Foto di Boyas | Scarica immagini royalty-free e in alta risoluzione https://www.cizucu.com/it/explore/photos/boyas it 2026-04-26T10:41:02+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. it https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[boy's yearning | Yosuke0312]]> https://www.cizucu.com/it/photos/uOWGZOI2Dlj17bxoT9Jb Yosuke0312 https://www.cizucu.com/it/Yosuke0312 https://www.cizucu.com/it/photos/uOWGZOI2Dlj17bxoT9Jb Sat, 15 Mar 2025 18:43:53 GMT 2025-03-15T19:04:45+09:00 https://cdn.cizucu.com/images/photos/uOWGZOI2Dlj17bxoT9Jb.jpg?auto=compress,format <![CDATA[Boya verde che galleggia sull'acqua con fabbriche e edifici sullo sfondo | ブー太郎]]> https://www.cizucu.com/it/photos/L4cLI1hAnvGjlWbnSXrV ブー太郎 https://www.cizucu.com/it/users/Y6zYoXH8qZgMSsHBULMqspdTq3t1 https://www.cizucu.com/it/photos/L4cLI1hAnvGjlWbnSXrV Mon, 25 Mar 2024 23:30:16 GMT 2024-11-20T12:29:17+09:00 https://cdn.cizucu.com/images/photos/L4cLI1hAnvGjlWbnSXrV.jpg?auto=compress,format <![CDATA[BOYS | Yosuke0312]]> https://www.cizucu.com/it/photos/lQ5u9F3mOJnaktBsJUwV Yosuke0312 https://www.cizucu.com/it/Yosuke0312 https://www.cizucu.com/it/photos/lQ5u9F3mOJnaktBsJUwV Fri, 23 Jan 2026 10:41:43 GMT 2026-01-23T10:41:43+09:00 https://cdn.cizucu.com/images/photos/lQ5u9F3mOJnaktBsJUwV.jpg?auto=compress,format <![CDATA[Boys be ambitious | Yosuke0312]]> https://www.cizucu.com/it/photos/RCJiv3qARPBOd6v80Vme Yosuke0312 https://www.cizucu.com/it/Yosuke0312 https://www.cizucu.com/it/photos/RCJiv3qARPBOd6v80Vme Fri, 02 May 2025 13:33:30 GMT 2025-05-02T13:33:53+09:00 https://cdn.cizucu.com/images/photos/RCJiv3qARPBOd6v80Vme.jpg?auto=compress,format <![CDATA[Boys be ambitious | Yosuke0312]]> https://www.cizucu.com/it/photos/F9WxVt5XsNg4Uibhgb2J Yosuke0312 https://www.cizucu.com/it/Yosuke0312 https://www.cizucu.com/it/photos/F9WxVt5XsNg4Uibhgb2J Sat, 03 May 2025 05:10:22 GMT 2025-05-03T05:10:54+09:00 https://cdn.cizucu.com/images/photos/F9WxVt5XsNg4Uibhgb2J.jpg?auto=compress,format <![CDATA[As I pass by a corner of a restaurant, a boy's quiet moment | chetpin8]]> https://www.cizucu.com/it/photos/c8yAw6xuVRsl8fhKypAn chetpin8 https://www.cizucu.com/it/users/gXnGEEFoIHTQyq3jpEAxVGw41zw1 https://www.cizucu.com/it/photos/c8yAw6xuVRsl8fhKypAn Sun, 29 Mar 2026 21:09:30 GMT 2026-03-29T21:09:30+09:00 https://cdn.cizucu.com/images/photos/c8yAw6xuVRsl8fhKypAn.jpg?auto=compress,format <![CDATA[girls,boys,,,and | まつざか]]> https://www.cizucu.com/it/photos/Fsj9zOgw0nHeRdaI26ut まつざか https://www.cizucu.com/it/users/HJzfQxC2p2h7oJwpEuzLlaIhfS92 https://www.cizucu.com/it/photos/Fsj9zOgw0nHeRdaI26ut Wed, 25 Feb 2026 23:09:47 GMT 2026-02-25T23:09:47+09:00 https://cdn.cizucu.com/images/photos/Fsj9zOgw0nHeRdaI26ut.jpg?auto=compress,format <![CDATA[As I pass by a corner of a restaurant, a boy's quiet moment | chetpin8]]> https://www.cizucu.com/it/photos/5AmjTpQdz0cVkgkbIZ3V chetpin8 https://www.cizucu.com/it/users/gXnGEEFoIHTQyq3jpEAxVGw41zw1 https://www.cizucu.com/it/photos/5AmjTpQdz0cVkgkbIZ3V Fri, 20 Mar 2026 16:11:06 GMT 2026-03-20T16:11:06+09:00 https://cdn.cizucu.com/images/photos/5AmjTpQdz0cVkgkbIZ3V.jpg?auto=compress,format <![CDATA[Some moments don’t need colour to scream. Unusually stripped off colours that the festival's messy joy brings, with colour smeared hands slathering paste on the boy's face amid the frenzy, his wide-open mouth echoing the burn of chemical dyes. | Rushabh Javeri]]> https://www.cizucu.com/it/photos/o5Q9D1boAedaierKzo08 Rushabh Javeri https://www.cizucu.com/it/users/WuislRqmQjSBLJrbrZjiHHH4b8G2 https://www.cizucu.com/it/photos/o5Q9D1boAedaierKzo08 Sat, 14 Mar 2026 15:24:54 GMT 2026-03-14T15:24:54+09:00 https://cdn.cizucu.com/images/photos/o5Q9D1boAedaierKzo08.jpg?auto=compress,format <![CDATA[This photograph captures a quiet moment of solitude beneath a tree. A young boy sits absorbed in his own world, momentarily separated from the noise and movement of everyday life around him. The scene reflects the small spaces of stillness that exist even within busy environments. Using black and white allows the image to focus on mood, light, and emotion rather than colour. The contrast between shadow and light highlights the boy’s concentration while the surrounding