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      <title>Foto Sticking | Unduh Gambar Bebas Royalti &amp; Resolusi Tinggi</title>
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      <description><![CDATA[Temukan 22 foto Sticking beresolusi tinggi terbaik di cizucu. Semuanya bebas royalti, gratis diunduh, dan sempurna untuk proyek apa pun tanpa memerlukan atribusi.]]></description>
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          <title><![CDATA[Kaki yang mengenakan stoking bergaris putih memproyeksikan bayangan berpola | 高野ぴえろ]]></title>
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          <description><![CDATA[Unduh foto Kaki yang mengenakan stoking bergaris putih memproyeksikan bayangan berpola berkualitas tinggi dan gratis yang diambil oleh 高野ぴえろ di cizucu.]]></description>
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          <pubDate>Sat, 27 Jan 2024 21:01:39 GMT</pubDate>
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            <media:description><![CDATA[Unduh foto Kaki yang mengenakan stoking bergaris putih memproyeksikan bayangan berpola berkualitas tinggi dan gratis yang diambil oleh 高野ぴえろ di cizucu.]]></media:description>
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          <title><![CDATA[Kaki balerina memegang buket dalam tutu putih dan stoking | kanako]]></title>
          <link>https://www.cizucu.com/id/photos/1sikAiAnYnq63LDghutj</link>
          <description><![CDATA[Unduh foto Kaki balerina memegang buket dalam tutu putih dan stoking berkualitas tinggi dan gratis yang diambil oleh kanako di cizucu.]]></description>
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          <pubDate>Fri, 03 Jan 2025 10:28:51 GMT</pubDate>
          <atom:updated>2025-01-03T10:29:16+09:00</atom:updated>
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            <media:description><![CDATA[Unduh foto Kaki balerina memegang buket dalam tutu putih dan stoking berkualitas tinggi dan gratis yang diambil oleh kanako di cizucu.]]></media:description>
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          <title><![CDATA[Location: 福岡県福岡市博多区 キャナルシティ博多 Camera: GR3  #streetphotography #streetsnap #snap #street #gr3 | mame]]></title>
          <link>https://www.cizucu.com/id/photos/tAOY91FKQ3frIppzB7sh</link>
          <description><![CDATA[Unduh foto Seorang wanita berjalan dengan tas belanja mengenakan stoking hitam dan sepatu bot berkualitas tinggi dan gratis yang diambil oleh mame di cizucu.]]></description>
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          <pubDate>Wed, 12 Mar 2025 00:47:36 GMT</pubDate>
          <atom:updated>2025-03-13T10:15:43+09:00</atom:updated>
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            <media:title><![CDATA[Location: 福岡県福岡市博多区 キャナルシティ博多 Camera: GR3  #streetphotography #streetsnap #snap #street #gr3 | mame]]></media:title>
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            <media:description><![CDATA[Unduh foto Seorang wanita berjalan dengan tas belanja mengenakan stoking hitam dan sepatu bot berkualitas tinggi dan gratis yang diambil oleh mame di cizucu.]]></media:description>
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          <title><![CDATA[Rudra Yogini -  Two striking art forms, striding parallelly towards oneness, as the traverse, creates a consecrated path to observe. | Keya Atul Padalkar]]></title>
          <link>https://www.cizucu.com/id/photos/X18TNNXUO0o38OQtlBD6</link>
          <description><![CDATA[Unduh foto  berkualitas tinggi dan gratis yang diambil oleh Keya Atul Padalkar di cizucu.]]></description>
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            <name>Keya Atul Padalkar</name>
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          <pubDate>Mon, 16 Mar 2026 21:19:36 GMT</pubDate>
          <atom:updated>2026-03-17T15:30:22+09:00</atom:updated>
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            <media:description><![CDATA[Unduh foto  berkualitas tinggi dan gratis yang diambil oleh Keya Atul Padalkar di cizucu.]]></media:description>
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          <title><![CDATA[I wonder, how a person who came alone here for clicking photo must have felt. Looking at so many memories others created together. It’s only humane to feel the emptiness one carries inside.  | Anamika]]></title>
          <link>https://www.cizucu.com/id/photos/pSUSOpE7ewDnB6ksueP3</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Anamika di cizucu.]]></description>
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            <name>Anamika</name>
            <uri>https://www.cizucu.com/id/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2</uri>
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          <pubDate>Fri, 06 Mar 2026 01:19:19 GMT</pubDate>
