Foto Wasit | Unduh Gambar Bebas Royalti & Resolusi Tinggi https://www.cizucu.com/id/explore/photos/wasit id 2026-04-26T00:23:49+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. id https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Wasit dengan tangan disilangkan di depan lapangan dan pemain di latar belakang | Kayokophotos]]> https://www.cizucu.com/id/photos/axXt4NzCwdhD7qRKamDn Kayokophotos https://www.cizucu.com/id/users/IUbs7jahEYbndc8QOID3urDBGus1 https://www.cizucu.com/id/photos/axXt4NzCwdhD7qRKamDn Mon, 04 Mar 2024 02:56:50 GMT 2024-11-21T21:50:06+09:00 https://cdn.cizucu.com/images/photos/axXt4NzCwdhD7qRKamDn.jpg?auto=compress,format <![CDATA[#野球　#大学野球　#バッター　＃打撃　＃スタジアム　＃グランド　＃野球場　＃背番号　＃ボール　＃バッター　＃打者 | ぼんさんて]]> https://www.cizucu.com/id/photos/80uJ5ccxb2hXKO4p3ojr ぼんさんて https://www.cizucu.com/id/kotsubu1121 https://www.cizucu.com/id/photos/80uJ5ccxb2hXKO4p3ojr Sun, 05 May 2024 10:00:32 GMT 2024-05-07T16:38:54+09:00 https://cdn.cizucu.com/images/photos/80uJ5ccxb2hXKO4p3ojr.jpg?auto=compress,format <![CDATA[＃野球　＃リーグ戦　＃大学野球　＃バッター　＃打者　＃キャッチャー　＃捕手　＃球場 | ぼんさんて]]> https://www.cizucu.com/id/photos/UANG1B6YodYeVV6Rcw48 ぼんさんて https://www.cizucu.com/id/kotsubu1121 https://www.cizucu.com/id/photos/UANG1B6YodYeVV6Rcw48 Fri, 03 May 2024 23:31:34 GMT 2024-05-03T23:31:57+09:00 https://cdn.cizucu.com/images/photos/UANG1B6YodYeVV6Rcw48.jpg?auto=compress,format <![CDATA[【wait for spring】 #blackandwhite #monochrome | KBT]]> https://www.cizucu.com/id/photos/ARijBelQppPCKU1UE38y KBT https://www.cizucu.com/id/kbt_bnw https://www.cizucu.com/id/photos/ARijBelQppPCKU1UE38y Tue, 25 Mar 2025 01:06:14 GMT 2025-04-01T08:13:53+09:00 https://cdn.cizucu.com/images/photos/ARijBelQppPCKU1UE38y.jpg?auto=compress,format <![CDATA[【wait for the future】 #blackandwhite #monochrome | KBT]]> https://www.cizucu.com/id/photos/qrDB1Dhm2giV89mJGAMQ KBT https://www.cizucu.com/id/kbt_bnw https://www.cizucu.com/id/photos/qrDB1Dhm2giV89mJGAMQ Thu, 10 Apr 2025 00:04:03 GMT 2025-05-05T17:10:33+09:00 https://cdn.cizucu.com/images/photos/qrDB1Dhm2giV89mJGAMQ.jpg?auto=compress,format <![CDATA[待つ猫 #猫 #動物 #生き物 #ペット #待つ #ごはん #餌 #animal #food #wait #love #cat #pet #kitty #cute #feed | eriko]]> https://www.cizucu.com/id/photos/m9EMQMqvaK1HYuza55pA eriko https://www.cizucu.com/id/users/VPyyWuW6pWhvCm1rpBV6m5INcPE2 https://www.cizucu.com/id/photos/m9EMQMqvaK1HYuza55pA Wed, 28 Feb 2024 09:35:16 GMT 2024-02-28T16:49:24+09:00 https://cdn.cizucu.com/images/photos/m9EMQMqvaK1HYuza55pA.jpg?auto=compress,format <![CDATA[Please Wait to Be Seated #レストラン #サイン #5月 #日記 #バンクーバー #restaurant #sign #vancouver #may #maydiary | littlekiss photography]]> https://www.cizucu.com/id/photos/Pxe6ALXZgV4BnOAKHSWl littlekiss photography https://www.cizucu.com/id/users/QX8v0O7G4OctkDoy71O5UDQjxpq2 https://www.cizucu.com/id/photos/Pxe6ALXZgV4BnOAKHSWl Sat, 18 May 2024 16:55:37 GMT 2024-08-18T14:59:04+09:00 https://cdn.cizucu.com/images/photos/Pxe6ALXZgV4BnOAKHSWl.jpg?auto=compress,format <![CDATA[Urban Pause Red plays a soft and insistent role here. The red man from the traffic light does not shout. It whispers a quiet command which takes center stage and tells you to “wait”. Time is suspended in this moment as one waits for the red man to fade