darkness frames the moment, creating a sense of calm and introspection. Through this work, I aim to show how simple, ordinary moments can carry quiet depth. The photograph invites viewers to pause and reflect on the unnoticed moments of stillness that often exist in our everyday lives. | Akshob Ram Kumar]]> https://www.cizucu.com/it/photos/LAPIO77FAZzvwhueWaVW Akshob Ram Kumar https://www.cizucu.com/it/akvisuals04 https://www.cizucu.com/it/photos/LAPIO77FAZzvwhueWaVW Sat, 14 Mar 2026 10:56:17 GMT 2026-03-14T10:56:17+09:00 https://cdn.cizucu.com/images/photos/LAPIO77FAZzvwhueWaVW.jpg?auto=compress,format <![CDATA[“Boys be ambitious” - 「少年よ、大志を抱け」 札幌農学校の初代教頭としてアメリカから赴任していたクラーク博士が日本を去るときに学生たちに残した言葉。 このフレーズだけが有名だが、実際は、“Boys, be ambitious like this old man”- 「この老人のように」と自分のことを指してアメリカ帰国の際に馬上から学生たちにと言ったとされ、それは「さよなら」の挨拶の代わりとなるようなものだったとも。 諸説あるが、クラーク博士は札幌農学校の学生らに対し、「紳士たれ」というもうひとつの名言をも残していた。 ずっと住んでいるのにおそらく初めてここに来たきがする。 あまり振り返ることもない遠い昔の母校にまつわるエピソードだが、春休みなのか日本各地から沢山の若い学生とおぼしき人たちが観光に来ていた。 大志ではなくとも成し遂げたいことは改めて徹底的に取り組みたいと若者のように心新たに思った。 人はみな自分の人生の開拓者なのとつくづく思う。 そして道なき道であってさえもそれは決して止むことがない道なのであると。 羊ヶ丘展望台　クラーク博士像 #北海道　#札幌市　#羊ヶ丘展望台　#クラーク博士　#札幌農学校　#ウィリアム・スミス・クラーク　#大志の誓い | Icecandle]]> https://www.cizucu.com/it/photos/JcN3PqwwrPmIDuth9K8b Icecandle https://www.cizucu.com/it/users/KYOTpzvt1qRcuis1xV3As9GTiCf2 https://www.cizucu.com/it/photos/JcN3PqwwrPmIDuth9K8b Tue, 05 Mar 2024 15:20:26 GMT 2024-11-21T18:49:35+09:00 https://cdn.cizucu.com/images/photos/JcN3PqwwrPmIDuth9K8b.jpg?auto=compress,format <![CDATA[Living in Happyland In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in. I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere. As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances. This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]> https://www.cizucu.com/it/photos/5rLps4AdmWu1rEHn4sQW Victor Tan KH https://www.cizucu.com/it/users/iVywoqF9Dgd0tIYYYiwLtXXfs1n2 https://www.cizucu.com/it/photos/5rLps4AdmWu1rEHn4sQW Sun, 18 Jan 2026 21:43:45 GMT 2026-01-18T21:43:45+09:00 https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?auto=compress,format <![CDATA[Raeng Nóm Jai The Force That Draws the Heart I had already packed my bag when I noticed them. The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back. But something shifted. One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness. My battery was nearly dead. I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct. I turned the camera on. For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once. Then the camera died. The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred. But that single frame remained. Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome. I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk. Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear. And that was enough. | John Hupa]]> https://www.cizucu.com/it/photos/sVh1uqHQzy9Jq3sPjFco John Hupa https://www.cizucu.com/it/users/5pbld81DKVT8o45bBOOJ7CDUle72 https://www.cizucu.com/it/photos/sVh1uqHQzy9Jq3sPjFco Wed, 11 Feb 2026 12:29:25 GMT 2026-02-11T12:29:25+09:00 https://cdn.cizucu.com/images/photos/sVh1uqHQzy9Jq3sPjFco.jpg?auto=compress,format <![CDATA[Raeng Nóm Jai The Force That Draws the Heart I had already packed my bag when I noticed them. The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back. But something shifted. One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness. My battery was nearly dead. I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct. I turned the camera on. For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once. Then the camera died. The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred. But that single frame remained. Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome. I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk. Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear. And that was enough. | John Hupa]]> https://www.cizucu.com/it/photos/cI8eCjEr7pTX08wnzCdu John Hupa https://www.cizucu.com/it/users/5pbld81DKVT8o45bBOOJ7CDUle72 https://www.cizucu.com/it/photos/cI8eCjEr7pTX08wnzCdu Wed, 11 Feb 2026 12:30:12 GMT 2026-02-11T12:30:12+09:00 https://cdn.cizucu.com/images/photos/cI8eCjEr7pTX08wnzCdu.jpg?auto=compress,format