Foto di At Work | Scarica immagini royalty-free e in alta risoluzione https://www.cizucu.com/it/explore/photos/at-work it 2026-04-19T15:42:32+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. it https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Go to work at early morning. 『通勤』 #streetphotography | ek_photofeeling]]> https://www.cizucu.com/it/photos/4t4MsOysG0IVA3BO8QlO ek_photofeeling https://www.cizucu.com/it/ek_photofeeling https://www.cizucu.com/it/photos/4t4MsOysG0IVA3BO8QlO Tue, 12 Dec 2023 23:35:40 GMT 2024-11-26T08:20:06+09:00 https://cdn.cizucu.com/images/photos/4t4MsOysG0IVA3BO8QlO.jpg?auto=compress,format <![CDATA[This was taken in a quiet Tokyo neighborhood at sunset. A delivery rider pausing for a moment between work and evening. I’m drawn to scenes like this, where ordinary life feels cinematic without trying to be. | verduyo]]> https://www.cizucu.com/it/photos/SkS1lCeyIKE8ppLHc4p8 verduyo https://www.cizucu.com/it/users/OqA7FRkK3pSMFeYF7yMGyjIC9IF3 https://www.cizucu.com/it/photos/SkS1lCeyIKE8ppLHc4p8 Fri, 10 Oct 2025 13:25:12 GMT 2025-10-10T13:25:12+09:00 https://cdn.cizucu.com/images/photos/SkS1lCeyIKE8ppLHc4p8.jpg?auto=compress,format <![CDATA[My photographic project, The Egg’s Journey, explores the human condition through the egg as a metaphor for fragility and transformation. The work consists of minimalist photographs, created without AI or digital manipulation. The complete series can be viewed online at elcaminodelhuevo.com. | Dani Pastor]]> https://www.cizucu.com/it/photos/bGKUylQ5wjQVphaAg7f5 Dani Pastor https://www.cizucu.com/it/users/Ppq6xN4mHyfTUlbh3pFPSGfnxNf1 https://www.cizucu.com/it/photos/bGKUylQ5wjQVphaAg7f5 Mon, 09 Feb 2026 05:55:18 GMT 2026-02-09T05:55:18+09:00 https://cdn.cizucu.com/images/photos/bGKUylQ5wjQVphaAg7f5.jpg?auto=compress,format <![CDATA[Waiting at the threshold, a fleeting moment where time feels suspended. Captured at a quiet crossing, the scene reflects a familiar tension — the desire to move forward met by forces beyond our control. The passing train becomes both a literal and symbolic barrier, holding the subject in place. This work explores the space between intention and action, where hesitation, patience, and uncertainty intersect. | Watstory]]> https://www.cizucu.com/it/photos/v70dLjAT20dEzWH1yR6J Watstory https://www.cizucu.com/it/users/sZKmSLLjbeR3nrQBX2QuF6hUuAU2 https://www.cizucu.com/it/photos/v70dLjAT20dEzWH1yR6J Mon, 06 Apr 2026 03:52:17 GMT 2026-04-06T03:52:17+09:00 https://cdn.cizucu.com/images/photos/v70dLjAT20dEzWH1yR6J.jpg?auto=compress,format <![CDATA[I’ve always been interested in pushing the vertical format on social media — seeing how much story I could fit into a small rectangle. Around 2019, I started blending different images together, mostly out of instinct. I wasn’t trying to say anything specific. I was just experimenting, chasing energy, and making work that felt exciting. When I looked at this image, it made me remember a version of myself I hadn’t thought about in a while. Someone younger, reckless with energy, shooting almost every other weekend, posting constantly, chasing progress and social credit without questioning it. This image feels like those two versions existing at the same time. Not a before and after, but an overlap. It made me wonder if we forget how foolishly passionate we once were about the things we’re still doing every day. | Don Lim]]> https://www.cizucu.com/it/photos/q5Y2PPw0VqFRE9uckJR5 Don Lim https://www.cizucu.com/it/users/bkuZ69RpzEd7kWvHeCn1Iwchd2y1 https://www.cizucu.com/it/photos/q5Y2PPw0VqFRE9uckJR5 Thu, 15 Jan 2026 16:03:31 GMT 2026-01-15T16:03:31+09:00 https://cdn.cizucu.com/images/photos/q5Y2PPw0VqFRE9uckJR5.jpg?auto=compress,format <![CDATA[As a vegan, finding satisfying, decadent, luxurious desserts is really hard. After a full week of work, sport, and house chores, I find incredible happiness in going for a solo exploration of the vegan pastry shops in town. At the counter, I take my time to decide on the dessert that matches my day vibes. Then, when it arrives, I savor every little piece with wonder: what are the ingredients of the sponge, which spices were