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            <media:title><![CDATA[I wonder, how a person who came alone here for clicking photo must have felt. Looking at so many memories others created together. It’s only humane to feel the emptiness one carries inside.  | Anamika]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Anamika di cizucu.]]></media:description>
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          <title><![CDATA[BLACK NAPPED MONARCH   The black-naped monarch (Hypothymis azurea) is a vibrant, azure-blue passerine bird in the monarch flycatcher family. Known for its agility and striking appearance, it is found across tropical Southern and Southeast Asia. #india #photo  | Chirag Gala]]></title>
          <link>https://www.cizucu.com/id/photos/flJYR0274D1vTnqRJrFv</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Chirag Gala di cizucu.]]></description>
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            <name>Chirag Gala</name>
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          <pubDate>Thu, 05 Mar 2026 02:28:01 GMT</pubDate>
          <atom:updated>2026-03-05T02:28:01+09:00</atom:updated>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Chirag Gala di cizucu.]]></media:description>
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          <title><![CDATA[Rudra Yogini  Two striking art forms, striding parallelly towards oneness as the traverse, creates a consecrated path to observe.   Starring~  Parvathy Baul & Ustād Mohi Bahauddin Dagar.  Location~  Birbhum/West Bengal  | Keya Atul Padalkar]]></title>
          <link>https://www.cizucu.com/id/photos/VhzfW1Mz7RsirwHmW2kF</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Keya Atul Padalkar di cizucu.]]></description>
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            <name>Keya Atul Padalkar</name>
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          <pubDate>Tue, 17 Mar 2026 10:49:09 GMT</pubDate>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Keya Atul Padalkar di cizucu.]]></media:description>
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          <title><![CDATA[Rudra Yogini - Two striking art forms, striding parallelly towards oneness as the traverse, creates a consecrated path to observe.  Starring~ Parvathy Baul & Ustād Baha'ud-din Dagar. Location~ Birbhum/West Bengal  | Keya Atul Padalkar]]></title>
          <link>https://www.cizucu.com/id/photos/NEjlXFebVc9HPkBW4dXl</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Keya Atul Padalkar di cizucu.]]></description>
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          <pubDate>Tue, 17 Mar 2026 23:21:13 GMT</pubDate>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Keya Atul Padalkar di cizucu.]]></media:description>
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          <title><![CDATA[Rudra Yogini ~ Two striking art forms, striding parallelly towards oneness as the traverse, creates a consecrated path to observe.  Starring ~ Parvathy Baul & Ustād Mohi Bahauddin Dagar  Location~ Birbhum/West Bengal  | Keya Atul Padalkar]]></title>
          <link>https://www.cizucu.com/id/photos/J9dkG0RFMP2JK34DkveE</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Keya Atul Padalkar di cizucu.]]></description>
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            <name>Keya Atul Padalkar</name>
            <uri>https://www.cizucu.com/id/users/JlNKZfVdVIVHEnmfCmhgewRL3892</uri>
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          <pubDate>Tue, 17 Mar 2026 13:20:43 GMT</pubDate>
          <atom:updated>2026-03-17T13:20:43+09:00</atom:updated>
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            <media:title><![CDATA[Rudra Yogini ~ Two striking art forms, striding parallelly towards oneness as the traverse, creates a consecrated path to observe.  Starring ~ Parvathy Baul & Ustād Mohi Bahauddin Dagar  Location~ Birbhum/West Bengal  | Keya Atul Padalkar]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/J9dkG0RFMP2JK34DkveE.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Keya Atul Padalkar di cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken at the Kala Ghoda Festival in Mumbai. I was here with a challenge of clicking Stranger Portraits. I was fortunate to have her, a stall owner for hair bradding at the fest. Her look was really exquisite at the event which prompted me to compose and click this Portrait of her's against the mirror she had at her stall | Harsh Prakash]]></title>
          <link>https://www.cizucu.com/id/photos/txrAknGFYz2EpJ1bvQZt</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Harsh Prakash di cizucu.]]></description>
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            <name>Harsh Prakash</name>
            <uri>https://www.cizucu.com/id/users/goILndBSBmc0SK7NietTZsBshCF3</uri>
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          <pubDate>Fri, 13 Mar 2026 15:20:00 GMT</pubDate>
