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      <title>Foto Grillage | Unduh Gambar Bebas Royalti &amp; Resolusi Tinggi</title>
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          <title><![CDATA[Papan Hilton Hawaiian Village dengan pemandangan taman rimbun | pupu]]></title>
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          <title><![CDATA[Eksterior area VIP North Village dengan kursi hitam putih dan aksen bunga dekoratif | ゆう]]></title>
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          <description><![CDATA[Unduh foto Eksterior area VIP North Village dengan kursi hitam putih dan aksen bunga dekoratif berkualitas tinggi dan gratis yang diambil oleh ゆう di cizucu.]]></description>
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          <pubDate>Mon, 20 Jan 2025 15:00:23 GMT</pubDate>
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          <title><![CDATA[Pagar hijau dengan tanda untuk Western Village Sahoro | どさんこみっちゃん]]></title>
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          <description><![CDATA[Unduh foto Pagar hijau dengan tanda untuk Western Village Sahoro berkualitas tinggi dan gratis yang diambil oleh どさんこみっちゃん di cizucu.]]></description>
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          <pubDate>Mon, 25 Dec 2023 20:43:40 GMT</pubDate>
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            <media:description><![CDATA[Unduh foto Pagar hijau dengan tanda untuk Western Village Sahoro berkualitas tinggi dan gratis yang diambil oleh どさんこみっちゃん di cizucu.]]></media:description>
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          <title><![CDATA[Pemandangan desa tradisional Jepang yang tertutup salju dengan rumah atap jerami dan gunung | ジョーナカ]]></title>
          <link>https://www.cizucu.com/id/photos/qOwnOm3c3uZruU2Itkjy</link>
          <description><![CDATA[Unduh foto Pemandangan desa tradisional Jepang yang tertutup salju dengan rumah atap jerami dan gunung berkualitas tinggi dan gratis yang diambil oleh ジョーナカ di cizucu.]]></description>
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            <name>ジョーナカ</name>
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          <pubDate>Mon, 11 Mar 2024 14:04:56 GMT</pubDate>
          <atom:updated>2024-11-21T07:45:22+09:00</atom:updated>
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          <title><![CDATA[Dinding di Greenwich Village yang dipenuhi berbagai poster dan foto | 西塔大晟]]></title>
          <link>https://www.cizucu.com/id/photos/IjrDV5ijLRhcrpPYtDwL</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari 西塔大晟 di cizucu.]]></description>
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            <name>西塔大晟</name>
            <uri>https://www.cizucu.com/id/users/NcUeltlxY9S59BeHqn9zLiU21fx1</uri>
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          <pubDate>Fri, 14 Nov 2025 15:06:13 GMT</pubDate>
          <atom:updated>2025-11-14T15:06:13+09:00</atom:updated>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari 西塔大晟 di cizucu.]]></media:description>
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          <title><![CDATA[#white  | だいち]]></title>
          <link>https://www.cizucu.com/id/photos/5CybTFs0iRuBfSbO5Yyv</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari だいち di cizucu.]]></description>
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            <name>だいち</name>
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          <pubDate>Mon, 03 Mar 2025 15:55:46 GMT</pubDate>
          <atom:updated>2025-03-03T15:56:10+09:00</atom:updated>
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            <media:title><![CDATA[#white  | だいち]]></media:title>
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          <title><![CDATA[Dean Village, Edinburgh/ Scotland  | emilyo]]></title>
          <link>https://www.cizucu.com/id/photos/Tcbbz9LBIIyWuwqcfKc8</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari emilyo di cizucu.]]></description>
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            <name>emilyo</name>
            <uri>https://www.cizucu.com/id/users/QRurHVWycYQRwVvb9EWrOTxxPUO2</uri>
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          <pubDate>Tue, 05 Nov 2024 10:57:03 GMT</pubDate>
          <atom:updated>2024-11-05T10:57:03+09:00</atom:updated>
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            <media:title><![CDATA[Dean Village, Edinburgh/ Scotland  | emilyo]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari emilyo di cizucu.]]></media:description>
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          <title><![CDATA[First family trip after my wedding to an old palace in a rural village in Bangladesh | tangir miah]]></title>
          <link>https://www.cizucu.com/id/photos/5d7i1xjAgpmYaXbTvYiE</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari tangir miah di cizucu.]]></description>
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            <name>tangir miah</name>
            <uri>https://www.cizucu.com/id/users/BpaWYAXdomcUHYekTo50siJNx912</uri>
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          <pubDate>Thu, 02 Apr 2026 21:45:31 GMT</pubDate>
          <atom:updated>2026-04-02T21:45:31+09:00</atom:updated>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari tangir miah di cizucu.]]></media:description>
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          <title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Serene Teo di cizucu.]]></description>
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            <name>Serene Teo</name>
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          <pubDate>Sun, 15 Mar 2026 16:26:26 GMT</pubDate>
          <atom:updated>2026-03-15T16:26:26+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Serene Teo di cizucu.]]></media:description>
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          <title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></title>
          <link>https://www.cizucu.com/id/photos/4ZXYEpJisBKlm4YA82Qu</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Serene Teo di cizucu.]]></description>
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            <name>Serene Teo</name>
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          <pubDate>Mon, 16 Mar 2026 23:54:50 GMT</pubDate>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Serene Teo di cizucu.]]></media:description>
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          <title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Yash Rane di cizucu.]]></description>
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          <pubDate>Fri, 13 Mar 2026 17:52:43 GMT</pubDate>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Yash Rane di cizucu.]]></media:description>
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