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          <title><![CDATA[L'architettura maestosa del tempio mormone di Salt Lake City sotto un cielo blu chiaro | fyonetsu]]></title>
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          <title><![CDATA[Immagine del packaging di Nordur Salt con fiocchi di sale marino artico e l'etichetta Islandia | soak]]></title>
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          <title><![CDATA[Affascinante esterno del tempio mormone con torri bianche | fyonetsu]]></title>
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          <title><![CDATA[L'esterno maestoso del Tempio mormone di Salt Lake City con alte guglie e muri in pietra bianca | fyonetsu]]></title>
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            <media:title><![CDATA[Edificio storico con torre dell'orologio circondato da un parco verde | mcnini]]></media:title>
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          <title><![CDATA[開幕戦！ つなげる❗つながる❗  #バスケットボールと私 | hi4-ry2]]></title>
          <link>https://www.cizucu.com/it/photos/IO62edMRnhSMxNtvqdlL</link>
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          <pubDate>Thu, 04 Apr 2024 21:29:29 GMT</pubDate>
          <atom:updated>2024-11-19T13:15:06+09:00</atom:updated>
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          <title><![CDATA[Uomo che spala la neve su una strada coperta di neve | m4n4c]]></title>
          <link>https://www.cizucu.com/it/photos/uu7MYXP6fuY73op0ZrFg</link>
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          <pubDate>Mon, 25 Nov 2024 17:14:47 GMT</pubDate>
          <atom:updated>2024-11-25T17:15:12+09:00</atom:updated>
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          <title><![CDATA[人が様々な職業を呈している。これが現実であり、なんの面白みもない。 | けいた]]></title>
          <link>https://www.cizucu.com/it/photos/nRR9K5uWgino4jBWHG4c</link>
          <description><![CDATA[Guarda altre splendide opere di けいた su cizucu.]]></description>
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            <name>けいた</name>
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          <pubDate>Tue, 03 Feb 2026 15:13:21 GMT</pubDate>
          <atom:updated>2026-02-03T15:13:21+09:00</atom:updated>
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            <media:title><![CDATA[人が様々な職業を呈している。これが現実であり、なんの面白みもない。 | けいた]]></media:title>
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          <title><![CDATA[Hard labour working on salt field. | Dev Sirikulthada]]></title>
          <link>https://www.cizucu.com/it/photos/IoJTdSiaYUICVZP5ARRO</link>
          <description><![CDATA[Guarda altre splendide opere di Dev Sirikulthada su cizucu.]]></description>
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            <name>Dev Sirikulthada</name>
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          <pubDate>Sun, 15 Feb 2026 12:29:04 GMT</pubDate>
          <atom:updated>2026-02-15T12:29:04+09:00</atom:updated>
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          <title><![CDATA[The Shore’s Elder He belongs to no one, yet he is part of the coast itself. With sand on his muzzle and a heavy brass bell as his only companion, he watches the tide with the quiet patience of a life fully lived.  A wanderer who has found peace in the wind and the salt. | Sam Ting]]></title>
          <link>https://www.cizucu.com/it/photos/c7pS32uwaRwD4oYNEVHj</link>
          <description><![CDATA[Guarda altre splendide opere di Sam Ting su cizucu.]]></description>
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            <name>Sam Ting</name>
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          <pubDate>Wed, 04 Mar 2026 20:44:29 GMT</pubDate>
          <atom:updated>2026-03-04T20:44:29+09:00</atom:updated>
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          <title><![CDATA[This photograph was taken at Badwater Basin in Death Valley National Park, USA, at around 6:30 in the evening during golden hour. In the distance, three people sat quietly on the vast salt flats. Before them stood a mountain range, with the sun slowly descending behind it. Seeing this scene, I instinctively raised my camera and pressed the shutter.  What moved me in that moment was the quiet power of nature, its scale, its stillness, and its beauty.  Standing there, I felt how small we are in comparison, and how many of the worries we carry in daily life fade when placed against something so immense.  Compared to the world, to nature, or even to the universe, those concerns suddenly feel insignificant. | josecheang]]></title>
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          <description><![CDATA[Guarda altre splendide opere di josecheang su cizucu.]]></description>
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            <name>josecheang</name>
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          <pubDate>Thu, 15 Jan 2026 11:24:24 GMT</pubDate>
          <atom:updated>2026-01-15T11:24:24+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken at Badwater Basin in Death Valley National Park, USA, at around 6:30 in the evening during golden hour. In the distance, three people sat quietly on the vast salt flats. Before them stood a mountain range, with the sun slowly descending behind it. Seeing this scene, I instinctively raised my camera and pressed the shutter.  What moved me in that moment was the quiet power of nature, its scale, its stillness, and its beauty.  Standing there, I felt how small we are in comparison, and how many of the worries we carry in daily life fade when placed against something so immense.  Compared to the world, to nature, or even to the universe, those concerns suddenly feel insignificant. | josecheang]]></media:title>
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          <title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></title>
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          <pubDate>Wed, 25 Mar 2026 15:24:24 GMT</pubDate>
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            <media:title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></media:title>
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