          <atom:updated>2026-03-13T15:20:00+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken at the Kala Ghoda Festival in Mumbai. I was here with a challenge of clicking Stranger Portraits. I was fortunate to have her, a stall owner for hair bradding at the fest. Her look was really exquisite at the event which prompted me to compose and click this Portrait of her's against the mirror she had at her stall | Harsh Prakash]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/txrAknGFYz2EpJ1bvQZt.jpg?fm=jpg" type="image/jpeg" width="4480" height="6720" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/txrAknGFYz2EpJ1bvQZt.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/txrAknGFYz2EpJ1bvQZt.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Harsh Prakash di cizucu.]]></media:description>
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          <title><![CDATA[매화(梅花)/ Among the apricot blossoms of apricot trees, the apricot blossoms that bloom red flowers are called red apricots. This picture was taken using Kodak Aerofilm on Yashika Electro 35. Aerofilm is a medium- and high-altitude aviation reconnaissance film with a film with a lot of red sticking out. Therefore, I tried to maximize the red color by taking a red apricot with this film. The apricot flower is said to be the first flower to bloom in spring through winter. Therefore, the apricot flower symbolizes incision and noble mind. I thought that the red apricot flower turns red in winter by bleeding from the bitter wind as the white petals of the existing apricot flower bloom. I thought that the red apricot flower was a difficult blooming and extracting red beauty. Even if you look at the red color of the red apricot flower and feel tired and painful now, it would be good to know that the blood you shed now makes you look the most beautiful | umani]]></title>
          <link>https://www.cizucu.com/id/photos/ChiMNFFJvPO2199Rv4U0</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari umani di cizucu.]]></description>
          <author>
            <name>umani</name>
            <uri>https://www.cizucu.com/id/users/kBz7T7zF1ORMKMkyf0Iqik5Tzqc2</uri>
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          <pubDate>Sun, 17 Aug 2025 21:47:14 GMT</pubDate>
          <atom:updated>2025-08-17T21:47:14+09:00</atom:updated>
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            <media:title><![CDATA[매화(梅花)/ Among the apricot blossoms of apricot trees, the apricot blossoms that bloom red flowers are called red apricots. This picture was taken using Kodak Aerofilm on Yashika Electro 35. Aerofilm is a medium- and high-altitude aviation reconnaissance film with a film with a lot of red sticking out. Therefore, I tried to maximize the red color by taking a red apricot with this film. The apricot flower is said to be the first flower to bloom in spring through winter. Therefore, the apricot flower symbolizes incision and noble mind. I thought that the red apricot flower turns red in winter by bleeding from the bitter wind as the white petals of the existing apricot flower bloom. I thought that the red apricot flower was a difficult blooming and extracting red beauty. Even if you look at the red color of the red apricot flower and feel tired and painful now, it would be good to know that the blood you shed now makes you look the most beautiful | umani]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ChiMNFFJvPO2199Rv4U0.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari umani di cizucu.]]></media:description>
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          <title><![CDATA[Immersed in the overwhelming Visarjan crowds at Girgaon Chowpatty, a moment of pure magic unfolded. After a heavy rain, the thick, misty air transformed the moody Mumbai night. Suddenly, brilliant light pierced from behind the towering idol of Bappa. To the naked human eye, the lingering moisture caught these massive 'god rays,' cutting through the gloom with striking, cinematic lines. This isn't just a trick of the lens; it’s the exact, breathtaking stillness my own eyes witnessed amidst the chaos. | Hiren Patel]]></title>
          <link>https://www.cizucu.com/id/photos/w2KpM8saKCCGpGZzHDYt</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Hiren Patel di cizucu.]]></description>
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            <name>Hiren Patel</name>
            <uri>https://www.cizucu.com/id/users/aJtaAuxlKONhjadDgut6wU01AA12</uri>
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          <pubDate>Thu, 12 Mar 2026 18:28:23 GMT</pubDate>
          <atom:updated>2026-03-12T18:28:23+09:00</atom:updated>
