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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Keya Atul Padalkar di cizucu.]]></media:description>
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          <title><![CDATA[Rudra Yogini - Two striking art forms, striding parallelly towards oneness as the traverse, creates a consecrated path to observe.  Starring~ Parvathy Baul & Ustād Baha'ud-din Dagar. Location~ Birbhum/West Bengal  | Keya Atul Padalkar]]></title>
          <link>https://www.cizucu.com/id/photos/NEjlXFebVc9HPkBW4dXl</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Keya Atul Padalkar di cizucu.]]></description>
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            <name>Keya Atul Padalkar</name>
            <uri>https://www.cizucu.com/id/users/JlNKZfVdVIVHEnmfCmhgewRL3892</uri>
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          <pubDate>Tue, 17 Mar 2026 23:21:13 GMT</pubDate>
          <atom:updated>2026-03-17T23:21:13+09:00</atom:updated>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Keya Atul Padalkar di cizucu.]]></media:description>
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          <title><![CDATA[Rudra Yogini ~ Two striking art forms, striding parallelly towards oneness as the traverse, creates a consecrated path to observe.  Starring ~ Parvathy Baul & Ustād Mohi Bahauddin Dagar  Location~ Birbhum/West Bengal  | Keya Atul Padalkar]]></title>
          <link>https://www.cizucu.com/id/photos/J9dkG0RFMP2JK34DkveE</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Keya Atul Padalkar di cizucu.]]></description>
          <author>
            <name>Keya Atul Padalkar</name>
            <uri>https://www.cizucu.com/id/users/JlNKZfVdVIVHEnmfCmhgewRL3892</uri>
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          <pubDate>Tue, 17 Mar 2026 13:20:43 GMT</pubDate>
          <atom:updated>2026-03-17T13:20:43+09:00</atom:updated>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Keya Atul Padalkar di cizucu.]]></media:description>
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          <title><![CDATA[My and their quiet moments. The elderly and the young. The elder one looking at natural clouds whilst the younger one staring into the device digital cloud. My quiet moment as I travel in a train. | chetpin8]]></title>
          <link>https://www.cizucu.com/id/photos/p9soLc2fYtOe6LKh7MrQ</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari chetpin8 di cizucu.]]></description>
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            <name>chetpin8</name>
            <uri>https://www.cizucu.com/id/users/gXnGEEFoIHTQyq3jpEAxVGw41zw1</uri>
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          <pubDate>Fri, 20 Mar 2026 16:11:06 GMT</pubDate>
          <atom:updated>2026-03-20T16:11:06+09:00</atom:updated>
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            <media:title><![CDATA[My and their quiet moments. The elderly and the young. The elder one looking at natural clouds whilst the younger one staring into the device digital cloud. My quiet moment as I travel in a train. | chetpin8]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/p9soLc2fYtOe6LKh7MrQ.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari chetpin8 di cizucu.]]></media:description>
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        <item>
          <title><![CDATA[My first time seeing the inside of a Japanese high school. The feeling is so different than an American high school, somehow more comfortable. My first thought was this looks just like in the anime | lifeOfGai]]></title>
          <link>https://www.cizucu.com/id/photos/DcjamAfqsQPwcPcR4IOZ</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari lifeOfGai di cizucu.]]></description>
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            <name>lifeOfGai</name>
            <uri>https://www.cizucu.com/id/lifeofgai</uri>
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          <pubDate>Sat, 21 Feb 2026 15:01:58 GMT</pubDate>
          <atom:updated>2026-02-21T15:01:58+09:00</atom:updated>
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            <media:title><![CDATA[My first time seeing the inside of a Japanese high school. The feeling is so different than an American high school, somehow more comfortable. My first thought was this looks just like in the anime | lifeOfGai]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari lifeOfGai di cizucu.]]></media:description>
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          <title><![CDATA[I took this photo almost 20 years ago. It's already a memory. A little girl and her grandmother, like a connection between generations. The old house - how many people it remembers, how much happiness, sorrow, and joy it's experienced - we can only imagine, peering into those windows. | Evgeny Andreev]]></title>
          <link>https://www.cizucu.com/id/photos/cfNa0eQQq0iSwBUWTQTU</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Evgeny Andreev di cizucu.]]></description>
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            <name>Evgeny Andreev</name>
            <uri>https://www.cizucu.com/id/users/T2AFmenIy9QstDLcfbocVq4tA0q1</uri>
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          <pubDate>Sun, 12 Apr 2026 14:04:28 GMT</pubDate>
          <atom:updated>2026-04-12T14:04:28+09:00</atom:updated>
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            <media:title><![CDATA[I took this photo almost 20 years ago. It's already a memory. A little girl and her grandmother, like a connection between generations. The old house - how many people it remembers, how much happiness, sorrow, and joy it's experienced - we can only imagine, peering into those windows. | Evgeny Andreev]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/cfNa0eQQq0iSwBUWTQTU.jpg?fm=jpg" type="image/jpeg" width="2500" height="3535" />
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Evgeny Andreev di cizucu.]]></media:description>
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        <item>
          <title><![CDATA[To photograph is to be a silent witness to the unseen. It is the art of stepping into the quiet corners of curiosity and capturing life in its rawest form. Lingering only for a heartbeat, the objective is to capture the moment as it is and vanishing like dust in the wind, leaving nothing behind except for an untold story, slowly becoming only a memory. | timkoh]]></title>
