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      <title>Foto Permanent | Unduh Gambar Bebas Royalti &amp; Resolusi Tinggi</title>
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          <title><![CDATA[Shaft vertikal ini adalah saluran pembuangan yang dikatakan mengalirkan air sekitar 100 meter ke bawah ke terowongan permanen | モノヒョー]]></title>
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          <description><![CDATA[Unduh foto Shaft vertikal ini adalah saluran pembuangan yang dikatakan mengalirkan air sekitar 100 meter ke bawah ke terowongan permanen berkualitas tinggi dan gratis yang diambil oleh モノヒョー di cizucu.]]></description>
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          <pubDate>Wed, 20 Mar 2024 15:23:01 GMT</pubDate>
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            <media:description><![CDATA[Unduh foto Shaft vertikal ini adalah saluran pembuangan yang dikatakan mengalirkan air sekitar 100 meter ke bawah ke terowongan permanen berkualitas tinggi dan gratis yang diambil oleh モノヒョー di cizucu.]]></media:description>
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          <title><![CDATA[Eksterior bangunan dengan tanda potongan permanen | m4n4c]]></title>
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          <description><![CDATA[Unduh foto Eksterior bangunan dengan tanda potongan permanen berkualitas tinggi dan gratis yang diambil oleh m4n4c di cizucu.]]></description>
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          <pubDate>Mon, 25 Nov 2024 23:49:23 GMT</pubDate>
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          <title><![CDATA[Allan Gardens Conservatory Palm House No 4 Old Film Version.  The Allan Gardens Conservatory Palm House at 19 Horticultural Ave in Toronto Canada. The conservatory was built in 1879. In 1902, a fire destroyed the Horticultural Pavilion and parts of the conservatory. It's replacement, the cast iron and glass domed Palm House opened in 1910 and stands on the site today. It hosts a permanent collection of exotic plants and presents seasonal flower shows.  Original photography using a Canon EOS 60D body with a Canon EF 24-105mm f/4L IS USM lens and Analog EFEX Pro 2 as a Lightroom plugin for the Old Film effect.  Brian Carson  The Learning Curve Photography  https://linktr.ee/thelearningcurvephotography  #toronto #streetsoftoronto #blackandwhitephotography #bnw #originalphotography #photo #photography #architecture #building | The Learning Curve Photography]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari The Learning Curve Photography di cizucu.]]></description>
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          <pubDate>Mon, 27 Oct 2025 05:33:26 GMT</pubDate>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Ek Cheeze Dikhau di cizucu.]]></description>
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          <pubDate>Thu, 05 Mar 2026 03:55:29 GMT</pubDate>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Ek Cheeze Dikhau di cizucu.]]></description>
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          <pubDate>Thu, 26 Feb 2026 19:22:02 GMT</pubDate>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Ek Cheeze Dikhau di cizucu.]]></description>
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          <pubDate>Thu, 05 Mar 2026 03:14:04 GMT</pubDate>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <pubDate>Thu, 26 Feb 2026 18:25:42 GMT</pubDate>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Ek Cheeze Dikhau di cizucu.]]></media:description>
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          <title><![CDATA[The Last Interred  I brought a medium format camera to my grandmother’s funeral to capture the beauty found in the face of death. Rather than a mournful event, we celebrated her life and marked a new chapter in our family’s collective memory. She was the last of us to be interred; the rising cost and difficulty of burial mean that those who follow her will not have the same physical anchor. Without the permanence of a grave, future generations risk becoming only faint memories. In this shift, these photographs are meant to do more than just document. They now act in place of the stone. | Kitty Chirapongse]]></title>
          <link>https://www.cizucu.com/id/photos/p4nmJi7ozAJ0V0pp0po0</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Kitty Chirapongse di cizucu.]]></description>
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            <name>Kitty Chirapongse</name>
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          <pubDate>Mon, 06 Apr 2026 13:35:44 GMT</pubDate>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Kitty Chirapongse di cizucu.]]></media:description>
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          <title><![CDATA[Title: Sea of Flowers Beneath The Lenticular Cloud  Beneath a sky draped in soft hues and crowned by a rare lenticular cloud, Mount Fuji rises with quiet majesty above a vast sea of blooming flowers— a symbol of permanence amidst fleeting beauty.  柔らかな色合いに覆われ、珍しいレンズ雲を冠した空の下、広大な花の海の上に静かな威厳をもってそびえる富士山は、はかない美しさの中にある永続性の象徴です。 | Raku satsu]]></title>
          <link>https://www.cizucu.com/id/photos/XJdVSwQV67tldwCD6wcw</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Raku satsu di cizucu.]]></description>
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            <name>Raku satsu</name>
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          <pubDate>Fri, 30 Jan 2026 01:25:53 GMT</pubDate>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Raku satsu di cizucu.]]></media:description>
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          <title><![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly.  The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm.  This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]></title>
          <link>https://www.cizucu.com/id/photos/wrp6m3nBJ201XnfheCWK</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Nishikantsnaps di cizucu.]]></description>
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            <name>Nishikantsnaps</name>
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          <pubDate>Fri, 13 Mar 2026 13:29:26 GMT</pubDate>
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            <media:title><![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly.  The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm.  This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Nishikantsnaps di cizucu.]]></media:description>
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