away into another version of itself. | Sean Teo]]> https://www.cizucu.com/id/photos/UkoVB64CYBHNUN0aWi5b Sean Teo https://www.cizucu.com/id/users/PKQwZV1dTtgSH6NXC8Z9fMrUCaI2 https://www.cizucu.com/id/photos/UkoVB64CYBHNUN0aWi5b Tue, 17 Feb 2026 00:52:09 GMT 2026-02-17T00:52:09+09:00 https://cdn.cizucu.com/images/photos/UkoVB64CYBHNUN0aWi5b.jpg?auto=compress,format <![CDATA[Colors held by different shapes and organized by orders are making conversations that create a kind of harmonious rhythm and accidental quality of beauty. This snapshot in Kyoto the other day summed up what I enjoy most about drifting in the city: to surround myself with such accidental beauty. And I can’t wait to go back. | lylayaki]]> https://www.cizucu.com/id/photos/a4fBI4zbBXs7zFf3S8qB lylayaki https://www.cizucu.com/id/lylayaki https://www.cizucu.com/id/photos/a4fBI4zbBXs7zFf3S8qB Tue, 17 Oct 2023 23:52:55 GMT 2024-11-26T12:16:13+09:00 https://cdn.cizucu.com/images/photos/a4fBI4zbBXs7zFf3S8qB.jpg?auto=compress,format <![CDATA[Went to see fireworks with friends, I was able to get this really nice shot and I just loved the color. I could watch fireworks for hours. I can't wait to go again. 友達と花火を見に行きました。すごく素敵な写真が撮れて、色合いもすごく気に入りました。何時間でも花火を見ていたいくらいです。また行きたいと思っています。 | DudeBeardGlassesCamera]]> https://www.cizucu.com/id/photos/qinURfxFL8wc4FOKKkNZ DudeBeardGlassesCamera https://www.cizucu.com/id/users/gv1SJk24PZdSpCZ7eb6VxmiR44m2 https://www.cizucu.com/id/photos/qinURfxFL8wc4FOKKkNZ Mon, 29 Sep 2025 22:40:59 GMT 2025-09-29T22:40:59+09:00 https://cdn.cizucu.com/images/photos/qinURfxFL8wc4FOKKkNZ.jpg?auto=compress,format <![CDATA[Finding Color in the Noise Street photography is often an exercise in patience and restraint. On Armenian Street in Georgetown, Penang, the umbrella installation fills the frame with repetition—layers of monochrome forms, tangled lines, and surrounding buildings competing relentlessly for attention. Every direction offers distraction. Nothing wants to stay quiet. This photograph emerged from the challenge of seeing through that visual noise. The abundance of umbrellas and architectural clutter made it difficult to establish a clear subject. By isolating a single rainbow umbrella within the chaos, the image finds its anchor. Color becomes the language of focus, cutting through complexity and guiding the eye. The result is not just documentation of a street art installation, but a reflection of the street photographer’s pursuit: to impose order on disorder, to wait for clarity within clutter, and to reveal meaning by choosing what to exclude. In a world full of visual repetition, sometimes one deliberate frame is enough to let individuality rise. | Big_Dins_Photos]]> https://www.cizucu.com/id/photos/aGY2A7d0GmEodnh54l7X Big_Dins_Photos https://www.cizucu.com/id/users/gJbHvWrvqbed5w1B2kcf9iwiKCB3 https://www.cizucu.com/id/photos/aGY2A7d0GmEodnh54l7X Sun, 18 Jan 2026 05:30:11 GMT 2026-01-18T05:30:11+09:00 https://cdn.cizucu.com/images/photos/aGY2A7d0GmEodnh54l7X.jpg?auto=compress,format <![CDATA[“The Wait for the Perfect Sunset” 🌇 There’s something magical about watching the sun meet the sea — especially at the Worli Sea Link. That evening, I stood there with my camera ready, but the shot