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      <title>Foto Prudence | Unduh Gambar Bebas Royalti &amp; Resolusi Tinggi</title>
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      <description><![CDATA[Temukan 27 foto Prudence beresolusi tinggi terbaik di cizucu. Semuanya bebas royalti, gratis diunduh, dan sempurna untuk proyek apa pun tanpa memerlukan atribusi.]]></description>
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          <title><![CDATA[Presence | blake islington blake]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari blake islington blake di cizucu.]]></description>
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            <name>blake islington blake</name>
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          <pubDate>Fri, 10 Apr 2026 01:54:28 GMT</pubDate>
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          <title><![CDATA[Your children need your presence more than your presents. | Yosuke0312]]></title>
          <link>https://www.cizucu.com/id/photos/ymoUxA16asH5DRAJarTM</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Yosuke0312 di cizucu.]]></description>
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          <pubDate>Thu, 10 Apr 2025 18:54:21 GMT</pubDate>
          <atom:updated>2025-04-10T18:54:49+09:00</atom:updated>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Yosuke0312 di cizucu.]]></media:description>
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          <title><![CDATA[Presence of the Everyday  #silhouette #minimalism #quietmoments  #negativespace #wintermood  #streetphotography #urbanwildlife | dz a.k.a dashan]]></title>
          <link>https://www.cizucu.com/id/photos/0OvbEQn46SHFslPwDi6V</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari dz a.k.a dashan di cizucu.]]></description>
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            <name>dz a.k.a dashan</name>
            <uri>https://www.cizucu.com/id/dz</uri>
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          <pubDate>Sun, 22 Feb 2026 17:26:15 GMT</pubDate>
          <atom:updated>2026-02-22T17:26:15+09:00</atom:updated>
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            <media:title><![CDATA[Presence of the Everyday  #silhouette #minimalism #quietmoments  #negativespace #wintermood  #streetphotography #urbanwildlife | dz a.k.a dashan]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari dz a.k.a dashan di cizucu.]]></media:description>
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          <title><![CDATA['Blurring Lines'  A plains zebra moves across open ground, with signs of human presence beyond. The boundaries between natural and built environments continue to blur.  | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/id/photos/yLsZqyfnf0sznULMQlYV</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Jasmine Ee (Wildlife with Jas) di cizucu.]]></description>
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            <name>Jasmine Ee (Wildlife with Jas)</name>
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          <pubDate>Mon, 06 Apr 2026 08:52:14 GMT</pubDate>
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            <media:title><![CDATA['Blurring Lines'  A plains zebra moves across open ground, with signs of human presence beyond. The boundaries between natural and built environments continue to blur.  | Jasmine Ee (Wildlife with Jas)]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Jasmine Ee (Wildlife with Jas) di cizucu.]]></media:description>
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          <title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></title>
          <link>https://www.cizucu.com/id/photos/zwyI5V45BjqrtNtht6mx</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Lousycameraman di cizucu.]]></description>
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            <name>Lousycameraman</name>
            <uri>https://www.cizucu.com/id/lousycameraman</uri>
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          <pubDate>Tue, 20 Jan 2026 16:30:45 GMT</pubDate>
          <atom:updated>2026-01-20T16:30:45+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Lousycameraman di cizucu.]]></media:description>
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          <title><![CDATA[窓辺の気配 / A Presence by the Window  #日常の余白 #都市の風景 #無機質 #感情のある写真 #visualpoetry #urbanminimal #quietmoments #geometry | dz a.k.a dashan]]></title>
          <link>https://www.cizucu.com/id/photos/UCj5RiDibeIAHjYarbkl</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari dz a.k.a dashan di cizucu.]]></description>
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            <name>dz a.k.a dashan</name>
            <uri>https://www.cizucu.com/id/dz</uri>
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          <pubDate>Sat, 11 Apr 2026 20:42:38 GMT</pubDate>
          <atom:updated>2026-04-11T20:42:38+09:00</atom:updated>
