Foto Society | Unduh Gambar Bebas Royalti & Resolusi Tinggi https://www.cizucu.com/id/explore/photos/society id 2026-05-08T10:55:20+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. id https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[M1 かに星雲 撮影日2024/1/28-29 場所California/USA（リモート撮影） 機材PlaneWave CDK24+FLI-PL09000 露出RGB180秒x各色6枚+120秒x各色6枚 #リコリモ#仙台天文同好会#天体#天体写真#星雲 | さら]]> https://www.cizucu.com/id/photos/xIa77uCHvg8lWXSC3FjF さら https://www.cizucu.com/id/sara56kg https://www.cizucu.com/id/photos/xIa77uCHvg8lWXSC3FjF Tue, 11 Mar 2025 17:08:53 GMT 2026-01-19T01:01:52+09:00 https://cdn.cizucu.com/images/photos/xIa77uCHvg8lWXSC3FjF.jpg?auto=compress,format <![CDATA[NGC5128 電波銀河 撮影日2024/9/1 場所Siding Spring/Australia 機材PlaneWave CDK20+FLI-PL09000 露出 L20枚 R7枚 G7枚 B7枚 各300秒 #リコリモ#仙台天文同好会#天体#天体写真#銀河 | リコリモ]]> https://www.cizucu.com/id/photos/tacymGXfSK71zFQAURCy リコリモ https://www.cizucu.com/id/users/hARgS9Xio0aX4jse9xiWmurAjZz2 https://www.cizucu.com/id/photos/tacymGXfSK71zFQAURCy Tue, 11 Mar 2025 17:40:02 GMT 2026-01-19T00:59:49+09:00 https://cdn.cizucu.com/images/photos/tacymGXfSK71zFQAURCy.jpg?auto=compress,format <![CDATA[deretan lampu bohlam kaca bercahaya hangat | あお🐐]]> https://www.cizucu.com/id/photos/c0wv3b5uVA1YWeS0EPme あお🐐 https://www.cizucu.com/id/ygphotoprix https://www.cizucu.com/id/photos/c0wv3b5uVA1YWeS0EPme Fri, 15 Nov 2024 10:15:17 GMT 2026-05-06T10:43:04+09:00 https://cdn.cizucu.com/images/photos/c0wv3b5uVA1YWeS0EPme.jpg?auto=compress,format <![CDATA[sudut dalam ruangan dengan stopkontak dinding dan cahaya hangat | Maru_R]]> https://www.cizucu.com/id/photos/Y3S2p9BCTHu8KOgHfHEz Maru_R https://www.cizucu.com/id/users/p6wM9bTx0Ae0rryJnbYZDDDoYbl1 https://www.cizucu.com/id/photos/Y3S2p9BCTHu8KOgHfHEz Thu, 30 Jan 2025 23:45:00 GMT 2026-01-19T12:08:08+09:00 https://cdn.cizucu.com/images/photos/Y3S2p9BCTHu8KOgHfHEz.jpg?auto=compress,format <![CDATA[Gambar hitam putih orang-orang bekerja di pasar | WenYang]]> https://www.cizucu.com/id/photos/LUfnLwPEvgZPFTlc7q80 WenYang https://www.cizucu.com/id/users/92cjCsAFRtY7RalbGrKfVwNLGih2 https://www.cizucu.com/id/photos/LUfnLwPEvgZPFTlc7q80 Sat, 24 Jan 2026 01:23:07 GMT 2026-01-24T01:23:30+09:00 https://cdn.cizucu.com/images/photos/LUfnLwPEvgZPFTlc7q80.jpg?auto=compress,format <![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations. This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power. Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]> https://www.cizucu.com/id/photos/G1pEI8qxiuHKo467vUR2 Shawn Lim https://www.cizucu.com/id/users/xqTklW7ZRMMZLnKUUWJS4uVjhh53 https://www.cizucu.com/id/photos/G1pEI8qxiuHKo467vUR2 Sat, 17 Jan 2026 02:27:45 GMT 2026-01-17T22:40:24+09:00 https://cdn.cizucu.com/images/photos/G1pEI8qxiuHKo467vUR2.jpg?auto=compress,format <![CDATA[This alley becomes a living metaphor of society’s layered realities. The beggar relies on other people's generosity. The rider chases progress. The buyer present who can afford the luxuries in life. All of them share the same narrow passage, brushing past one another, connected by space but separated by circumstance. The light pouring through the torn ceiling quietly suggests that while their journeys differ, they all walk beneath the