I wanted wasn’t just any sunset. I wanted the sun exactly at the centre of the bridge. It sounds simple, but it took patience — a lot of it. I waited as the light kept changing every minute, as the orange turned to gold, then to a soft pink that kissed the horizon. Cars kept rushing by, waves kept breaking below, but I stayed still, focused, watching through my lens. There were moments when I thought I’d missed it… but then, right when the world seemed to slow down, the sun aligned perfectly between the arches. That single frame — calm sea, glowing sky, and the silhouette of the bridge — made all the waiting worth it. Sometimes photography isn’t about clicking fast — it’s about slowing down, breathing in the moment, and letting nature show you when it’s ready. | Brandon Pinto]]> https://www.cizucu.com/id/photos/cHy2jPBF8BO2Fyz26FAO Brandon Pinto https://www.cizucu.com/id/users/7LvicnPovkaCyp44sfLWLMcit2F2 https://www.cizucu.com/id/photos/cHy2jPBF8BO2Fyz26FAO Sat, 21 Feb 2026 00:20:15 GMT 2026-02-21T00:20:15+09:00 https://cdn.cizucu.com/images/photos/cHy2jPBF8BO2Fyz26FAO.jpg?auto=compress,format <![CDATA[Raeng Nóm Jai The Force That Draws the Heart I had already packed my bag when I noticed them. The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back. But something shifted. One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness. My battery was nearly dead. I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct. I turned the camera on. For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once. Then the camera died. The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred. But that single frame remained. Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome. I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk. Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear. And that was enough. | John Hupa]]> https://www.cizucu.com/id/photos/sVh1uqHQzy9Jq3sPjFco John Hupa https://www.cizucu.com/id/users/5pbld81DKVT8o45bBOOJ7CDUle72 https://www.cizucu.com/id/photos/sVh1uqHQzy9Jq3sPjFco Wed, 11 Feb 2026 12:29:25 GMT 2026-02-11T12:29:25+09:00 https://cdn.cizucu.com/images/photos/sVh1uqHQzy9Jq3sPjFco.jpg?auto=compress,format <![CDATA[Raeng Nóm Jai The Force That Draws the Heart I had already packed my bag when I noticed them. The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back. But something shifted. One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness. My battery was nearly dead. I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct. I turned the camera on. For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once. Then the camera died. The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred. But that single frame remained. Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome. I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk. Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear. And that was enough. | John Hupa]]> https://www.cizucu.com/id/photos/cI8eCjEr7pTX08wnzCdu John Hupa https://www.cizucu.com/id/users/5pbld81DKVT8o45bBOOJ7CDUle72 https://www.cizucu.com/id/photos/cI8eCjEr7pTX08wnzCdu Wed, 11 Feb 2026 12:30:12 GMT 2026-02-11T12:30:12+09:00 https://cdn.cizucu.com/images/photos/cI8eCjEr7pTX08wnzCdu.jpg?auto=compress,format