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            <media:title><![CDATA[窓辺の気配 / A Presence by the Window  #日常の余白 #都市の風景 #無機質 #感情のある写真 #visualpoetry #urbanminimal #quietmoments #geometry | dz a.k.a dashan]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari dz a.k.a dashan di cizucu.]]></media:description>
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          <title><![CDATA[Rather than attracting attention, the subject presence feels small and temporary, while being absorbed by the landscape. This image speaks co-existence rather than dominance.   Suzhou, China. | Kei]]></title>
          <link>https://www.cizucu.com/id/photos/7IKcpFbj336Dstaos2Ii</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Kei di cizucu.]]></description>
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            <name>Kei</name>
            <uri>https://www.cizucu.com/id/users/9ErU57o6D8ZdUbiQN7HoW6EvE9x2</uri>
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          <pubDate>Sat, 17 Jan 2026 09:16:54 GMT</pubDate>
          <atom:updated>2026-01-17T09:16:54+09:00</atom:updated>
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            <media:title><![CDATA[Rather than attracting attention, the subject presence feels small and temporary, while being absorbed by the landscape. This image speaks co-existence rather than dominance.   Suzhou, China. | Kei]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Kei di cizucu.]]></media:description>
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          <title><![CDATA[Surreal Echoes  A moment captured within the symmetry of Leadenhall Market, where architecture and human presence intersect. The lone figure introduces scale and emotion, while the enhanced reflection blurs reality, suggesting both solitude and clarity within the same space. | Reumel Brooks]]></title>
          <link>https://www.cizucu.com/id/photos/7d0nRFwc2Mv2PXoTXVum</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Reumel Brooks di cizucu.]]></description>
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            <name>Reumel Brooks</name>
            <uri>https://www.cizucu.com/id/users/oo8U3Aq5tGVnWrv3kfA6LpNFt6h1</uri>
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          <pubDate>Sun, 05 Apr 2026 21:37:15 GMT</pubDate>
          <atom:updated>2026-04-05T21:37:15+09:00</atom:updated>
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            <media:title><![CDATA[Surreal Echoes  A moment captured within the symmetry of Leadenhall Market, where architecture and human presence intersect. The lone figure introduces scale and emotion, while the enhanced reflection blurs reality, suggesting both solitude and clarity within the same space. | Reumel Brooks]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Reumel Brooks di cizucu.]]></media:description>
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          <title><![CDATA[As an introvert, I’m drawn to the quiet corners most people walk right past. I wanted to capture these three standing together, showing that you don’t need to be loud to have a monumental presence. It’s a study in the beauty of being still. | Ajay]]></title>
          <link>https://www.cizucu.com/id/photos/aJiRyMbTLxZwJTqUqRq6</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Ajay di cizucu.]]></description>
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            <name>Ajay</name>
            <uri>https://www.cizucu.com/id/users/wWZNzdef0HM2piHGyiQg5nB7ZBr1</uri>
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          <pubDate>Sun, 22 Mar 2026 15:24:14 GMT</pubDate>
          <atom:updated>2026-03-22T15:24:14+09:00</atom:updated>
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            <media:title><![CDATA[As an introvert, I’m drawn to the quiet corners most people walk right past. I wanted to capture these three standing together, showing that you don’t need to be loud to have a monumental presence. It’s a study in the beauty of being still. | Ajay]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/aJiRyMbTLxZwJTqUqRq6.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/aJiRyMbTLxZwJTqUqRq6.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Ajay di cizucu.]]></media:description>
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        <item>
          <title><![CDATA[She stood beneath the festival lights, not dazzled by them, but listening. Each glow seemed to rise gently toward her face, settling into the quiet lines of devotion, memory, and hope. In that moment, light was not spectacle, it was presence. It revealed not just colour and ornament, but a lifetime of faith carried softly, eyes lifted, heart steady. | gary.pwk]]></title>
          <link>https://www.cizucu.com/id/photos/ps4jc4XzLX6BoCzheup9</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari gary.pwk di cizucu.]]></description>
          <author>