same fragile shelter called life — where fate, opportunity, and struggle intersect in ways both visible and unseen. | donparohinog]]> https://www.cizucu.com/id/photos/ZPLdPl9OCw2jT7XnH1P4 donparohinog https://www.cizucu.com/id/users/XIR62JTKUiMagFjBwdux3bcrdK82 https://www.cizucu.com/id/photos/ZPLdPl9OCw2jT7XnH1P4 Fri, 13 Feb 2026 23:45:07 GMT 2026-05-03T15:17:11+09:00 https://cdn.cizucu.com/images/photos/ZPLdPl9OCw2jT7XnH1P4.jpg?auto=compress,format <![CDATA[that day of play at the pool with 5 adults looking on. Nephew had no cousin to play with as his uncle (me) decided not to have any kids. A somewhat familiar sight in an aging society like Singapore. this was one of the few times he "dived" under as he was still building on his water confidence. Doing much better now! Photo was taken with a sports housing that was acquired due to the appeal of surfing photography - a genre that brings together my love for nature and sports at the same time. But never got to try to date. In the mean time, have always been looking for the opportunity to take half and half shots like these that capture moments in two separate worlds in the same frame. | nothatjon]]> https://www.cizucu.com/id/photos/K5m8PKwVJqxEaB4ZWpBU nothatjon https://www.cizucu.com/id/nothatjon https://www.cizucu.com/id/photos/K5m8PKwVJqxEaB4ZWpBU Thu, 19 Mar 2026 22:59:39 GMT 2026-03-19T22:59:57+09:00 https://cdn.cizucu.com/images/photos/K5m8PKwVJqxEaB4ZWpBU.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/id/photos/cLMlwd2zuriHaAa7UIXB Arthur Liew https://www.cizucu.com/id/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/id/photos/cLMlwd2zuriHaAa7UIXB Sun, 22 Mar 2026 16:38:29 GMT 2026-05-03T13:26:18+09:00 https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/id/photos/aCRdHvBtI6EE9pHD6Jud Arthur Liew https://www.cizucu.com/id/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/id/photos/aCRdHvBtI6EE9pHD6Jud Sun, 22 Mar 2026 16:32:12 GMT 2026-05-03T13:26:18+09:00 https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/id/photos/RDduCIQ1jlKWBqn7gdBH Arthur Liew https://www.cizucu.com/id/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/id/photos/RDduCIQ1jlKWBqn7gdBH Sun, 22 Mar 2026 16:29:33 GMT 2026-05-03T13:26:18+09:00 https://cdn.cizucu.com/images/photos/RDduCIQ1jlKWBqn7gdBH.jpg?auto=compress,format <![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。 這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。 我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。 當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。 在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。 During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments. This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture. By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy. Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role. Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]> https://www.cizucu.com/id/photos/KxmYJu8uTx7YorZUymnh Joanne Sun https://www.cizucu.com/id/users/V3yZQQPOmCV388zQun7pQGQnn1L2 https://www.cizucu.com/id/photos/KxmYJu8uTx7YorZUymnh Thu, 07 May 2026 02:19:00 GMT 2026-05-07T02:20:37+09:00 https://cdn.cizucu.com/images/photos/KxmYJu8uTx7YorZUymnh.jpg?auto=compress,format