used, and how is the custard made? I feel lucky and happy to be able to eat a delicious treat that is good for me and for the planet, without hurting the animals. When it is time to leave the shop, I feel recharged with positive vibes, grateful, and ready to take on what the next week has in store for me. Lately, I took the time to freeze these happy moments in time with my film camera. In the picture, a carrot cake with cream cheese filling from Ovgo Baker in Tokyo. #cake #carrotcake #vegan #christmasvibes #happysunday #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]> https://www.cizucu.com/it/photos/ONcdjCaE4a7tXO0fGQKO Giuliana E. Miceli https://www.cizucu.com/it/users/X0Uppurh6OXofv9sRiTUGtUb9x73 https://www.cizucu.com/it/photos/ONcdjCaE4a7tXO0fGQKO Sat, 06 Dec 2025 13:27:26 GMT 2025-12-06T13:27:26+09:00 https://cdn.cizucu.com/images/photos/ONcdjCaE4a7tXO0fGQKO.jpg?auto=compress,format <![CDATA[Alienation of Dharavi : A Bombay slum with a $1-billion informal economy “We stopped the Adani Group’s redevelopment survey twice in protest. Our homes, our work, our lives are here. Redevelopment will only mean displacement. They say anyone who came after 2000 will be pushed far away, and even we must pay to stay,” says Naseem, a Dharavi resident. In picture : Labourers stacking up a sack of clay — This is from Dharavi’s informal pottery industry, which has been running for over 100 years. Dharavi, spread across 590 acres, is home to nearly a million people from diverse backgrounds. Pottery is just one of many livelihoods here, alongside leather, garments, and others — all now at risk of being displaced & alienated by the proposed slum redevelopment plan. | Bombay Noir]]> https://www.cizucu.com/it/photos/blvZqys7p3C6BXz4owuH Bombay Noir https://www.cizucu.com/it/users/tay5ia7oZ0M8Hk3zKpy8CxmZQ0g2 https://www.cizucu.com/it/photos/blvZqys7p3C6BXz4owuH Sat, 14 Mar 2026 13:27:45 GMT 2026-03-14T13:27:45+09:00 https://cdn.cizucu.com/images/photos/blvZqys7p3C6BXz4owuH.jpg?auto=compress,format <![CDATA[I had always wanted to visit Leh. I just didn’t expect my first time to be this intense—or this unforgettable. I was invited by Mahindra Adventure for the Mahindra Snow Expedition. –20°C. 17,000 feet above sea level. Miles of snow, silence, and uncertainty. My only job was to capture the moment. But at that altitude, even standing still feels like work. Physically and mentally, it pushed me harder than I imagined. Hot water, constant breaks, and very little margin for error. And then this frame happened. A bucket-list shot, in conditions I may never experience again. I didn’t expect it to be this beautiful. I didn’t expect it to feel like heaven. Some journeys don’t repeat themselves. They just stay with you. | Yash dhoka]]> https://www.cizucu.com/it/photos/JzhWkzcCN1WHPw5rV3jN Yash dhoka https://www.cizucu.com/it/users/G7oVNAUqu4hYyNzO4uVRIM6tPd43 https://www.cizucu.com/it/photos/JzhWkzcCN1WHPw5rV3jN Wed, 04 Mar 2026 18:28:46 GMT 2026-03-04T18:28:46+09:00 https://cdn.cizucu.com/images/photos/JzhWkzcCN1WHPw5rV3jN.jpg?auto=compress,format <![CDATA[This photograph was taken at 萬里海灘 in Taiwan. On that day, a friend and I planned to photograph each other using film cameras. What remains in this image is not a pose, but the most honest moment I saw of him. I have always felt that he is a unique person. Perhaps shaped by certain experiences, there is a quiet loneliness in his eyes whenever we talk. Even when he says “it’s fine” or “it doesn’t matter,” that gaze never truly disappears. This photograph focuses on his eyes — the moment I realized that although we were traveling together, the loneliness was still there. Unique people often walk alone, yet continue to survive gently in this world. This work is dedicated to everyone who feels lonely, but keeps moving forward, including myself. | Erica_林瑋瑜]]> https://www.cizucu.com/it/photos/f18ScarEIZLJgxhe8xOy Erica_林瑋瑜 https://www.cizucu.com/it/erica09174 https://www.cizucu.com/it/photos/f18ScarEIZLJgxhe8xOy Wed, 18 Feb 2026 13:09:43 GMT 2026-02-18T13:09:43+09:00 https://cdn.cizucu.com/images/photos/f18ScarEIZLJgxhe8xOy.jpg?auto=compress,format <![CDATA[I chose this