            <name>gary.pwk</name>
            <uri>https://www.cizucu.com/id/users/fQDX5PB5CpaA5Mz9Pqx0qJcMpoE3</uri>
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          <pubDate>Sat, 17 Jan 2026 22:57:35 GMT</pubDate>
          <atom:updated>2026-01-17T22:57:35+09:00</atom:updated>
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            <media:title><![CDATA[She stood beneath the festival lights, not dazzled by them, but listening. Each glow seemed to rise gently toward her face, settling into the quiet lines of devotion, memory, and hope. In that moment, light was not spectacle, it was presence. It revealed not just colour and ornament, but a lifetime of faith carried softly, eyes lifted, heart steady. | gary.pwk]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/ps4jc4XzLX6BoCzheup9.jpg?fm=jpg" type="image/jpeg" width="5613" height="7016" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ps4jc4XzLX6BoCzheup9.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari gary.pwk di cizucu.]]></media:description>
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        <item>
          <title><![CDATA[A silhouetted figure stands beneath an umbrella as a rainbow emerges through the fading storm. The composition balances stillness and motion the grounded presence of the subject against the passing flight of birds. This work explores hope not as certainty, but as persistence. It lives in the decision to remain present, even when clarity hasn’t arrived yet. | __rohit.uk]]></title>
          <link>https://www.cizucu.com/id/photos/nenShS4kXESrtZTORN2U</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari __rohit.uk di cizucu.]]></description>
          <author>
            <name>__rohit.uk</name>
            <uri>https://www.cizucu.com/id/users/EkllMyLWYUZnXsclfgSc1GTOYUC3</uri>
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          <pubDate>Thu, 26 Mar 2026 07:23:01 GMT</pubDate>
          <atom:updated>2026-03-26T07:23:01+09:00</atom:updated>
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            <media:title><![CDATA[A silhouetted figure stands beneath an umbrella as a rainbow emerges through the fading storm. The composition balances stillness and motion the grounded presence of the subject against the passing flight of birds. This work explores hope not as certainty, but as persistence. It lives in the decision to remain present, even when clarity hasn’t arrived yet. | __rohit.uk]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/nenShS4kXESrtZTORN2U.jpg?fm=jpg" type="image/jpeg" width="2981" height="4173" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/nenShS4kXESrtZTORN2U.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/nenShS4kXESrtZTORN2U.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari __rohit.uk di cizucu.]]></media:description>
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        <item>
          <title><![CDATA[A shoreline moment where proximity and distance coexist.  I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame.  Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]></title>
          <link>https://www.cizucu.com/id/photos/Zj6P1fgkM9oPCMFAGuev</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Adisatrya Johari di cizucu.]]></description>
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            <name>Adisatrya Johari</name>
            <uri>https://www.cizucu.com/id/adisatryajohari</uri>
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          <pubDate>Mon, 16 Mar 2026 13:12:44 GMT</pubDate>
          <atom:updated>2026-03-16T13:12:44+09:00</atom:updated>
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            <media:title><![CDATA[A shoreline moment where proximity and distance coexist.  I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame.  Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/Zj6P1fgkM9oPCMFAGuev.jpg?fm=jpg" type="image/jpeg" width="4219" height="5906" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Zj6P1fgkM9oPCMFAGuev.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Zj6P1fgkM9oPCMFAGuev.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Zj6P1fgkM9oPCMFAGuev.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Adisatrya Johari di cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Shape of Solitude is a quiet homage to a hush. A tribute to the soul’s strange hunger for its own echo, for the unseen refuge it builds in the heart of chaos, It is not the absence of sound, but the presence of a thought.  Mitre Peak, a 1,683 m mountain is dwarfed by an a tree in the foreground. | Pravin Tamang]]></title>
          <link>https://www.cizucu.com/id/photos/ai1wVqgqDzsz0lQoUi4o</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Pravin Tamang di cizucu.]]></description>
          <author>
            <name>Pravin Tamang</name>
            <uri>https://www.cizucu.com/id/users/oXU4Gb6tPsgEZeWf2a8ZLcffVdK2</uri>
