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      <title>Foto di 臉 | Scarica immagini royalty-free e in alta risoluzione</title>
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          <title><![CDATA[#streetphotography #sunset #taipei 在天橋上等落日，與橋下車流車中的笑臉不期而遇 | JC Chang]]></title>
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          <pubDate>Thu, 07 May 2026 13:24:38 GMT</pubDate>
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          <title><![CDATA[陽光剛好灑落在臉上，你看見了嗎？ | Catalina]]></title>
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          <pubDate>Mon, 11 May 2026 01:41:33 GMT</pubDate>
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            <media:title><![CDATA[陽光剛好灑落在臉上，你看見了嗎？ | Catalina]]></media:title>
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          <title><![CDATA[她總是沉浸在自己的世界裡， 默默地整理著漁獲； 那滿頭的白髮和臉上的紋路， 訴說著屬於她的漁村故事…… | CHRiS]]></title>
          <link>https://www.cizucu.com/it/photos/W3ciL85hnxkpmJEleKj0</link>
          <description><![CDATA[Guarda altre splendide opere di CHRiS su cizucu.]]></description>
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            <name>CHRiS</name>
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          <pubDate>Sun, 22 Mar 2026 20:32:48 GMT</pubDate>
          <atom:updated>2026-05-03T13:24:22+09:00</atom:updated>
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            <media:title><![CDATA[她總是沉浸在自己的世界裡， 默默地整理著漁獲； 那滿頭的白髮和臉上的紋路， 訴說著屬於她的漁村故事…… | CHRiS]]></media:title>
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          <title><![CDATA[「我載你回學校!」、「我載你去搭火車啦!」、「你什麼時候回家?我去載你。」、「你要去看什麼展?我載你啊!」從學齡到出社會，無數次不畏風雨的接送，在後座享受風吹拂臉頰的我，透過後照鏡看著一條條風帶來的細紋爬上媽媽的臉龐......要是我這樣寫，我媽會請我吃一頓竹筍炒肉絲。 | Ann Lin]]></title>
          <link>https://www.cizucu.com/it/photos/Xu9LZgdBOolP29qLhOj6</link>
          <description><![CDATA[Guarda altre splendide opere di Ann Lin su cizucu.]]></description>
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            <name>Ann Lin</name>
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          <pubDate>Tue, 27 Jan 2026 11:06:30 GMT</pubDate>
          <atom:updated>2026-05-03T16:14:02+09:00</atom:updated>
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            <media:title><![CDATA[「我載你回學校!」、「我載你去搭火車啦!」、「你什麼時候回家?我去載你。」、「你要去看什麼展?我載你啊!」從學齡到出社會，無數次不畏風雨的接送，在後座享受風吹拂臉頰的我，透過後照鏡看著一條條風帶來的細紋爬上媽媽的臉龐......要是我這樣寫，我媽會請我吃一頓竹筍炒肉絲。 | Ann Lin]]></media:title>
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          <title><![CDATA[在疫情期間總是窩在家的日子裡 ，還只有一歲的兒子喜歡探索抽屜裡每一樣物品，而光就落在他圓圓的、認真的臉頰上 。 | 鄧伃]]></title>
          <link>https://www.cizucu.com/it/photos/K7lmLbDcqPsxxM84zUVn</link>
          <description><![CDATA[Guarda altre splendide opere di 鄧伃 su cizucu.]]></description>
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            <name>鄧伃</name>
            <uri>https://www.cizucu.com/it/users/51KvwDNmNfULj5pV0ca8d0Vvb3n1</uri>
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          <pubDate>Thu, 23 Apr 2026 20:05:22 GMT</pubDate>
          <atom:updated>2026-04-23T20:05:40+09:00</atom:updated>
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            <media:title><![CDATA[在疫情期間總是窩在家的日子裡 ，還只有一歲的兒子喜歡探索抽屜裡每一樣物品，而光就落在他圓圓的、認真的臉頰上 。 | 鄧伃]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di 鄧伃 su cizucu.]]></media:description>
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          <title><![CDATA[那天我在路邊等車，陽光很強，站牌的顏色很醒目。我看到有人就站在那邊，手抱著、整個人有點放空。剛好我站的角度讓站牌把他的臉遮住，只剩下身體和姿勢，看起來反而更像「等車的人」的通用樣子。 | LingJiun Wang]]></title>
