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          <title><![CDATA[質人 | Yosuke0312]]></title>
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          <description><![CDATA[Unduh gambar berkualitas tinggi bertema silhouette seseorang duduk di dekat jendela di gang yang diambil oleh Yosuke0312 secara gratis di cizucu.]]></description>
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          <pubDate>Sun, 06 Jul 2025 06:26:42 GMT</pubDate>
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            <media:description><![CDATA[Unduh gambar berkualitas tinggi bertema silhouette seseorang duduk di dekat jendela di gang yang diambil oleh Yosuke0312 secara gratis di cizucu.]]></media:description>
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          <title><![CDATA[seorang wanita menunduk di lorong luar yang sempit | @nickydaphotography]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari @nickydaphotography di cizucu.]]></description>
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          <pubDate>Fri, 27 Feb 2026 20:15:14 GMT</pubDate>
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            <media:title><![CDATA[seorang wanita menunduk di lorong luar yang sempit | @nickydaphotography]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari @nickydaphotography di cizucu.]]></media:description>
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          <title><![CDATA[We live in a world that has long treated male vulnerability as weakness, as something to be corrected, concealed, or ashamed of. This photograph asks the viewer to sit with their discomfort, to examine why softness in a man's face can feel so unfamiliar, even unsettling.   To the men who will stand before this image — vulnerability is not the opposite of strength. It is the truest form of it. You are allowed to recognise yourself here. To reach out. To come undone, and call it human. | Juanmoley]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Juanmoley di cizucu.]]></description>
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          <pubDate>Thu, 30 Apr 2026 12:32:44 GMT</pubDate>
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            <media:title><![CDATA[We live in a world that has long treated male vulnerability as weakness, as something to be corrected, concealed, or ashamed of. This photograph asks the viewer to sit with their discomfort, to examine why softness in a man's face can feel so unfamiliar, even unsettling.   To the men who will stand before this image — vulnerability is not the opposite of strength. It is the truest form of it. You are allowed to recognise yourself here. To reach out. To come undone, and call it human. | Juanmoley]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Juanmoley di cizucu.]]></media:description>
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          <title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></title>
          <link>https://www.cizucu.com/id/photos/c4l8EClWI13vYtOt0C54</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Urasha di cizucu.]]></description>
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            <name>Urasha</name>
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          <pubDate>Fri, 13 Feb 2026 01:37:10 GMT</pubDate>
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            <media:title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Urasha di cizucu.]]></media:description>
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          <title><![CDATA[故事主角是温温，從小有性創傷而爆發異位性皮膚炎和憂鬱症，反覆發作十餘年，這次他告訴我，想藉由攝影更好好地看見自己的傷口，勇敢面對人生的傷痕，於是我拍下這張背影照，讓他看見自己身上平時看不見的傷疤，直視生命的深淵，慢慢靠近最後和平共處。 | 陳冠翔 Charles]]></title>
          <link>https://www.cizucu.com/id/photos/bF5Jc0G0035ovXV2c0Cv</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari 陳冠翔 Charles di cizucu.]]></description>
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            <name>陳冠翔 Charles</name>
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          <pubDate>Thu, 30 Apr 2026 10:55:38 GMT</pubDate>
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            <media:title><![CDATA[故事主角是温温，從小有性創傷而爆發異位性皮膚炎和憂鬱症，反覆發作十餘年，這次他告訴我，想藉由攝影更好好地看見自己的傷口，勇敢面對人生的傷痕，於是我拍下這張背影照，讓他看見自己身上平時看不見的傷疤，直視生命的深淵，慢慢靠近最後和平共處。 | 陳冠翔 Charles]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari 陳冠翔 Charles di cizucu.]]></media:description>
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