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          <title><![CDATA[Scena di edifici bruciati e detriti | DragonOne]]></title>
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          <title><![CDATA[Vista aerea di un terreno vacante allagato con acqua fangosa e detriti | DragonOne]]></title>
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          <title><![CDATA[#令和6年能登半島地震  珠洲市 宝立町  ひどい、としか言いようがない  #japan #notopeninsula | Jang Kumi]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Jang Kumi su cizucu.]]></description>
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          <pubDate>Fri, 23 Feb 2024 18:25:19 GMT</pubDate>
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          <title><![CDATA[#令和6年能登半島地震  そこらじゅうの道路が崩壊・隆起している。 それでも町の人達は、 被害の少ない道路から必死に修復を試みている。  #japan #notopeninsula | Jang Kumi]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Jang Kumi su cizucu.]]></description>
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          <pubDate>Sat, 06 Jan 2024 21:11:21 GMT</pubDate>
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            <media:title><![CDATA[#令和6年能登半島地震  そこらじゅうの道路が崩壊・隆起している。 それでも町の人達は、 被害の少ない道路から必死に修復を試みている。  #japan #notopeninsula | Jang Kumi]]></media:title>
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          <title><![CDATA[The body rests where it does not belong. Draped across a splintered stump, the figure appears both offered and abandoned, suspended between elevation and collapse. Remnants lie bare and exposed; nakedness here is not intimacy but the anonymity of unadorned erasure. The coarse, surreal landscape remains indifferent to the scene—a neutral observer, if not entirely apathetic.   In this realm, nothing is settled with certainty.  Is this sleep, surrender, or aftermath?  ​体は、ふさわしくない場所に横たわっています。 折れた切り株に体をあずけるその姿は、何かに捧げられているようでもあり、捨てられているようにも見えます。 高揚と崩壊の狭間で、宙吊りになったまま。 ​そこにあるのは、隠すもののない姿です。 ここでの「裸」は、親しみを感じさせるものではありません。それは、名前も個性も消し去られた、ただの「存在」です。 荒々しい景色は、この光景に興味を示しません。ただ黙って見ているだけか、あるいは、全く気にかけていないかのようです。 ​この場所では、確かなことは何もありません。 これは眠りなのか、あきらめなのか、それとも何かが終わった後の姿なのでしょうか。 | Yamedre]]></title>
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          <description><![CDATA[Guarda altre splendide opere di Yamedre su cizucu.]]></description>
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            <name>Yamedre</name>
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          <pubDate>Sun, 21 Dec 2025 12:23:35 GMT</pubDate>
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            <media:title><![CDATA[The body rests where it does not belong. Draped across a splintered stump, the figure appears both offered and abandoned, suspended between elevation and collapse. Remnants lie bare and exposed; nakedness here is not intimacy but the anonymity of unadorned erasure. The coarse, surreal landscape remains indifferent to the scene—a neutral observer, if not entirely apathetic.   In this realm, nothing is settled with certainty.  Is this sleep, surrender, or aftermath?  ​体は、ふさわしくない場所に横たわっています。 折れた切り株に体をあずけるその姿は、何かに捧げられているようでもあり、捨てられているようにも見えます。 高揚と崩壊の狭間で、宙吊りになったまま。 ​そこにあるのは、隠すもののない姿です。 ここでの「裸」は、親しみを感じさせるものではありません。それは、名前も個性も消し去られた、ただの「存在」です。 荒々しい景色は、この光景に興味を示しません。ただ黙って見ているだけか、あるいは、全く気にかけていないかのようです。 ​この場所では、確かなことは何もありません。 これは眠りなのか、あきらめなのか、それとも何かが終わった後の姿なのでしょうか。 | Yamedre]]></media:title>
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