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            <media:title><![CDATA[Immersed in the overwhelming Visarjan crowds at Girgaon Chowpatty, a moment of pure magic unfolded. After a heavy rain, the thick, misty air transformed the moody Mumbai night. Suddenly, brilliant light pierced from behind the towering idol of Bappa. To the naked human eye, the lingering moisture caught these massive 'god rays,' cutting through the gloom with striking, cinematic lines. This isn't just a trick of the lens; it’s the exact, breathtaking stillness my own eyes witnessed amidst the chaos. | Hiren Patel]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/w2KpM8saKCCGpGZzHDYt.jpg?fm=jpg" type="image/jpeg" width="3072" height="4608" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/w2KpM8saKCCGpGZzHDYt.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/w2KpM8saKCCGpGZzHDYt.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/w2KpM8saKCCGpGZzHDYt.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Hiren Patel di cizucu.]]></media:description>
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          <title><![CDATA[Alienation of Dharavi :   A Bombay slum with a $1-billion informal economy  “We stopped the Adani Group’s redevelopment survey twice in protest. Our homes, our work, our lives are here. Redevelopment will only mean displacement. They say anyone who came after 2000 will be pushed far away, and even we must pay to stay,” says Naseem, a Dharavi resident.  In picture : Labourers stacking up a sack of clay — This is from Dharavi’s informal pottery industry, which has been running for over 100 years. Dharavi, spread across 590 acres, is home to nearly a million people from diverse backgrounds. Pottery is just one of many livelihoods here, alongside leather, garments, and others — all now at risk of being displaced & alienated by the proposed slum redevelopment plan. | Bombay Noir]]></title>
          <link>https://www.cizucu.com/id/photos/blvZqys7p3C6BXz4owuH</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Bombay Noir di cizucu.]]></description>
          <author>
            <name>Bombay Noir</name>
            <uri>https://www.cizucu.com/id/users/tay5ia7oZ0M8Hk3zKpy8CxmZQ0g2</uri>
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          <pubDate>Sat, 14 Mar 2026 13:27:45 GMT</pubDate>
          <atom:updated>2026-03-14T13:27:45+09:00</atom:updated>
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            <media:title><![CDATA[Alienation of Dharavi :   A Bombay slum with a $1-billion informal economy  “We stopped the Adani Group’s redevelopment survey twice in protest. Our homes, our work, our lives are here. Redevelopment will only mean displacement. They say anyone who came after 2000 will be pushed far away, and even we must pay to stay,” says Naseem, a Dharavi resident.  In picture : Labourers stacking up a sack of clay — This is from Dharavi’s informal pottery industry, which has been running for over 100 years. Dharavi, spread across 590 acres, is home to nearly a million people from diverse backgrounds. Pottery is just one of many livelihoods here, alongside leather, garments, and others — all now at risk of being displaced & alienated by the proposed slum redevelopment plan. | Bombay Noir]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/blvZqys7p3C6BXz4owuH.jpg?fm=jpg" type="image/jpeg" width="4082" height="6123" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/blvZqys7p3C6BXz4owuH.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/blvZqys7p3C6BXz4owuH.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/blvZqys7p3C6BXz4owuH.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Bombay Noir di cizucu.]]></media:description>
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          <title><![CDATA[I took this photograph during a casual photo walk with a friend. We were simply wandering through the busy streets when I noticed this man slowly riding his scooter toward me. Something about the moment felt visually striking the crowd, the street, and his calm presence moving through the chaos.  Instinctively, I stepped into the middle of the road, framed the scene, and took the shot just as he approached. It was a very spontaneous photograph, captured in a split second. What drew me to the image later was how it reflects the rhythm of everyday street life unpredictable, busy, yet full of small cinematic moments waiting to be noticed. | Binay Parida]]></title>
          <link>https://www.cizucu.com/id/photos/LZFgMcAjNa53iMyv59sw</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Binay Parida di cizucu.]]></description>
          <author>
            <name>Binay Parida</name>
            <uri>https://www.cizucu.com/id/users/UlD4PcR4Vkg7udc7P5zBJmC51lU2</uri>
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          <pubDate>Fri, 13 Mar 2026 16:17:45 GMT</pubDate>
          <atom:updated>2026-03-13T16:17:45+09:00</atom:updated>
