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          <title><![CDATA[Oranges hang on the branches as seasons change hands. | Lawrence Liou]]></title>
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            <name>Lawrence Liou</name>
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          <pubDate>Mon, 16 Feb 2026 14:46:13 GMT</pubDate>
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            <media:title><![CDATA[Oranges hang on the branches as seasons change hands. | Lawrence Liou]]></media:title>
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          <title><![CDATA["A Ghost of Spring" Overlap of seasons. When winter couldn't let go of spring... #streetphotography #artphotography #mobilephotography #impressionism | Meg.Sose]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Meg.Sose su cizucu.]]></description>
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          <pubDate>Wed, 08 Apr 2026 20:27:25 GMT</pubDate>
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          <title><![CDATA[A little rest area set up for the maple leaves seasons in Kyoto. It is showing a sign of welcome and waiting for you, represent a humble and polite attitude that always have in Japan. | Jing Kang]]></title>
          <link>https://www.cizucu.com/it/photos/TpABY5FtZJQ32wz6qN2p</link>
          <description><![CDATA[Guarda altre splendide opere di Jing Kang su cizucu.]]></description>
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            <name>Jing Kang</name>
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          <pubDate>Thu, 29 Jan 2026 00:15:11 GMT</pubDate>
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            <media:title><![CDATA[A little rest area set up for the maple leaves seasons in Kyoto. It is showing a sign of welcome and waiting for you, represent a humble and polite attitude that always have in Japan. | Jing Kang]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Jing Kang su cizucu.]]></media:description>
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          <title><![CDATA[My neighborhood is very calm, my house faces a little bridge connecting the two sides of a canal that merges into the Sumida River. The canal is small but beautiful, framed by sakura trees that mark the seasons. On the weekends, I like to observe the comings and goings of life on the bridge, being inspired by its colors and vivacity from my window.  #Tokyo #neighborhood #Monzennakacho #bike #bridge #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Giuliana E. Miceli su cizucu.]]></description>
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            <name>Giuliana E. Miceli</name>
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          <pubDate>Sat, 06 Dec 2025 14:07:53 GMT</pubDate>
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            <media:title><![CDATA[My neighborhood is very calm, my house faces a little bridge connecting the two sides of a canal that merges into the Sumida River. The canal is small but beautiful, framed by sakura trees that mark the seasons. On the weekends, I like to observe the comings and goings of life on the bridge, being inspired by its colors and vivacity from my window.  #Tokyo #neighborhood #Monzennakacho #bike #bridge #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Giuliana E. Miceli su cizucu.]]></media:description>
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          <title><![CDATA[伊根の舟屋 Tango, at Kyoto’s northern edge, faces the Sea of Japan. Here, there is no city rush, only coastlines, fields, and the slow passage of seasons. Since ancient times, Tango has kept its distance from the world, preserving raw landscapes, fishing villages, and unembellished life.  Ine’s boathouses hug the shore, ground floor for boats, upper floor for living. Wood absorbs the waves’ rhythm, light drifts across the water, and even time feels softened by the sea breeze. | Lawrence Liou]]></title>
          <link>https://www.cizucu.com/it/photos/QSmZJSkwkQbEHeB2lxtJ</link>
          <description><![CDATA[Guarda altre splendide opere di Lawrence Liou su cizucu.]]></description>
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            <name>Lawrence Liou</name>
            <uri>https://www.cizucu.com/it/momoliou</uri>
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          <pubDate>Sat, 21 Mar 2026 13:53:18 GMT</pubDate>
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            <media:title><![CDATA[伊根の舟屋 Tango, at Kyoto’s northern edge, faces the Sea of Japan. Here, there is no city rush, only coastlines, fields, and the slow passage of seasons. Since ancient times, Tango has kept its distance from the world, preserving raw landscapes, fishing villages, and unembellished life.  Ine’s boathouses hug the shore, ground floor for boats, upper floor for living. Wood absorbs the waves’ rhythm, light drifts across the water, and even time feels softened by the sea breeze. | Lawrence Liou]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Lawrence Liou su cizucu.]]></media:description>
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          <title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></title>
          <link>https://www.cizucu.com/it/photos/ZGnqRjAS6NTCzWe3Irv5</link>
          <description><![CDATA[Guarda altre splendide opere di analogbysissi su cizucu.]]></description>
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            <name>analogbysissi</name>
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          <pubDate>Wed, 25 Mar 2026 15:24:24 GMT</pubDate>
          <atom:updated>2026-03-25T15:24:24+09:00</atom:updated>
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            <media:title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di analogbysissi su cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life.  | Chan Jian Liang]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Chan Jian Liang su cizucu.]]></description>
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            <name>Chan Jian Liang</name>
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          <pubDate>Tue, 20 Jan 2026 21:49:17 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life.  | Chan Jian Liang]]></media:title>
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