Foto Ladders | Unduh Gambar Bebas Royalti & Resolusi Tinggi https://www.cizucu.com/id/explore/photos/ladders id 2026-04-23T11:16:52+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. id https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[layers of shapes #shadow | yNAK]]> https://www.cizucu.com/id/photos/X94hfMxusJVcZh0muhf4 yNAK https://www.cizucu.com/id/ynak https://www.cizucu.com/id/photos/X94hfMxusJVcZh0muhf4 Mon, 20 Nov 2023 00:26:59 GMT 2024-11-26T10:03:55+09:00 https://cdn.cizucu.com/images/photos/X94hfMxusJVcZh0muhf4.jpg?auto=compress,format <![CDATA[看板の付け替え作業 #cityscape #RPG #ladder #tokyo | つばさ製作所]]> https://www.cizucu.com/id/photos/w4mJqIdvqBt5XYi14f6H つばさ製作所 https://www.cizucu.com/id/tsubasa_mfg https://www.cizucu.com/id/photos/w4mJqIdvqBt5XYi14f6H Mon, 21 Apr 2025 22:31:08 GMT 2025-04-21T22:31:30+09:00 https://cdn.cizucu.com/images/photos/w4mJqIdvqBt5XYi14f6H.jpg?auto=compress,format <![CDATA[あたらしいお店ができるようです。この街のお店の新陳代謝は早い。 #ladder #signboard #open #brandnew #Akasaka #tokkyo #cityscape | つばさ製作所]]> https://www.cizucu.com/id/photos/gwnRyCBpi0TvGj1Lwev3 つばさ製作所 https://www.cizucu.com/id/tsubasa_mfg https://www.cizucu.com/id/photos/gwnRyCBpi0TvGj1Lwev3 Mon, 19 May 2025 21:14:24 GMT 2025-05-19T21:14:24+09:00 https://cdn.cizucu.com/images/photos/gwnRyCBpi0TvGj1Lwev3.jpg?auto=compress,format <![CDATA[Framed in the City #urban #architecture #urbanart #installation #framing #layers #contrast #cityscape #modern #visualstory #composition #street #art #space | dz a.k.a dashan]]> https://www.cizucu.com/id/photos/gCUuOhb4UVarO5TQrouf dz a.k.a dashan https://www.cizucu.com/id/dz https://www.cizucu.com/id/photos/gCUuOhb4UVarO5TQrouf Sun, 22 Mar 2026 18:13:55 GMT 2026-03-22T18:13:55+09:00 https://cdn.cizucu.com/images/photos/gCUuOhb4UVarO5TQrouf.jpg?auto=compress,format <![CDATA[天使の梯子 〜Angel Ladder〜 いつもの帰り道、ふと空を見たら見事な光芒に感動 #sunset #AngelLadder #天使の梯子 #夕空 #御光 #光芒 | sasuke]]> https://www.cizucu.com/id/photos/aIxMeXYqN2oH0rDN2y8L sasuke https://www.cizucu.com/id/users/SqFtpNiPzeQONhhZhccXIL5RWum1 https://www.cizucu.com/id/photos/aIxMeXYqN2oH0rDN2y8L Tue, 16 Dec 2025 18:43:19 GMT 2025-12-16T18:43:19+09:00 https://cdn.cizucu.com/images/photos/aIxMeXYqN2oH0rDN2y8L.jpg?auto=compress,format <![CDATA[Dramatic aerial view of thick cloud layers with a towering cumulonimbus cloud rising into a dark, stormy sky. | Matthieu]]> https://www.cizucu.com/id/photos/imbXmZ8vMdtYYxlnIfdv Matthieu https://www.cizucu.com/id/matthieu https://www.cizucu.com/id/photos/imbXmZ8vMdtYYxlnIfdv Mon, 09 Feb 2026 01:00:56 GMT 2026-02-09T01:00:56+09:00 https://cdn.cizucu.com/images/photos/imbXmZ8vMdtYYxlnIfdv.jpg?auto=compress,format <![CDATA[Layers of life Music, light, movement have a way of taking us on a journey, I always remember family parties as a child and how they brought everyone together Since being diagnosed with complete heart block I found photography once again as a form of adapting and capturing energy from layers of life | Lambadrian]]> https://www.cizucu.com/id/photos/yAaDWpMVXmNLItGkucTt Lambadrian https://www.cizucu.com/id/users/aYezNinoJ2bfY0ZsrYk7peqPDRB2 https://www.cizucu.com/id/photos/yAaDWpMVXmNLItGkucTt Mon, 23 Mar 2026 02:37:11 GMT 2026-03-23T02:37:11+09:00 https://cdn.cizucu.com/images/photos/yAaDWpMVXmNLItGkucTt.jpg?auto=compress,format <![CDATA[Layers of green stretched across the mountain, shaped by wind, light, and time. The breeze was gentle, but it reminded me how alive this place is. | andi kho]]> https://www.cizucu.com/id/photos/fNGgRaUgyp91jTM6l9O9 andi kho https://www.cizucu.com/id/andikho https://www.cizucu.com/id/photos/fNGgRaUgyp91jTM6l9O9 Fri, 26 Dec 2025 23:50:35 GMT 2025-12-26T23:50:35+09:00 https://cdn.cizucu.com/images/photos/fNGgRaUgyp91jTM6l9O9.jpg?auto=compress,format <![CDATA[Designated Solitude In Tokyo, smokers gather in designated booths—small enclosed spaces set apart from the flow of the city. What caught my eye here was the interplay of layers: the letters on the glass, the decorative pattern, and the figure inside, isolated yet fully visible. The man was absorbed in his phone, its light gently illuminating his face in the darkness, while the neon behind him created a soft halo. I was drawn to the quiet contradiction of the scene: a public booth holding a private moment. | Uday Khambadkone]]> https://www.cizucu.com/id/photos/3E4rhpe5FtUxghqnpLYe Uday Khambadkone https://www.cizucu.com/id/users/fGsQRfunD0c4a7GMx48PJNbxaSE3 https://www.cizucu.com/id/photos/3E4rhpe5FtUxghqnpLYe Fri, 13 Mar 2026 00:46:15 GMT 2026-03-13T00:46:15+09:00 https://cdn.cizucu.com/images/photos/3E4rhpe5FtUxghqnpLYe.jpg?auto=compress,format <![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village. Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge. As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]> https://www.cizucu.com/id/photos/FGecy4iXa0FxyLmFPs1x Serene Teo https://www.cizucu.com/id/users/MS8bT7nahBOt8T9NcnwxpToVv9h1 https://www.cizucu.com/id/photos/FGecy4iXa0FxyLmFPs1x Sun, 15 Mar 2026 16:26:26 GMT 2026-03-15T16:26:26+09:00 https://cdn.cizucu.com/images/photos/FGecy4iXa0FxyLmFPs1x.jpg?auto=compress,format <![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village. Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge. As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]> https://www.cizucu.com/id/photos/4ZXYEpJisBKlm4YA82Qu Serene Teo https://www.cizucu.com/id/users/MS8bT7nahBOt8T9NcnwxpToVv9h1 https://www.cizucu.com/id/photos/4ZXYEpJisBKlm4YA82Qu Mon, 16 Mar 2026 23:54:50 GMT 2026-03-16T23:54:50+09:00 https://cdn.cizucu.com/images/photos/4ZXYEpJisBKlm4YA82Qu.jpg?auto=compress,format <![CDATA[Finding Color in the Noise Street photography is often an exercise in patience and restraint. On Armenian Street in Georgetown, Penang, the umbrella installation fills the frame with repetition—layers of monochrome forms, tangled lines, and surrounding buildings competing relentlessly for attention. Every direction offers distraction. Nothing wants to stay quiet. This photograph emerged from the challenge of seeing through that visual noise. The abundance of umbrellas and architectural clutter made it difficult to establish a clear subject. By isolating a single rainbow umbrella within the chaos, the image finds its anchor. Color becomes the language of focus, cutting through complexity and guiding the eye. The result is not just documentation of a street art installation, but a reflection of the street photographer’s pursuit: to impose order on disorder, to wait for clarity within clutter, and to reveal meaning by choosing what to exclude. In a world full of visual repetition, sometimes one deliberate frame is enough to let individuality rise. | Big_Dins_Photos]]> https://www.cizucu.com/id/photos/aGY2A7d0GmEodnh54l7X Big_Dins_Photos https://www.cizucu.com/id/users/gJbHvWrvqbed5w1B2kcf9iwiKCB3 https://www.cizucu.com/id/photos/aGY2A7d0GmEodnh54l7X Sun, 18 Jan 2026 05:30:11 GMT 2026-01-18T05:30:11+09:00 https://cdn.cizucu.com/images/photos/aGY2A7d0GmEodnh54l7X.jpg?auto=compress,format <![CDATA[I was drawn to the realm of infrared photography for the way it plays with light and colour beyond what we can visibly see day to day — like uncovering a hidden layer of the world, almost painterly at times. This image was shot at the newly built Jurong Lake Gardens, on the bridge facing towards Cascade Pavilion. Using a full-spectrum converted NEX-6 with a 16mm F2.8 prime lens and an 850nm filter, the result is a high-contrast sky with glowing foliage while the dark roof of the pavilion grounds the composition. Coincidentally, two ladies in dresses happened to be walking through, appearing bright white in the shot and naturally drawing the eye to the centre. The pavilion opening also frames them from within, almost like a screen inside the image. Going forward, I'm still exploring how full-spectrum photography can be used to reframe familiar spaces — not just in black and white, as I've also worked in other colour spectrums — making the everyday feel strangely unfamiliar. | Iak Gnix]]> https://www.cizucu.com/id/photos/EuqZ40ka5ByBc8BhK5vv Iak Gnix https://www.cizucu.com/id/users/adkl8riKZKWN9WS0SXowSpCLYN92 https://www.cizucu.com/id/photos/EuqZ40ka5ByBc8BhK5vv Mon, 20 Apr 2026 04:42:16 GMT 2026-04-20T04:42:16+09:00 https://cdn.cizucu.com/images/photos/EuqZ40ka5ByBc8BhK5vv.jpg?auto=compress,format