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          <pubDate>Sun, 22 Feb 2026 20:39:10 GMT</pubDate>
          <atom:updated>2026-02-22T20:39:10+09:00</atom:updated>
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            <media:title><![CDATA[Shape of Solitude is a quiet homage to a hush. A tribute to the soul’s strange hunger for its own echo, for the unseen refuge it builds in the heart of chaos, It is not the absence of sound, but the presence of a thought.  Mitre Peak, a 1,683 m mountain is dwarfed by an a tree in the foreground. | Pravin Tamang]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/ai1wVqgqDzsz0lQoUi4o.jpg?fm=jpg" type="image/jpeg" width="3472" height="5216" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ai1wVqgqDzsz0lQoUi4o.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Pravin Tamang di cizucu.]]></media:description>
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        <item>
          <title><![CDATA[When I was young, I would watch a lot of Japanese animated movies. The recurrent presence of the furin bells would evoke a feeling of delicate melancholy, a warm breeze on the skin, a soft smile from a loved person.   I was walking in Ueno Park this summer and found myself in the most dreamy location I have ever been to. The lotus flowers, the furins, the warm summery air, the laughs of lovers taking a stroll in the park.  Was a little girl from Sicily dreaming of being in one of her beloved Japanese movies? #summer #Ueno #Tokyo #Lotus #Flowers #furin #windchimes #summerafternoon #filmphotography #nikonFE2 #nikonfilmcamera | Giuliana E. Miceli]]></title>
          <link>https://www.cizucu.com/id/photos/5Ziz9Ckz3TpGlEq3rcU3</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Giuliana E. Miceli di cizucu.]]></description>
          <author>
            <name>Giuliana E. Miceli</name>
            <uri>https://www.cizucu.com/id/users/X0Uppurh6OXofv9sRiTUGtUb9x73</uri>
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          <pubDate>Sat, 06 Dec 2025 13:50:34 GMT</pubDate>
          <atom:updated>2025-12-06T13:50:34+09:00</atom:updated>
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            <media:title><![CDATA[When I was young, I would watch a lot of Japanese animated movies. The recurrent presence of the furin bells would evoke a feeling of delicate melancholy, a warm breeze on the skin, a soft smile from a loved person.   I was walking in Ueno Park this summer and found myself in the most dreamy location I have ever been to. The lotus flowers, the furins, the warm summery air, the laughs of lovers taking a stroll in the park.  Was a little girl from Sicily dreaming of being in one of her beloved Japanese movies? #summer #Ueno #Tokyo #Lotus #Flowers #furin #windchimes #summerafternoon #filmphotography #nikonFE2 #nikonfilmcamera | Giuliana E. Miceli]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/5Ziz9Ckz3TpGlEq3rcU3.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/5Ziz9Ckz3TpGlEq3rcU3.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Giuliana E. Miceli di cizucu.]]></media:description>
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          <title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></title>
          <link>https://www.cizucu.com/id/photos/G1pEI8qxiuHKo467vUR2</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Shawn Lim di cizucu.]]></description>
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            <name>Shawn Lim</name>
            <uri>https://www.cizucu.com/id/users/xqTklW7ZRMMZLnKUUWJS4uVjhh53</uri>
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          <pubDate>Sat, 17 Jan 2026 02:27:45 GMT</pubDate>
          <atom:updated>2026-01-17T02:27:45+09:00</atom:updated>
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            <media:title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/G1pEI8qxiuHKo467vUR2.jpg?fm=jpg" type="image/jpeg" width="4492" height="6774" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/G1pEI8qxiuHKo467vUR2.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/G1pEI8qxiuHKo467vUR2.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Shawn Lim di cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Title: The Moment In Between.  It documents the seconds that exist between departure and arrival, between responsibility and rest. These moments often go unnoticed, yet they hold the weight of routine, devotion, and quiet resilienc. Through low light and restrained movement, the work invites viewers to slow down and recognize the d ignity found in ordinary transitions. This is not a story of travel, but of presence.  These images are not about where people are going. They are about where they pause. | Chawin Terk]]></title>
          <link>https://www.cizucu.com/id/photos/trC4T1git609KqNYjLla</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Chawin Terk di cizucu.]]></description>
          <author>
            <name>Chawin Terk</name>