          <link>https://www.cizucu.com/it/photos/V2zbpsuAS0mjoBxdE4KQ</link>
          <description><![CDATA[Guarda altre splendide opere di LingJiun Wang su cizucu.]]></description>
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            <name>LingJiun Wang</name>
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          <pubDate>Thu, 12 Feb 2026 18:00:07 GMT</pubDate>
          <atom:updated>2026-05-03T15:21:16+09:00</atom:updated>
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            <media:title><![CDATA[那天我在路邊等車，陽光很強，站牌的顏色很醒目。我看到有人就站在那邊，手抱著、整個人有點放空。剛好我站的角度讓站牌把他的臉遮住，只剩下身體和姿勢，看起來反而更像「等車的人」的通用樣子。 | LingJiun Wang]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di LingJiun Wang su cizucu.]]></media:description>
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          <title><![CDATA[一個愜意的午後，在好友家嬉戲 大家一起做瑜珈、享用蔬食、塔羅占卜、研究人類圖，好友做完菜即興地把小黃瓜渣渣取來敷臉保養，看到他如此放鬆的姿態讓我忍不住按下了快門紀錄下來。 | Chin Chiang]]></title>
          <link>https://www.cizucu.com/it/photos/mdbxdsHu2CGrdGyphKWN</link>
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            <name>Chin Chiang</name>
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          <pubDate>Sat, 31 Jan 2026 18:35:36 GMT</pubDate>
          <atom:updated>2026-01-31T21:06:18+09:00</atom:updated>
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          <title><![CDATA[那天我在路邊等車，陽光很強，站牌的顏色很醒目。我看到有人就站在那邊，手抱著、整個人有點放空。剛好我站的角度讓站牌把他的臉遮住，只剩下身體和姿勢，看起來反而更像「等車的人」的通用樣子。 | LingJiun Wang]]></title>
          <link>https://www.cizucu.com/it/photos/Ru7V4uw8ybdV2iQhVmXb</link>
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          <pubDate>Sun, 15 Feb 2026 17:35:14 GMT</pubDate>
          <atom:updated>2026-05-03T15:10:02+09:00</atom:updated>
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            <media:title><![CDATA[那天我在路邊等車，陽光很強，站牌的顏色很醒目。我看到有人就站在那邊，手抱著、整個人有點放空。剛好我站的角度讓站牌把他的臉遮住，只剩下身體和姿勢，看起來反而更像「等車的人」的通用樣子。 | LingJiun Wang]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Ru7V4uw8ybdV2iQhVmXb.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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        <item>
          <title><![CDATA[牠是我在上個租屋處回家的路上，幾乎每天都會遇到的貓，非常親人，也很愛講話，我經常和牠聊上兩句才回家。  那天告訴牠我要搬家了並和牠道別，牠臉很臭。  從來不知道牠是不是真的聽懂我說的那些話，但衷心的感謝牠。 | JoJo Tsai  蔡易蓁]]></title>
          <link>https://www.cizucu.com/it/photos/Zl9fLRgDrekfFoAX3Mj8</link>
          <description><![CDATA[Guarda altre splendide opere di JoJo Tsai  蔡易蓁 su cizucu.]]></description>
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            <name>JoJo Tsai  蔡易蓁</name>
            <uri>https://www.cizucu.com/it/jojotsai</uri>
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          <pubDate>Mon, 08 Dec 2025 23:26:14 GMT</pubDate>
          <atom:updated>2026-01-18T00:12:04+09:00</atom:updated>
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            <media:title><![CDATA[牠是我在上個租屋處回家的路上，幾乎每天都會遇到的貓，非常親人，也很愛講話，我經常和牠聊上兩句才回家。  那天告訴牠我要搬家了並和牠道別，牠臉很臭。  從來不知道牠是不是真的聽懂我說的那些話，但衷心的感謝牠。 | JoJo Tsai  蔡易蓁]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Zl9fLRgDrekfFoAX3Mj8.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Zl9fLRgDrekfFoAX3Mj8.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Guarda altre splendide opere di JoJo Tsai  蔡易蓁 su cizucu.]]></media:description>
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        <item>
