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          <title><![CDATA[coffee  | filmtaaabooo777]]></title>
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          <title><![CDATA[fraaaaags  (camera) #mamiya press standard 23  (tags) #filmphotography #film #brownie  | Naruki]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Naruki di cizucu.]]></description>
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          <pubDate>Sat, 29 Nov 2025 00:47:58 GMT</pubDate>
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          <title><![CDATA['Shared Air'  A lion rests in the foreground as human structures rise in the distance. Two worlds share the same air — one wild, one built — each shaping the space the other must now navigate. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/id/photos/02wXUGQpMStRTkvv95MV</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Jasmine Ee (Wildlife with Jas) di cizucu.]]></description>
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            <name>Jasmine Ee (Wildlife with Jas)</name>
            <uri>https://www.cizucu.com/id/users/JYFpvmoAhif1BR46v1VEaz8x1ag2</uri>
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          <pubDate>Mon, 06 Apr 2026 08:52:14 GMT</pubDate>
          <atom:updated>2026-04-06T08:52:14+09:00</atom:updated>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/02wXUGQpMStRTkvv95MV.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/02wXUGQpMStRTkvv95MV.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Jasmine Ee (Wildlife with Jas) di cizucu.]]></media:description>
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          <title><![CDATA[ルールの上に立つもの / Standing Above the Rules  止まるべき場所で、 止まらないものがいる。  Something that never stops, rests where it shouldn’t.  #キリトリセカイ #スナップ写真 #ファインダー越しの私の世界 #street | dz a.k.a dashan]]></title>
          <link>https://www.cizucu.com/id/photos/a1cPKcRRPodYyEhfWqFH</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari dz a.k.a dashan di cizucu.]]></description>
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            <name>dz a.k.a dashan</name>
            <uri>https://www.cizucu.com/id/dz</uri>
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          <pubDate>Sun, 19 Apr 2026 10:09:50 GMT</pubDate>
          <atom:updated>2026-04-19T10:09:50+09:00</atom:updated>
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            <media:title><![CDATA[ルールの上に立つもの / Standing Above the Rules  止まるべき場所で、 止まらないものがいる。  Something that never stops, rests where it shouldn’t.  #キリトリセカイ #スナップ写真 #ファインダー越しの私の世界 #street | dz a.k.a dashan]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/a1cPKcRRPodYyEhfWqFH.jpg?fm=jpg" type="image/jpeg" width="6192" height="4128" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/a1cPKcRRPodYyEhfWqFH.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/a1cPKcRRPodYyEhfWqFH.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari dz a.k.a dashan di cizucu.]]></media:description>
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          <title><![CDATA[Under the star-filled sky of Mersing, Johor, a lone fishing boat rests in silence. Shaped by long exposure and guided learning, this image reflects years of aspiration, patience, and discovery—where time slows, light settles, and the night reveals itself. | haziqtahir]]></title>
          <link>https://www.cizucu.com/id/photos/Km3yupoF7TEqg3xqlCJN</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari haziqtahir di cizucu.]]></description>
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            <name>haziqtahir</name>
            <uri>https://www.cizucu.com/id/users/tbB7RO9y0Qcu6l60Vn5LaMCWDbo2</uri>
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          <pubDate>Fri, 09 Jan 2026 08:56:10 GMT</pubDate>
          <atom:updated>2026-01-09T08:56:10+09:00</atom:updated>
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            <media:title><![CDATA[Under the star-filled sky of Mersing, Johor, a lone fishing boat rests in silence. Shaped by long exposure and guided learning, this image reflects years of aspiration, patience, and discovery—where time slows, light settles, and the night reveals itself. | haziqtahir]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/Km3yupoF7TEqg3xqlCJN.jpg?fm=jpg" type="image/jpeg" width="3000" height="4000" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Km3yupoF7TEqg3xqlCJN.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Km3yupoF7TEqg3xqlCJN.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Km3yupoF7TEqg3xqlCJN.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari haziqtahir di cizucu.]]></media:description>
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          <title><![CDATA[Pause Between Cups  At the edge of Marine Drive, two tea sellers pause after a long day of serving the city. The same cups they pour for strangers now warm their own hands.  Behind them, the skyline rises with ambition; before them, the sea rests in silence.  For a brief moment, the sellers sit still—watching the city they quietly keep running, one cup of tea at a time. | i_amrizzahmed]]></title>
          <link>https://www.cizucu.com/id/photos/CwlbS9AfvF57kyKviC5T</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari i_amrizzahmed di cizucu.]]></description>
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            <name>i_amrizzahmed</name>
            <uri>https://www.cizucu.com/id/users/0pNSWxiJhfc5SrKpHhbRbS2ScFR2</uri>
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          <pubDate>Fri, 13 Mar 2026 17:17:06 GMT</pubDate>
          <atom:updated>2026-03-13T17:17:06+09:00</atom:updated>
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            <media:title><![CDATA[Pause Between Cups  At the edge of Marine Drive, two tea sellers pause after a long day of serving the city. The same cups they pour for strangers now warm their own hands.  Behind them, the skyline rises with ambition; before them, the sea rests in silence.  For a brief moment, the sellers sit still—watching the city they quietly keep running, one cup of tea at a time. | i_amrizzahmed]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari i_amrizzahmed di cizucu.]]></media:description>
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          <title><![CDATA[Pause Between Cups  At the edge of Marine Drive, two tea sellers pause after a long day of serving the city. The same cups they pour for strangers now warm their own hands.  Behind them, the skyline rises with ambition; before them, the sea rests in silence.  For a brief moment, the sellers sit still—watching the city they quietly keep running, one cup of tea at a time. ☕🌊 | i_amrizzahmed]]></title>