          <link>https://www.cizucu.com/id/photos/URadMcQ5lDbUIkVT6Bwe</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari timkoh di cizucu.]]></description>
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            <name>timkoh</name>
            <uri>https://www.cizucu.com/id/users/bA9PZhPWC4NAyvvJrVO3q1vuEbl2</uri>
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          <pubDate>Mon, 05 Jan 2026 13:14:38 GMT</pubDate>
          <atom:updated>2026-01-05T13:14:38+09:00</atom:updated>
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            <media:title><![CDATA[To photograph is to be a silent witness to the unseen. It is the art of stepping into the quiet corners of curiosity and capturing life in its rawest form. Lingering only for a heartbeat, the objective is to capture the moment as it is and vanishing like dust in the wind, leaving nothing behind except for an untold story, slowly becoming only a memory. | timkoh]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/URadMcQ5lDbUIkVT6Bwe.jpg?fm=jpg" type="image/jpeg" width="2000" height="2500" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/URadMcQ5lDbUIkVT6Bwe.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari timkoh di cizucu.]]></media:description>
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          <title><![CDATA[At first glance, this image may be another black and white shot focusing on clean lines, strong light, a subject placed precisely within the frame. But look a little longer, and you’ll notice there are actually two acts of seeing happening. On the left, the photographer crouches, framing, deciding, directing. On the right, the subject stands in the light but she is composed, almost architectural herself. Yet, she isn’t passive. The way she leans into the wall, the tilt of the hat, the choice to face away — she shapes the image just as much. So who is in control? The photographer chooses where to stand, when to press the shutter. But the subject chooses how to exist within that moment: what to reveal, what to withhold. This photograph sits in that quiet tension. Not a moment of control, but of negotiation,  where seeing and being seen meet, and neither fully belongs to one alone. | Keith Wee]]></title>
          <link>https://www.cizucu.com/id/photos/TCOp4r3Zis8NTJzWGvH5</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Keith Wee di cizucu.]]></description>
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            <name>Keith Wee</name>
            <uri>https://www.cizucu.com/id/users/fxdhdPm0AKY0fV1ane3AERkTCXk2</uri>
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          <pubDate>Sun, 26 Apr 2026 15:13:39 GMT</pubDate>
          <atom:updated>2026-04-26T15:13:39+09:00</atom:updated>
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            <media:title><![CDATA[At first glance, this image may be another black and white shot focusing on clean lines, strong light, a subject placed precisely within the frame. But look a little longer, and you’ll notice there are actually two acts of seeing happening. On the left, the photographer crouches, framing, deciding, directing. On the right, the subject stands in the light but she is composed, almost architectural herself. Yet, she isn’t passive. The way she leans into the wall, the tilt of the hat, the choice to face away — she shapes the image just as much. So who is in control? The photographer chooses where to stand, when to press the shutter. But the subject chooses how to exist within that moment: what to reveal, what to withhold. This photograph sits in that quiet tension. Not a moment of control, but of negotiation,  where seeing and being seen meet, and neither fully belongs to one alone. | Keith Wee]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/TCOp4r3Zis8NTJzWGvH5.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Keith Wee di cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Twin Peaks, San Francisco, CA - March 2026 Views like this are part of why I love to travel. Seeing San Francisco from Twin Peaks at golden hour has a way of putting the chaos of life into perspective. In the foreground, two people sit on the wall, quietly taking in the scene. I try to imagine their story, and what this moment means to them. For me, it’s a reminder to pause and appreciate where you are, wherever you go. | Elly Deakin]]></title>
          <link>https://www.cizucu.com/id/photos/j64apV67KkbyrO3eUxWs</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Elly Deakin di cizucu.]]></description>
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            <name>Elly Deakin</name>
            <uri>https://www.cizucu.com/id/users/EXrgBHzrVeOdqjoLE8IaZvwYoGx2</uri>
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          <pubDate>Fri, 03 Apr 2026 21:24:02 GMT</pubDate>
          <atom:updated>2026-04-03T21:24:02+09:00</atom:updated>
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            <media:title><![CDATA[Twin Peaks, San Francisco, CA - March 2026 Views like this are part of why I love to travel. Seeing San Francisco from Twin Peaks at golden hour has a way of putting the chaos of life into perspective. In the foreground, two people sit on the wall, quietly taking in the scene. I try to imagine their story, and what this moment means to them. For me, it’s a reminder to pause and appreciate where you are, wherever you go. | Elly Deakin]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Vanness Choon di cizucu.]]></media:description>
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          <title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari nicoleakanikkiko di cizucu.]]></media:description>
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          <title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></title>
          <link>https://www.cizucu.com/id/photos/VmClkI1Pa2cn3PZ2Aruh</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari nicoleakanikkiko di cizucu.]]></description>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari nicoleakanikkiko di cizucu.]]></media:description>
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