            <uri>https://www.cizucu.com/id/users/7ugzKDRQELhWd6MSSq6NBqQqSaA3</uri>
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          <pubDate>Mon, 02 Feb 2026 18:05:46 GMT</pubDate>
          <atom:updated>2026-02-02T18:05:46+09:00</atom:updated>
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            <media:title><![CDATA[Title: The Moment In Between.  It documents the seconds that exist between departure and arrival, between responsibility and rest. These moments often go unnoticed, yet they hold the weight of routine, devotion, and quiet resilienc. Through low light and restrained movement, the work invites viewers to slow down and recognize the d ignity found in ordinary transitions. This is not a story of travel, but of presence.  These images are not about where people are going. They are about where they pause. | Chawin Terk]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/trC4T1git609KqNYjLla.jpg?fm=jpg" type="image/jpeg" width="4961" height="7016" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/trC4T1git609KqNYjLla.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/trC4T1git609KqNYjLla.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Chawin Terk di cizucu.]]></media:description>
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          <title><![CDATA[From afar, this image resembles two bold brushstrokes painted across a blank canvas, forming an “X”. On closer inspection, it reveals a pair of Himalayan Vultures crossing paths in mid-air. Captured in Singapore on 5 January 2026, this moment is especially rare: Himalayan Vultures are vagrants to the region and are typically sighted only in late December and early January. This image remains special to me as it reflects aspects of minimalism, precise timing, and use of space to convey the majestic presence and elegance of the Himalayan Vultures in flight. | Zhi Heng]]></title>
          <link>https://www.cizucu.com/id/photos/uwvj8lq11KXp18A8xkWV</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Zhi Heng di cizucu.]]></description>
          <author>
            <name>Zhi Heng</name>
            <uri>https://www.cizucu.com/id/users/jj3BdCn1YxVrCdFL995iWfIDMY63</uri>
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          <pubDate>Sat, 10 Jan 2026 17:11:31 GMT</pubDate>
          <atom:updated>2026-01-10T17:11:31+09:00</atom:updated>
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            <media:title><![CDATA[From afar, this image resembles two bold brushstrokes painted across a blank canvas, forming an “X”. On closer inspection, it reveals a pair of Himalayan Vultures crossing paths in mid-air. Captured in Singapore on 5 January 2026, this moment is especially rare: Himalayan Vultures are vagrants to the region and are typically sighted only in late December and early January. This image remains special to me as it reflects aspects of minimalism, precise timing, and use of space to convey the majestic presence and elegance of the Himalayan Vultures in flight. | Zhi Heng]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Zhi Heng di cizucu.]]></media:description>
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          <title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></title>
          <link>https://www.cizucu.com/id/photos/dcfORlyKmnH1LiUHfiKc</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari nicoleakanikkiko di cizucu.]]></description>
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          <pubDate>Tue, 13 Jan 2026 15:32:03 GMT</pubDate>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari nicoleakanikkiko di cizucu.]]></media:description>
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          <title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></title>
          <link>https://www.cizucu.com/id/photos/VmClkI1Pa2cn3PZ2Aruh</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari nicoleakanikkiko di cizucu.]]></description>
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          <pubDate>Tue, 13 Jan 2026 15:32:54 GMT</pubDate>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari nicoleakanikkiko di cizucu.]]></media:description>
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          <title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/id/photos/GmG5c98t8qyvIemmkbiY</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Jasmine Ee (Wildlife with Jas) di cizucu.]]></description>
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            <name>Jasmine Ee (Wildlife with Jas)</name>
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          <pubDate>Mon, 16 Mar 2026 19:26:03 GMT</pubDate>
          <atom:updated>2026-03-16T19:26:03+09:00</atom:updated>
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            <media:title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Jasmine Ee (Wildlife with Jas) di cizucu.]]></media:description>
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