          <title><![CDATA[那天，在漁港的夕陽落下前，我遇見了這隻貓。 正背對著夕陽，在逆光中梳理著被曬暖的毛髮，背上的紋路，彷彿是一張正凝視著牠的臉龐。 按下快門，我將這份溫暖的瞬間封存， 留下了屬於我與牠，一同感受大海遼闊與暮色微光的記憶。 | 貓森]]></title>
          <link>https://www.cizucu.com/it/photos/FjG2WMzrZUihkQtUJGWc</link>
          <description><![CDATA[Guarda altre splendide opere di 貓森 su cizucu.]]></description>
          <author>
            <name>貓森</name>
            <uri>https://www.cizucu.com/it/users/npDOg7wBaSeW1SY8SnIqtWYJiIk1</uri>
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          <pubDate>Sun, 25 Jan 2026 03:17:43 GMT</pubDate>
          <atom:updated>2026-01-25T03:18:15+09:00</atom:updated>
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            <media:title><![CDATA[那天，在漁港的夕陽落下前，我遇見了這隻貓。 正背對著夕陽，在逆光中梳理著被曬暖的毛髮，背上的紋路，彷彿是一張正凝視著牠的臉龐。 按下快門，我將這份溫暖的瞬間封存， 留下了屬於我與牠，一同感受大海遼闊與暮色微光的記憶。 | 貓森]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/FjG2WMzrZUihkQtUJGWc.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/FjG2WMzrZUihkQtUJGWc.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Guarda altre splendide opere di 貓森 su cizucu.]]></media:description>
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        <item>
          <title><![CDATA[《現實逃避》  有時候不是想離開世界， 只是暫時找不到能待著的地方。  我喜歡那些不穩定、像故障一樣的畫面。 模糊、低光、失真、噪點， 因為它們更接近情緒真正的樣子。  這些作品像某種精神狀態的殘留， 漂浮在現實與夢境之間。 狹窄的空間、變形的視角、無法看清的臉， 像一種長時間與世界失去連結後的漂流感。  未來想挑戰的不只是單張攝影， 而是把聲音、空間與影像混合， 讓作品變成一個能短暫逃離現實的地方。 | 現實逃避]]></title>
          <link>https://www.cizucu.com/it/photos/iz6FKafTW37ukEs1mAHY</link>
          <description><![CDATA[Guarda altre splendide opere di 現實逃避 su cizucu.]]></description>
          <author>
            <name>現實逃避</name>
            <uri>https://www.cizucu.com/it/users/wEZWPTVawghXO6vwy7zRD4DwV003</uri>
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          <pubDate>Wed, 13 May 2026 21:01:21 GMT</pubDate>
          <atom:updated>2026-05-13T21:01:21+09:00</atom:updated>
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            <media:title><![CDATA[《現實逃避》  有時候不是想離開世界， 只是暫時找不到能待著的地方。  我喜歡那些不穩定、像故障一樣的畫面。 模糊、低光、失真、噪點， 因為它們更接近情緒真正的樣子。  這些作品像某種精神狀態的殘留， 漂浮在現實與夢境之間。 狹窄的空間、變形的視角、無法看清的臉， 像一種長時間與世界失去連結後的漂流感。  未來想挑戰的不只是單張攝影， 而是把聲音、空間與影像混合， 讓作品變成一個能短暫逃離現實的地方。 | 現實逃避]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di 現實逃避 su cizucu.]]></media:description>
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          <title><![CDATA[〈一歲，原來可以這麼用力被愛著〉  那天，是她來到世界滿一年的日子。 窗邊的光剛好柔軟， 像是特地為她鋪好的一條小道路。 她被抱在胸前， 還沒站穩的小腳在紗裙裡輕輕踢著， 手裡緊緊抓著爸爸沒有收好的鏡頭蓋， 嘟著嘴、皺著眉，被捏得有點委屈又有點驚喜。  她不知道， 在快門按下的這一瞬間， 有兩隻一直守著她的手，把她托得剛剛好 —— 既不讓她跌倒， 也不限制她往前探索。  一歲的她， 正在探索世界； 一歲的我們， 正在學習放手與擁抱的平衡。  原來「家」就是這樣 —— 笑著、鬧著、皺著一張小臉， 然後被愛包得滿滿的。 | Han]]></title>
          <link>https://www.cizucu.com/it/photos/ial7D14oUGKL8L0FFyim</link>
          <description><![CDATA[Guarda altre splendide opere di Han su cizucu.]]></description>
          <author>
            <name>Han</name>
            <uri>https://www.cizucu.com/it/users/H3bB2dlFuZdj6r6wwzj42IBDeBE3</uri>
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          <pubDate>Wed, 03 Dec 2025 13:45:23 GMT</pubDate>
          <atom:updated>2026-01-18T00:26:56+09:00</atom:updated>
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            <media:title><![CDATA[〈一歲，原來可以這麼用力被愛著〉  那天，是她來到世界滿一年的日子。 窗邊的光剛好柔軟， 像是特地為她鋪好的一條小道路。 她被抱在胸前， 還沒站穩的小腳在紗裙裡輕輕踢著， 手裡緊緊抓著爸爸沒有收好的鏡頭蓋， 嘟著嘴、皺著眉，被捏得有點委屈又有點驚喜。  她不知道， 在快門按下的這一瞬間， 有兩隻一直守著她的手，把她托得剛剛好 —— 既不讓她跌倒， 也不限制她往前探索。  一歲的她， 正在探索世界； 一歲的我們， 正在學習放手與擁抱的平衡。  原來「家」就是這樣 —— 笑著、鬧著、皺著一張小臉， 然後被愛包得滿滿的。 | Han]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Han su cizucu.]]></media:description>
