it/photos/v0tznKhGxq4p8f6QJS7I JoJo Tsai 蔡易蓁 https://www.cizucu.com/it/jojotsai https://www.cizucu.com/it/photos/v0tznKhGxq4p8f6QJS7I Thu, 19 Feb 2026 04:15:08 GMT 2026-02-19T04:15:08+09:00 https://cdn.cizucu.com/images/photos/v0tznKhGxq4p8f6QJS7I.jpg?auto=compress,format <![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly.
Growing up in poverty,
she had to help with farming from a very young age.
Years of hard labor and heavy housework
have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for—
the hands that held me
and protected me as I grew up. Through this image,
I hope more people can see the strength, history,
and quiet magnificence these hands carry. これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。
貧しい家庭に育ち、
幼い頃から農作業を手伝ってきました。
長年の労働と家事によって、
その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は
私を抱き、守り、育ててくれた大切な手です。 この写真を通して、
この手に刻まれた力強い歴史と、
その中にある静かな美しさが伝わればと思います。

 這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。
因為從小家境貧困，
年幼時便要協助耕作。
長年的勞動與繁重的家務，
讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手——
捧著我、守護著我長大。 我希望，
能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai 蔡易蓁]]> https://www.cizucu.com/it/photos/M1X8wUZ1MnOhWKaCnonb JoJo Tsai 蔡易蓁 https://www.cizucu.com/it/jojotsai https://www.cizucu.com/it/photos/M1X8wUZ1MnOhWKaCnonb Thu, 19 Feb 2026 04:18:22 GMT 2026-02-19T04:18:22+09:00 https://cdn.cizucu.com/images/photos/M1X8wUZ1MnOhWKaCnonb.jpg?auto=compress,format