          <link>https://www.cizucu.com/id/photos/4gQp3X6E17zX4cszyRKv</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari i_amrizzahmed di cizucu.]]></description>
          <author>
            <name>i_amrizzahmed</name>
            <uri>https://www.cizucu.com/id/users/0pNSWxiJhfc5SrKpHhbRbS2ScFR2</uri>
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          <pubDate>Fri, 13 Mar 2026 17:18:27 GMT</pubDate>
          <atom:updated>2026-03-13T17:18:27+09:00</atom:updated>
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            <media:title><![CDATA[Pause Between Cups  At the edge of Marine Drive, two tea sellers pause after a long day of serving the city. The same cups they pour for strangers now warm their own hands.  Behind them, the skyline rises with ambition; before them, the sea rests in silence.  For a brief moment, the sellers sit still—watching the city they quietly keep running, one cup of tea at a time. ☕🌊 | i_amrizzahmed]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari i_amrizzahmed di cizucu.]]></media:description>
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          <title><![CDATA[Title: Dream Job  They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar.  Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]></title>
          <link>https://www.cizucu.com/id/photos/TZwAqaxggJkW3ZVK8vLW</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Bhavik Solanki di cizucu.]]></description>
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            <name>Bhavik Solanki</name>
            <uri>https://www.cizucu.com/id/users/Lw8SQXEDQZdNrdETD1aJEYoIMU63</uri>
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          <pubDate>Sat, 14 Mar 2026 11:37:09 GMT</pubDate>
          <atom:updated>2026-03-14T11:37:09+09:00</atom:updated>
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            <media:title><![CDATA[Title: Dream Job  They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar.  Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/TZwAqaxggJkW3ZVK8vLW.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/TZwAqaxggJkW3ZVK8vLW.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Bhavik Solanki di cizucu.]]></media:description>
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          <title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></title>
          <link>https://www.cizucu.com/id/photos/c6X5QFypeVexSKsL3yma</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari INKAN di cizucu.]]></description>
          <author>
            <name>INKAN</name>
            <uri>https://www.cizucu.com/id/users/394o0WNHj6P0jZeascrsAkgBWDx1</uri>
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          <pubDate>Sat, 14 Mar 2026 02:33:47 GMT</pubDate>
          <atom:updated>2026-03-14T02:33:47+09:00</atom:updated>
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            <media:title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?fm=jpg" type="image/jpeg" width="4950" height="7020" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari INKAN di cizucu.]]></media:description>
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          <title><![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words.  Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come.  The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life.  Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]></title>
          <link>https://www.cizucu.com/id/photos/SaattyEITUWZ19MyOfcT</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Shetty Karthik di cizucu.]]></description>
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            <name>Shetty Karthik</name>
            <uri>https://www.cizucu.com/id/users/4CAGdl8B7GXvaOKe9WeEAoMcJ232</uri>
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          <pubDate>Tue, 24 Feb 2026 18:17:48 GMT</pubDate>
          <atom:updated>2026-02-24T18:17:48+09:00</atom:updated>
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            <media:title><![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words.  Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come.  The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life.  Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Shetty Karthik di cizucu.]]></media:description>
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          <title><![CDATA[The body rests where it does not belong. Draped across a splintered stump, the figure appears both offered and abandoned, suspended between elevation and collapse. Remnants lie bare and exposed; nakedness here is not intimacy but the anonymity of unadorned erasure. The coarse, surreal landscape remains indifferent to the scene—a neutral observer, if not entirely apathetic.   In this realm, nothing is settled with certainty.  Is this sleep, surrender, or aftermath?  ​体は、ふさわしくない場所に横たわっています。 折れた切り株に体をあずけるその姿は、何かに捧げられているようでもあり、捨てられているようにも見えます。 高揚と崩壊の狭間で、宙吊りになったまま。 ​そこにあるのは、隠すもののない姿です。 ここでの「裸」は、親しみを感じさせるものではありません。それは、名前も個性も消し去られた、ただの「存在」です。 荒々しい景色は、この光景に興味を示しません。ただ黙って見ているだけか、あるいは、全く気にかけていないかのようです。 ​この場所では、確かなことは何もありません。 これは眠りなのか、あきらめなのか、それとも何かが終わった後の姿なのでしょうか。 | Yamedre]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Yamedre di cizucu.]]></description>
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            <name>Yamedre</name>
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          <pubDate>Sun, 21 Dec 2025 12:23:35 GMT</pubDate>
          <atom:updated>2025-12-21T12:23:35+09:00</atom:updated>
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            <media:title><![CDATA[The body rests where it does not belong. Draped across a splintered stump, the figure appears both offered and abandoned, suspended between elevation and collapse. Remnants lie bare and exposed; nakedness here is not intimacy but the anonymity of unadorned erasure. The coarse, surreal landscape remains indifferent to the scene—a neutral observer, if not entirely apathetic.   In this realm, nothing is settled with certainty.  Is this sleep, surrender, or aftermath?  ​体は、ふさわしくない場所に横たわっています。 折れた切り株に体をあずけるその姿は、何かに捧げられているようでもあり、捨てられているようにも見えます。 高揚と崩壊の狭間で、宙吊りになったまま。 ​そこにあるのは、隠すもののない姿です。 ここでの「裸」は、親しみを感じさせるものではありません。それは、名前も個性も消し去られた、ただの「存在」です。 荒々しい景色は、この光景に興味を示しません。ただ黙って見ているだけか、あるいは、全く気にかけていないかのようです。 ​この場所では、確かなことは何もありません。 これは眠りなのか、あきらめなのか、それとも何かが終わった後の姿なのでしょうか。 | Yamedre]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Yamedre di cizucu.]]></media:description>
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