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            <media:title><![CDATA[I took this photograph during a casual photo walk with a friend. We were simply wandering through the busy streets when I noticed this man slowly riding his scooter toward me. Something about the moment felt visually striking the crowd, the street, and his calm presence moving through the chaos.  Instinctively, I stepped into the middle of the road, framed the scene, and took the shot just as he approached. It was a very spontaneous photograph, captured in a split second. What drew me to the image later was how it reflects the rhythm of everyday street life unpredictable, busy, yet full of small cinematic moments waiting to be noticed. | Binay Parida]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/LZFgMcAjNa53iMyv59sw.jpg?fm=jpg" type="image/jpeg" width="4047" height="5000" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/LZFgMcAjNa53iMyv59sw.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/LZFgMcAjNa53iMyv59sw.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/LZFgMcAjNa53iMyv59sw.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Binay Parida di cizucu.]]></media:description>
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          <title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></title>
          <link>https://www.cizucu.com/id/photos/NyOeA5jkS61gAiFAZGZE</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Shikhar Bafna di cizucu.]]></description>
          <author>
            <name>Shikhar Bafna</name>
            <uri>https://www.cizucu.com/id/users/DDGF9kV7LRTTzHwN2CUG3pTvfwA2</uri>
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          <pubDate>Sun, 15 Mar 2026 02:16:04 GMT</pubDate>
          <atom:updated>2026-03-15T02:16:04+09:00</atom:updated>
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            <media:title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/NyOeA5jkS61gAiFAZGZE.jpg?fm=jpg" type="image/jpeg" width="5457" height="7717" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/NyOeA5jkS61gAiFAZGZE.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/NyOeA5jkS61gAiFAZGZE.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/NyOeA5jkS61gAiFAZGZE.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Shikhar Bafna di cizucu.]]></media:description>
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          <title><![CDATA[Title: Is this a Phoenix?  Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light.  This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration.  I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]></title>
          <link>https://www.cizucu.com/id/photos/HaRlbV8HZph6qTP7CEe0</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Victor Zhuo di cizucu.]]></description>
          <author>
            <name>Victor Zhuo</name>
            <uri>https://www.cizucu.com/id/users/4QDNraPSayPI6l1z44LmNKePpYg2</uri>
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          <pubDate>Tue, 06 Jan 2026 15:31:12 GMT</pubDate>
          <atom:updated>2026-01-06T15:31:12+09:00</atom:updated>
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            <media:title><![CDATA[Title: Is this a Phoenix?  Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light.  This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration.  I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/HaRlbV8HZph6qTP7CEe0.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/HaRlbV8HZph6qTP7CEe0.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Victor Zhuo di cizucu.]]></media:description>
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          <title><![CDATA[“The Wait for the Perfect Sunset” 🌇  There’s something magical about watching the sun meet the sea — especially at the Worli Sea Link. That evening, I stood there with my camera ready, but the shot I wanted wasn’t just any sunset. I wanted the sun exactly at the centre of the bridge.  It sounds simple, but it took patience — a lot of it. I waited as the light kept changing every minute, as the orange turned to gold, then to a soft pink that kissed the horizon. Cars kept rushing by, waves kept breaking below, but I stayed still, focused, watching through my lens.  There were moments when I thought I’d missed it… but then, right when the world seemed to slow down, the sun aligned perfectly between the arches. That single frame — calm sea, glowing sky, and the silhouette of the bridge — made all the waiting worth it.  Sometimes photography isn’t about clicking fast — it’s about slowing down, breathing in the moment, and letting nature show you when it’s ready. | Brandon Pinto]]></title>
          <link>https://www.cizucu.com/id/photos/cHy2jPBF8BO2Fyz26FAO</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Brandon Pinto di cizucu.]]></description>
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            <name>Brandon Pinto</name>
            <uri>https://www.cizucu.com/id/users/7LvicnPovkaCyp44sfLWLMcit2F2</uri>
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          <pubDate>Sat, 21 Feb 2026 00:20:15 GMT</pubDate>
          <atom:updated>2026-02-21T00:20:15+09:00</atom:updated>