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          <title><![CDATA[2025的冬天，我在維也納的青旅，遇見了一群來自世界各地的旅人。原本只是恰好住在同一個屋簷下，卻在短短幾天裡，成為彼此旅程中的一部分。  告別的那天下午，大家相約走到街角那家小攤販，我熟悉的和老闆點了Currywurst，香腸混著咖哩粉的街邊小吃，拿起相機想記下這一刻，老闆笑著說：「拍照要加錢喔!」，讓原本有些許不捨的氣氛，忽然輕盈了起來。  烤肉的蒸氣、街道的倒影、還有那些即將分別的笑臉。也許回到各自的生活後，我們很難重逢，但每次看到這張照片，我都會想起，原來在地球的某個角落，曾經有這麼一群人，在這座浪漫的城市裡，一起短暫停留，然後又各自散去，走進彼此的記憶裡。 | Darren]]></title>
          <link>https://www.cizucu.com/it/photos/6TsFH2uoX2KDRCfa53Dp</link>
          <description><![CDATA[Guarda altre splendide opere di Darren su cizucu.]]></description>
          <author>
            <name>Darren</name>
            <uri>https://www.cizucu.com/it/users/sItYAzQZxaZKQvCi2p1HUVQerXv2</uri>
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          <pubDate>Thu, 29 Jan 2026 21:10:12 GMT</pubDate>
          <atom:updated>2026-01-29T21:10:37+09:00</atom:updated>
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            <media:title><![CDATA[2025的冬天，我在維也納的青旅，遇見了一群來自世界各地的旅人。原本只是恰好住在同一個屋簷下，卻在短短幾天裡，成為彼此旅程中的一部分。  告別的那天下午，大家相約走到街角那家小攤販，我熟悉的和老闆點了Currywurst，香腸混著咖哩粉的街邊小吃，拿起相機想記下這一刻，老闆笑著說：「拍照要加錢喔!」，讓原本有些許不捨的氣氛，忽然輕盈了起來。  烤肉的蒸氣、街道的倒影、還有那些即將分別的笑臉。也許回到各自的生活後，我們很難重逢，但每次看到這張照片，我都會想起，原來在地球的某個角落，曾經有這麼一群人，在這座浪漫的城市裡，一起短暫停留，然後又各自散去，走進彼此的記憶裡。 | Darren]]></media:title>
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            <media:description><![CDATA[Guarda altre splendide opere di Darren su cizucu.]]></media:description>
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          <title><![CDATA[▏作品理念  作品以阿公失智後的日常失序為出發點，拍攝那些荒謬、無奈，卻又真實存在於家庭照顧中的瞬間。失序的餅乾屑如同生活崩解後留下的痕跡，呈現疾病滲入日常後，家人之間混亂卻親密的關係。   ▏作品故事  阿公失智之後，日常逐漸失序，變得不可控制。 他會忘記事情、他會重複動作、他會重複詢問某件事， 也會在某些瞬間製造出一種荒謬到令人發笑的場景。  這張照片拍攝於某天阿公坐在沙發上吃餅乾的片刻。趁著家人們都各自去洗澡、回房間休息時，阿公偷偷溜到客廳，打開他的蘇打餅乾偷吃。當我回到客廳時，他已經吃了半包，若無其事得坐在沙發上聽著他的日本演歌。被我逮得正著的他，還一臉無辜詢問我要不要吃，完全沒意識到餅乾屑已經掉滿衣服。  那些散落在衣服上的餅乾屑，像一場發生在客廳角落的小型災難，我沒有拍阿公的臉，只拍下身體、手與滿身碎屑，因為我想紀錄的並不是阿公作為病人的樣子，而是失序如何悄悄滲進一個家的日常。  在照顧與陪伴之中，身為照顧者的家人，我們常常是先覺得荒謬、無奈，甚至有點好笑。也許正是在這些混亂、笨拙又難以收拾的瞬間裡，才最接近我們與家人相處的真實狀態。    ▏Concept Statement  Taking the everyday disorder that emerged after my grandfather developed dementia as its starting point, this work captures moments that are absurd, helpless, yet genuinely present within family caregiving. The scattered cracker crumbs appear as traces left behind after the order of daily life begins to fall apart, revealing the chaotic yet intimate relationship between family members as illness seeps into the everyday.   ▏Story Behind the Work  After my grandfather developed dementia, everyday life gradually fell into disorder and became increasingly difficult to control. He forgets things, repeats certain actions, and asks the same questions again and again. At times, he even creates scenes so absurd that they become almost funny.  This photograph captures a moment when he was sitting on the sofa, eating soda crackers. While the rest of the family had gone to take showers or return to their rooms for a short rest, he quietly slipped into the living room and opened his crackers. When I came back, he had already eaten half a pack. Sitting on the sofa as if nothing had happened, listening to his Japanese enka music, he looked at me innocently and asked if I wanted some. He had no idea that cracker crumbs were already scattered all over his clothes.  