Foto di Both Hands | Scarica immagini royalty-free e in alta risoluzione https://www.cizucu.com/it/explore/photos/both%20hands it 2026-04-24T02:07:00+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. it https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[幸せの【おすそわけ】 | shoji masahiro]]> https://www.cizucu.com/it/photos/bCGuhbgKqFntkzeBZhOu shoji masahiro https://www.cizucu.com/it/users/pj0BVnUFKjbT7uhCgHa29vbmGK02 https://www.cizucu.com/it/photos/bCGuhbgKqFntkzeBZhOu Wed, 19 Mar 2025 09:48:44 GMT 2025-03-20T08:36:14+09:00 https://cdn.cizucu.com/images/photos/bCGuhbgKqFntkzeBZhOu.jpg?auto=compress,format <![CDATA[Persona di spalle che alza entrambe le mani in una stanza | どさんこみっちゃん]]> https://www.cizucu.com/it/photos/Dt2ai94YDGWYB14ZjXtZ どさんこみっちゃん https://www.cizucu.com/it/users/sF4cFhgz7CUMIRjb5caqy3nDRpv1 https://www.cizucu.com/it/photos/Dt2ai94YDGWYB14ZjXtZ Mon, 25 Dec 2023 17:30:47 GMT 2024-11-26T02:32:23+09:00 https://cdn.cizucu.com/images/photos/Dt2ai94YDGWYB14ZjXtZ.jpg?auto=compress,format <![CDATA[Un pomodoro rosso vivace tenuto in entrambe le mani | れむ-remm-]]> https://www.cizucu.com/it/photos/6o3g1jO8mIduT9YMkso9 れむ-remm- https://www.cizucu.com/it/users/wFqza5u4oRRDgDGfZ52BP4bv1X12 https://www.cizucu.com/it/photos/6o3g1jO8mIduT9YMkso9 Thu, 27 Mar 2025 14:47:40 GMT 2025-03-27T14:48:01+09:00 https://cdn.cizucu.com/images/photos/6o3g1jO8mIduT9YMkso9.jpg?auto=compress,format <![CDATA[Un uomo in giacca che mostra entrambe le mani con le dita aperte | awesome_photo]]> https://www.cizucu.com/it/photos/8Fcsk4ZohkJmg94bxATV awesome_photo https://www.cizucu.com/it/mic0526mic999 https://www.cizucu.com/it/photos/8Fcsk4ZohkJmg94bxATV Mon, 29 Jan 2024 09:29:09 GMT 2024-11-24T16:20:02+09:00 https://cdn.cizucu.com/images/photos/8Fcsk4ZohkJmg94bxATV.jpg?auto=compress,format <![CDATA[Un uomo con una camicia a scacchi che allunga entrambe le mani in avanti | awesome_photo]]> https://www.cizucu.com/it/photos/wTClVMs7tN34AC7J4A4S awesome_photo https://www.cizucu.com/it/mic0526mic999 https://www.cizucu.com/it/photos/wTClVMs7tN34AC7J4A4S Fri, 26 Jan 2024 19:57:59 GMT 2024-11-24T16:54:45+09:00 https://cdn.cizucu.com/images/photos/wTClVMs7tN34AC7J4A4S.jpg?auto=compress,format <![CDATA[Una persona che tiene una lima piatta in metallo con entrambe le mani | 本気のくまにゃん]]> https://www.cizucu.com/it/photos/D9LQjBDbRWB5gcZh6nJT 本気のくまにゃん https://www.cizucu.com/it/honki_kumanyan https://www.cizucu.com/it/photos/D9LQjBDbRWB5gcZh6nJT Fri, 26 Jan 2024 10:54:04 GMT 2024-11-24T18:57:51+09:00 https://cdn.cizucu.com/images/photos/D9LQjBDbRWB5gcZh6nJT.jpg?auto=compress,format <![CDATA[Persona che indossa un maglione morbido tiene un piccolo libro grigio con entrambe le mani | Kayokophotos]]> https://www.cizucu.com/it/photos/VAjx1KwybUt7ASrbfDh4 Kayokophotos https://www.cizucu.com/it/users/IUbs7jahEYbndc8QOID3urDBGus1 https://www.cizucu.com/it/photos/VAjx1KwybUt7ASrbfDh4 Thu, 04 Apr 2024 15:58:50 GMT 2024-11-19T14:05:23+09:00 https://cdn.cizucu.com/images/photos/VAjx1KwybUt7ASrbfDh4.jpg?auto=compress,format <![CDATA[Una donna in camicia bianca che sorride con entrambe le mani sollevate | kenstock]]> https://www.cizucu.com/it/photos/8s5aT8zVN4QWAKgWlIyQ kenstock https://www.cizucu.com/it/kenstock https://www.cizucu.com/it/photos/8s5aT8zVN4QWAKgWlIyQ Sun, 17 Mar 2024 10:46:53 GMT 2024-11-20T23:37:05+09:00 https://cdn.cizucu.com/images/photos/8s5aT8zVN4QWAKgWlIyQ.jpg?auto=compress,format <![CDATA[Una donna sorridente in un maglione grigio che fa segni OK con entrambe le mani | chikyujin]]> https://www.cizucu.com/it/photos/1VdD8LtiBaASPfjA1rzA chikyujin https://www.cizucu.com/it/users/X3kFHZSyGUZ2LyAYIQMMilWC4Y62 https://www.cizucu.com/it/photos/1VdD8LtiBaASPfjA1rzA Wed, 24 Jan 2024 09:58:43 GMT 2024-11-25T00:10:28+09:00 https://cdn.cizucu.com/images/photos/1VdD8LtiBaASPfjA1rzA.jpg?auto=compress,format <![CDATA[#紫陽花 | Yuya]]> https://www.cizucu.com/it/photos/tfzt3QiglaW24EsUK8nM Yuya https://www.cizucu.com/it/yu6101photo https://www.cizucu.com/it/photos/tfzt3QiglaW24EsUK8nM