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          <title><![CDATA[Un uomo che si tiene la testa in segno di disagio | awesome_photo]]></title>
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          <pubDate>Fri, 26 Jan 2024 16:54:15 GMT</pubDate>
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          <title><![CDATA[Uomo d'affari che si tiene la testa sotto un cielo tempestoso con fulmini | ブー太郎]]></title>
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          <description><![CDATA[Scarica foto di Uomo d'affari che si tiene la testa sotto un cielo tempestoso con fulmini di alta qualità e gratuite scattate da ブー太郎 su cizucu.]]></description>
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            <media:description><![CDATA[Scarica foto di Uomo d'affari che si tiene la testa sotto un cielo tempestoso con fulmini di alta qualità e gratuite scattate da ブー太郎 su cizucu.]]></media:description>
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          <title><![CDATA[Un uomo che si tiene la testa in segno di angoscia su uno sfondo chiaro e uniforme | どさんこみっちゃん]]></title>
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          <description><![CDATA[Scarica foto di Un uomo che si tiene la testa in segno di angoscia su uno sfondo chiaro e uniforme di alta qualità e gratuite scattate da どさんこみっちゃん su cizucu.]]></description>
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          <pubDate>Mon, 25 Dec 2023 17:30:46 GMT</pubDate>
          <atom:updated>2024-11-26T02:32:23+09:00</atom:updated>
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          <title><![CDATA[anxiety  #streetphotography #streetsnap #street | ビンゴとドリムの父ちゃん]]></title>
          <link>https://www.cizucu.com/it/photos/Xs0OCc8JbvgSj219AJPI</link>
          <description><![CDATA[Guarda altre splendide opere di ビンゴとドリムの父ちゃん su cizucu.]]></description>
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            <name>ビンゴとドリムの父ちゃん</name>
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          <pubDate>Tue, 24 Mar 2026 08:00:46 GMT</pubDate>
          <atom:updated>2026-03-24T08:00:46+09:00</atom:updated>
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            <media:title><![CDATA[anxiety  #streetphotography #streetsnap #street | ビンゴとドリムの父ちゃん]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di ビンゴとドリムの父ちゃん su cizucu.]]></media:description>
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          <title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></title>
          <link>https://www.cizucu.com/it/photos/F3NgSSzO6r8lgqyxoKae</link>
          <description><![CDATA[Guarda altre splendide opere di Him謙 su cizucu.]]></description>
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            <name>Him謙</name>
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          <pubDate>Wed, 15 Apr 2026 13:40:04 GMT</pubDate>
          <atom:updated>2026-04-15T13:40:04+09:00</atom:updated>
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            <media:title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Him謙 su cizucu.]]></media:description>
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          <title><![CDATA[This photograph was taken during a collaboration with singer-songwriter Utsavi Jha. At the time, I had stepped away from pursuing photography professionally and had shifted my focus to working as a color grading artist, keeping photography primarily for personal expression. Photographing this moment became more meaningful than I initially expected. I had long admired Utsavi’s music, so having the opportunity to collaborate with her was something I felt deeply grateful for. More importantly, this experience helped me overcome a quiet anxiety I had developed about photographing people in public spaces. What began as a simple collaboration gradually reopened a creative door for me. It reminded me why I was drawn to photographing people in the first place and gave me the confidence to return to it without hesitation. This image, therefore, represents more than a portrait—it marks a personal turning point where photography once again became something I could approach with curiosity and freedom. | Nandan Nabodit]]></title>
          <link>https://www.cizucu.com/it/photos/u35nF2vuBkD5ZcGa44FI</link>
          <description><![CDATA[Guarda altre splendide opere di Nandan Nabodit su cizucu.]]></description>
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            <name>Nandan Nabodit</name>
            <uri>https://www.cizucu.com/it/nandannabodit</uri>
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          <pubDate>Fri, 13 Mar 2026 16:26:03 GMT</pubDate>
          <atom:updated>2026-03-13T16:26:03+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken during a collaboration with singer-songwriter Utsavi Jha. At the time, I had stepped away from pursuing photography professionally and had shifted my focus to working as a color grading artist, keeping photography primarily for personal expression. Photographing this moment became more meaningful than I initially expected. I had long admired Utsavi’s music, so having the opportunity to collaborate with her was something I felt deeply grateful for. More importantly, this experience helped me overcome a quiet anxiety I had developed about photographing people in public spaces. What began as a simple collaboration gradually reopened a creative door for me. It reminded me why I was drawn to photographing people in the first place and gave me the confidence to return to it without hesitation. This image, therefore, represents more than a portrait—it marks a personal turning point where photography once again became something I could approach with curiosity and freedom. | Nandan Nabodit]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Nandan Nabodit su cizucu.]]></media:description>
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          <title><![CDATA[This photograph created in 2021 is from a series of self-portraits called 'A study in Self' which has been ongoing since a few years. Around 2016-17, I found myself to be going through a serious mental health crisis, navigating through depression, anxiety and being diagnosed with OCD because of some resurfaced childhood trauma. Soon enough I had to be admitted to a rehabilitation center and put on medicines to recover, and couldn't really see myself living my life beyond my early 20s. As I was homebound during these phases, Self-portraiture came to me as a way of trying to find stillness and meaning within all the chaos of my life through these years. It became a means of reconnecting with myself and my body and mind. It was kind of a reassurance of my existence when I felt that I had lost myself. One such photograph among many self-portraits is this one, which was viscerally and spontaneously created depicting the stillness and serenity that I deeply craved inside. | Surabhi Manisha]]></title>
          <link>https://www.cizucu.com/it/photos/3qQ9cLri7b8sRcD0GTKu</link>
          <description><![CDATA[Guarda altre splendide opere di Surabhi Manisha su cizucu.]]></description>
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            <name>Surabhi Manisha</name>
            <uri>https://www.cizucu.com/it/users/xwqmdkMqmhbP6pXfFd9dfmBRW2k1</uri>
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          <pubDate>Sat, 14 Mar 2026 22:52:50 GMT</pubDate>
          <atom:updated>2026-03-14T22:52:50+09:00</atom:updated>
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            <media:title><![CDATA[This photograph created in 2021 is from a series of self-portraits called 'A study in Self' which has been ongoing since a few years. Around 2016-17, I found myself to be going through a serious mental health crisis, navigating through depression, anxiety and being diagnosed with OCD because of some resurfaced childhood trauma. Soon enough I had to be admitted to a rehabilitation center and put on medicines to recover, and couldn't really see myself living my life beyond my early 20s. As I was homebound during these phases, Self-portraiture came to me as a way of trying to find stillness and meaning within all the chaos of my life through these years. It became a means of reconnecting with myself and my body and mind. It was kind of a reassurance of my existence when I felt that I had lost myself. One such photograph among many self-portraits is this one, which was viscerally and spontaneously created depicting the stillness and serenity that I deeply craved inside. | Surabhi Manisha]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Surabhi Manisha su cizucu.]]></media:description>
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