photograph for exhibition because it stands apart from the kind of work I usually create. I was in the middle of photographing a model for a fashion shoot when I noticed a man standing nearby, looking back for just a brief moment. Instinctively, I captured the frame and immediately returned to the shoot. That is what I love most about photography — sometimes you simply find yourself in the right place, at the right time, with the right equipment, and a fleeting moment turns into an image that stays. What makes this photograph special to me is its universality. Although it was taken in the port area of Abu Dhabi, the scene feels unbound by geography. It could exist anywhere in the world, allowing the viewer to project their own place, story, and emotion onto the image. | Sahil Behal]]> https://www.cizucu.com/it/photos/rjer55thHVMbtuBogoMH Sahil Behal https://www.cizucu.com/it/users/XeckC7xNCDYufqsqfsUSbhiyJX82 https://www.cizucu.com/it/photos/rjer55thHVMbtuBogoMH Mon, 02 Mar 2026 22:08:35 GMT 2026-03-02T22:08:35+09:00 https://cdn.cizucu.com/images/photos/rjer55thHVMbtuBogoMH.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/it/photos/Ytnb12FBlbK88ss0n1aC Ek Cheeze Dikhau https://www.cizucu.com/it/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/it/photos/Ytnb12FBlbK88ss0n1aC Thu, 05 Mar 2026 03:55:29 GMT 2026-03-05T03:55:29+09:00 https://cdn.cizucu.com/images/photos/Ytnb12FBlbK88ss0n1aC.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/it/photos/Jnx8ZtJKhekws72e8Vrq Ek Cheeze Dikhau https://www.cizucu.com/it/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/it/photos/Jnx8ZtJKhekws72e8Vrq Thu, 26 Feb 2026 19:22:02 GMT 2026-02-26T19:22:02+09:00 https://cdn.cizucu.com/images/photos/Jnx8ZtJKhekws72e8Vrq.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/it/photos/IemCQRfOA2gw9KrhLd3m Ek Cheeze Dikhau https://www.cizucu.com/it/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/it/photos/IemCQRfOA2gw9KrhLd3m Thu, 05 Mar 2026 03:14:04 GMT 2026-03-05T03:14:04+09:00 https://cdn.cizucu.com/images/photos/IemCQRfOA2gw9KrhLd3m.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/it/photos/BTPbTcVh6XvRHMAZaqsB Ek Cheeze Dikhau https://www.cizucu.com/it/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/it/photos/BTPbTcVh6XvRHMAZaqsB Thu, 26 Feb 2026 18:25:42 GMT 2026-02-26T18:25:42+09:00 https://cdn.cizucu.com/images/photos/BTPbTcVh6XvRHMAZaqsB.jpg?auto=compress,format <![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season. At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future. Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]> https://www.cizucu.com/it/photos/pFQEsppBNxxk6rpAASrB Streetwala https://www.cizucu.com/it/users/OGYs9dPuIAXJAbbtI7qDEOZ2cq82 https://www.cizucu.com/it/photos/pFQEsppBNxxk6rpAASrB Wed, 25 Feb 2026 14:36:03 GMT 2026-02-25T14:36:03+09:00 https://cdn.cizucu.com/images/photos/pFQEsppBNxxk6rpAASrB.jpg?auto=compress,format <![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge. At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]> https://www.cizucu.com/it/photos/c6X5QFypeVexSKsL3yma INKAN https://www.cizucu.com/it/users/394o0WNHj6P0jZeascrsAkgBWDx1 https://www.cizucu.com/it/photos/c6X5QFypeVexSKsL3yma Sat, 14 Mar 2026 02:33:47 GMT 2026-03-14T02:33:47+09:00 https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?auto=compress,format <![CDATA[Feral Grace II: Bound, Yet Willing to Fly Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series. At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted. The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum. Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it. 《野性優雅 II：向前飛行的束縛》 《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。 在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。 畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。 真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]> https://www.cizucu.com/it/photos/4YB1R7rZka3WwEA2UxGN W Mick https://www.cizucu.com/it/mick116 https://www.cizucu.com/it/photos/4YB1R7rZka3WwEA2UxGN Sun, 21 Dec 2025 01:52:37 GMT 2025-12-21T01:52:37+09:00 https://cdn.cizucu.com/images/photos/4YB1R7rZka3WwEA2UxGN.jpg?auto=compress,format