Thu, 02 Jan 2025 14:33:46 GMT 2025-01-09T22:35:45+09:00 https://cdn.cizucu.com/images/photos/tfzt3QiglaW24EsUK8nM.jpg?auto=compress,format <![CDATA[Una donna in giacca che fa segni OK con entrambe le mani | chikyujin]]> https://www.cizucu.com/it/photos/FwxLAoOcXzgWnLk5kyPU chikyujin https://www.cizucu.com/it/users/X3kFHZSyGUZ2LyAYIQMMilWC4Y62 https://www.cizucu.com/it/photos/FwxLAoOcXzgWnLk5kyPU Wed, 24 Jan 2024 10:09:59 GMT 2024-11-24T23:44:00+09:00 https://cdn.cizucu.com/images/photos/FwxLAoOcXzgWnLk5kyPU.jpg?auto=compress,format <![CDATA[Una donna in dolcevita nera che fa segni OK con entrambe le mani | chikyujin]]> https://www.cizucu.com/it/photos/qXp8Rc7T9R3ClSISdH3w chikyujin https://www.cizucu.com/it/users/X3kFHZSyGUZ2LyAYIQMMilWC4Y62 https://www.cizucu.com/it/photos/qXp8Rc7T9R3ClSISdH3w Wed, 24 Jan 2024 09:58:40 GMT 2024-01-24T09:58:40+09:00 https://cdn.cizucu.com/images/photos/qXp8Rc7T9R3ClSISdH3w.jpg?auto=compress,format <![CDATA[Donna in top nero che sorride e fa il segno OK con entrambe le mani | chikyujin]]> https://www.cizucu.com/it/photos/AqgCbKcQsfBxQLiJF7Qm chikyujin https://www.cizucu.com/it/users/X3kFHZSyGUZ2LyAYIQMMilWC4Y62 https://www.cizucu.com/it/photos/AqgCbKcQsfBxQLiJF7Qm Wed, 24 Jan 2024 10:07:54 GMT 2024-11-24T23:50:24+09:00 https://cdn.cizucu.com/images/photos/AqgCbKcQsfBxQLiJF7Qm.jpg?auto=compress,format <![CDATA[Un uomo in camicia bianca si tiene la testa con entrambe le mani | どさんこみっちゃん]]> https://www.cizucu.com/it/photos/9pIKjmNLC4EmIF3M9NH4 どさんこみっちゃん https://www.cizucu.com/it/users/sF4cFhgz7CUMIRjb5caqy3nDRpv1 https://www.cizucu.com/it/photos/9pIKjmNLC4EmIF3M9NH4 Mon, 25 Dec 2023 17:30:47 GMT 2024-11-26T02:32:23+09:00 https://cdn.cizucu.com/images/photos/9pIKjmNLC4EmIF3M9NH4.jpg?auto=compress,format <![CDATA[Una donna in camicia bianca che tiene la testa con entrambe le mani, guardando pensierosa | 柚羽]]> https://www.cizucu.com/it/photos/m1JPHW6WeiCNXegTItDw 柚羽 https://www.cizucu.com/it/you_yugram https://www.cizucu.com/it/photos/m1JPHW6WeiCNXegTItDw Tue, 17 Dec 2024 17:52:28 GMT 2024-12-17T17:52:46+09:00 https://cdn.cizucu.com/images/photos/m1JPHW6WeiCNXegTItDw.jpg?auto=compress,format <![CDATA[Una donna sorridente che punta con entrambe le mani su uno sfondo semplice di colore crema | chikyujin]]> https://www.cizucu.com/it/photos/aTdCUbk02lbZg0TkgrGj chikyujin https://www.cizucu.com/it/users/X3kFHZSyGUZ2LyAYIQMMilWC4Y62 https://www.cizucu.com/it/photos/aTdCUbk02lbZg0TkgrGj Wed, 24 Jan 2024 09:57:48 GMT 2024-11-25T00:15:37+09:00 https://cdn.cizucu.com/images/photos/aTdCUbk02lbZg0TkgrGj.jpg?auto=compress,format <![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five. They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day. We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself. This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]> https://www.cizucu.com/it/photos/1IuVoF2K24vT83YiYK40 熊寶 https://www.cizucu.com/it/users/zdddXarNsJdBtAS3ArljH0VHCDA2 https://www.cizucu.com/it/photos/1IuVoF2K24vT83YiYK40 Tue, 14 Apr 2026 12:44:16 GMT 2026-04-14T12:44:16+09:00 https://cdn.cizucu.com/images/photos/1IuVoF2K24vT83YiYK40.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/it/photos/cLMlwd2zuriHaAa7UIXB Arthur Liew https://www.cizucu.com/it/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/it/photos/cLMlwd2zuriHaAa7UIXB Sun, 22 Mar 2026 16:38:29 GMT 2026-03-22T16:38:29+09:00 https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/it/photos/aCRdHvBtI6EE9pHD6Jud Arthur Liew https://www.cizucu.com/it/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/it/photos/aCRdHvBtI6EE9pHD6Jud Sun, 22 Mar 2026 16:32:12 GMT 2026-03-22T16:32:12+09:00 https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/it/photos/RDduCIQ1jlKWBqn7gdBH Arthur Liew https://www.cizucu.com/it/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/it/photos/RDduCIQ1jlKWBqn7gdBH Sun, 22 Mar 2026 16:29:33 GMT 2026-03-22T16:29:33+09:00 https://cdn.cizucu.com/images/photos/RDduCIQ1jlKWBqn7gdBH.jpg?auto=compress,format