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            <media:title><![CDATA[“The Wait for the Perfect Sunset” 🌇  There’s something magical about watching the sun meet the sea — especially at the Worli Sea Link. That evening, I stood there with my camera ready, but the shot I wanted wasn’t just any sunset. I wanted the sun exactly at the centre of the bridge.  It sounds simple, but it took patience — a lot of it. I waited as the light kept changing every minute, as the orange turned to gold, then to a soft pink that kissed the horizon. Cars kept rushing by, waves kept breaking below, but I stayed still, focused, watching through my lens.  There were moments when I thought I’d missed it… but then, right when the world seemed to slow down, the sun aligned perfectly between the arches. That single frame — calm sea, glowing sky, and the silhouette of the bridge — made all the waiting worth it.  Sometimes photography isn’t about clicking fast — it’s about slowing down, breathing in the moment, and letting nature show you when it’s ready. | Brandon Pinto]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/cHy2jPBF8BO2Fyz26FAO.jpg?fm=jpg" type="image/jpeg" width="2450" height="3584" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/cHy2jPBF8BO2Fyz26FAO.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/cHy2jPBF8BO2Fyz26FAO.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/cHy2jPBF8BO2Fyz26FAO.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Brandon Pinto di cizucu.]]></media:description>
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          <title><![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 놀러갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다.  This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]></title>
          <link>https://www.cizucu.com/id/photos/a18natgq2Cvi84J6arq9</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari JIYEJI di cizucu.]]></description>
          <author>
            <name>JIYEJI</name>
            <uri>https://www.cizucu.com/id/jiyeji</uri>
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          <pubDate>Sun, 07 Sep 2025 19:23:19 GMT</pubDate>
          <atom:updated>2025-09-07T19:23:19+09:00</atom:updated>
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            <media:title><![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 놀러갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다.  This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/a18natgq2Cvi84J6arq9.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/a18natgq2Cvi84J6arq9.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari JIYEJI di cizucu.]]></media:description>
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          <title><![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다. This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]></title>
          <link>https://www.cizucu.com/id/photos/0YqcAFIGmAt7Dv5EtyZy</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari JIYEJI di cizucu.]]></description>
          <author>
            <name>JIYEJI</name>
            <uri>https://www.cizucu.com/id/users/M2zHDaTlpZYaOsQpahReBUlgEWo2</uri>
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          <pubDate>Sun, 07 Sep 2025 17:31:56 GMT</pubDate>
          <atom:updated>2025-09-07T17:31:56+09:00</atom:updated>
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            <media:title><![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다. This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/0YqcAFIGmAt7Dv5EtyZy.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/0YqcAFIGmAt7Dv5EtyZy.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari JIYEJI di cizucu.]]></media:description>
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          <title><![CDATA[私の取り組んでいるスポーツ｢Tricking｣をセルフポートレートとして撮影したものです。 昔取り組んでいたこのトリッキングセルフポートレートですが、2023年に大きな怪我をしたことで中断していました。その怪我から回復してこの撮影を再開できたのが、今年印象に残っていることの一つです。 トリッキングセルフポートレートの中に気に入っている技があります。｢フラッシュキック｣。この技は怪我をした部分への負担がおおきいため、なかなか挑戦できずにいました。 そんな技に再びチャレンジして、怪我後初めて写真に収めることができたのがこの写真です。 大きな怪我を乗り越えようとする気持ちや、これからこの活動を再開する決意の込もった一枚となっています。 | Shogo Hagiwara]]></title>
          <link>https://www.cizucu.com/id/photos/PKeLNoWEtRi9ToffL0Nf</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Shogo Hagiwara di cizucu.]]></description>
          <author>
            <name>Shogo Hagiwara</name>
            <uri>https://www.cizucu.com/id/trickershogo</uri>
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          <pubDate>Thu, 04 Dec 2025 14:51:48 GMT</pubDate>
          <atom:updated>2025-12-04T14:51:48+09:00</atom:updated>
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            <media:title><![CDATA[私の取り組んでいるスポーツ｢Tricking｣をセルフポートレートとして撮影したものです。 昔取り組んでいたこのトリッキングセルフポートレートですが、2023年に大きな怪我をしたことで中断していました。その怪我から回復してこの撮影を再開できたのが、今年印象に残っていることの一つです。 トリッキングセルフポートレートの中に気に入っている技があります。｢フラッシュキック｣。この技は怪我をした部分への負担がおおきいため、なかなか挑戦できずにいました。 そんな技に再びチャレンジして、怪我後初めて写真に収めることができたのがこの写真です。 大きな怪我を乗り越えようとする気持ちや、これからこの活動を再開する決意の込もった一枚となっています。 | Shogo Hagiwara]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/PKeLNoWEtRi9ToffL0Nf.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/PKeLNoWEtRi9ToffL0Nf.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Shogo Hagiwara di cizucu.]]></media:description>
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