I did not photograph his face; instead, I focused only on his body, hands, and the crumbs covering him. The scattered crumbs looked like a small disaster in the corner of the living room, and also like traces left behind as disorder quietly seeped into the everyday life of a home.  In the process of caregiving and companionship, absurdity, helplessness, and even a strange sense of humor often arrive before sadness. Perhaps it is within these chaotic, clumsy, and unmanageable moments that we come closest to the true state of being with family.  | YU-HSIN, KUNG]]></title>
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          <description><![CDATA[Guarda altre splendide opere di YU-HSIN, KUNG su cizucu.]]></description>
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            <name>YU-HSIN, KUNG</name>
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          <pubDate>Sat, 16 May 2026 18:39:14 GMT</pubDate>
          <atom:updated>2026-05-16T18:39:14+09:00</atom:updated>
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            <media:title><![CDATA[▏作品理念  作品以阿公失智後的日常失序為出發點，拍攝那些荒謬、無奈，卻又真實存在於家庭照顧中的瞬間。失序的餅乾屑如同生活崩解後留下的痕跡，呈現疾病滲入日常後，家人之間混亂卻親密的關係。   ▏作品故事  阿公失智之後，日常逐漸失序，變得不可控制。 他會忘記事情、他會重複動作、他會重複詢問某件事， 也會在某些瞬間製造出一種荒謬到令人發笑的場景。  這張照片拍攝於某天阿公坐在沙發上吃餅乾的片刻。趁著家人們都各自去洗澡、回房間休息時，阿公偷偷溜到客廳，打開他的蘇打餅乾偷吃。當我回到客廳時，他已經吃了半包，若無其事得坐在沙發上聽著他的日本演歌。被我逮得正著的他，還一臉無辜詢問我要不要吃，完全沒意識到餅乾屑已經掉滿衣服。  那些散落在衣服上的餅乾屑，像一場發生在客廳角落的小型災難，我沒有拍阿公的臉，只拍下身體、手與滿身碎屑，因為我想紀錄的並不是阿公作為病人的樣子，而是失序如何悄悄滲進一個家的日常。  在照顧與陪伴之中，身為照顧者的家人，我們常常是先覺得荒謬、無奈，甚至有點好笑。也許正是在這些混亂、笨拙又難以收拾的瞬間裡，才最接近我們與家人相處的真實狀態。    ▏Concept Statement  Taking the everyday disorder that emerged after my grandfather developed dementia as its starting point, this work captures moments that are absurd, helpless, yet genuinely present within family caregiving. The scattered cracker crumbs appear as traces left behind after the order of daily life begins to fall apart, revealing the chaotic yet intimate relationship between family members as illness seeps into the everyday.   ▏Story Behind the Work  After my grandfather developed dementia, everyday life gradually fell into disorder and became increasingly difficult to control. He forgets things, repeats certain actions, and asks the same questions again and again. At times, he even creates scenes so absurd that they become almost funny.  This photograph captures a moment when he was sitting on the sofa, eating soda crackers. While the rest of the family had gone to take showers or return to their rooms for a short rest, he quietly slipped into the living room and opened his crackers. When I came back, he had already eaten half a pack. Sitting on the sofa as if nothing had happened, listening to his Japanese enka music, he looked at me innocently and asked if I wanted some. He had no idea that cracker crumbs were already scattered all over his clothes.  I did not photograph his face; instead, I focused only on his body, hands, and the crumbs covering him. The scattered crumbs looked like a small disaster in the corner of the living room, and also like traces left behind as disorder quietly seeped into the everyday life of a home.  In the process of caregiving and companionship, absurdity, helplessness, and even a strange sense of humor often arrive before sadness. Perhaps it is within these chaotic, clumsy, and unmanageable moments that we come closest to the true state of being with family.  | YU-HSIN, KUNG]]></media:title>
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