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          <title><![CDATA[オムライス  #ランチ #お外ご飯 #delicious  #details #美味しい写真 | -kenchi-]]></title>
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          <title><![CDATA[Close-up of a lush green barley field with detailed focus on the spikes and stems. | Matthieu]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Matthieu di cizucu.]]></description>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Matthieu di cizucu.]]></media:description>
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          <title><![CDATA[There’s something calming about a mostly white scene.  It doesn’t ask for attention loudly, but the details are there — in the shadows, the texture, the warmth, and the way time quietly shows on the surface. | _jotriessomething]]></title>
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          <title><![CDATA[Just enough light to not be a true silhouette, just enough shadow to hide distracting details. Leading lines point you to the actor of the scene: in this case, my son and his just-slam-it golf style. | arrowood]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari arrowood di cizucu.]]></description>
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          <pubDate>Fri, 01 May 2026 12:05:32 GMT</pubDate>
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          <title><![CDATA[Just enough light to not be a true silhouette, just enough shadow to hide distracting details. Leading lines point you to the actor of the scene: in this case, my son and his just-slam-it golf style. | arrowood]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari arrowood di cizucu.]]></description>
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          <title><![CDATA[There’s something calming about a mostly white scene.  It doesn’t ask for attention loudly, but the details are there — in the shadows, the texture, the warmth, and the way time quietly shows on the surface. | _jotriessomething]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari _jotriessomething di cizucu.]]></description>
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          <pubDate>Sat, 02 May 2026 23:06:43 GMT</pubDate>
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          <title><![CDATA[An ordinary field, but not an ordinary moment in our graduation year.   We’re just shadows here without faces and details, yet somehow still unmistakably us. The way we stand, the way we reach toward each other… familiar, even in silhouette.  The sunlight stretches us longer than we are, like time trying to hold us here a little longer.  It’s simple, playful,  but also a quiet reminder: this is us, together, just before we become memories. | Kei Wee]]></title>
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          <title><![CDATA[An ordinary field, but not an ordinary moment in our graduation year.   We’re just shadows here without faces and details, yet somehow still unmistakably us. The way we stand, the way we reach toward each other… familiar, even in silhouette.  The sunlight stretches us longer than we are, like time trying to hold us here a little longer.  It’s simple, playful,  but also a quiet reminder: this is us, together, just before we become memories. | Kei Wee]]></title>
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            <media:title><![CDATA[An ordinary field, but not an ordinary moment in our graduation year.   We’re just shadows here without faces and details, yet somehow still unmistakably us. The way we stand, the way we reach toward each other… familiar, even in silhouette.  The sunlight stretches us longer than we are, like time trying to hold us here a little longer.  It’s simple, playful,  but also a quiet reminder: this is us, together, just before we become memories. | Kei Wee]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/PUq2IjEmJJ1rn4LMdz29.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Kei Wee di cizucu.]]></media:description>
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          <title><![CDATA[Some people feel that black and white photos look like memorial photos,  But to me, it’s not about death it feels more like a trace that's left behind  When color is taken away, we focus more on the expression, emotion, and the details we usually miss.  Black and white doesn’t create distance, it actually brings us closer to the subject.  So this image is not about an ending, it's about a more honest way of seeing.  and also i took this photo is her birthday present | Vanness Choon]]></title>
          <link>https://www.cizucu.com/id/photos/4qSsAEGav42A4r1AUng8</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Vanness Choon di cizucu.]]></description>
          <author>
            <name>Vanness Choon</name>
            <uri>https://www.cizucu.com/id/users/MId4f4RKdtcmg9JLGphmluDRwKv2</uri>
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          <pubDate>Tue, 07 Apr 2026 19:26:51 GMT</pubDate>
          <atom:updated>2026-04-07T19:26:51+09:00</atom:updated>
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            <media:title><![CDATA[Some people feel that black and white photos look like memorial photos,  But to me, it’s not about death it feels more like a trace that's left behind  When color is taken away, we focus more on the expression, emotion, and the details we usually miss.  Black and white doesn’t create distance, it actually brings us closer to the subject.  So this image is not about an ending, it's about a more honest way of seeing.  and also i took this photo is her birthday present | Vanness Choon]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Vanness Choon di cizucu.]]></media:description>
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          <title><![CDATA[Some people feel that black and white photos look like memorial photos,  But to me, it’s not about death it feels more like a trace that's left behind  When color is taken away, we focus more on the expression, emotion, and the details we usually miss.  Black and white doesn’t create distance, it actually brings us closer to the subject.  So this image is not about an ending, it's about a more honest way of seeing.  and also i took this photo is her birthday present | Vanness Choon]]></title>
          <link>https://www.cizucu.com/id/photos/4qSsAEGav42A4r1AUng8</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Vanness Choon di cizucu.]]></description>
          <author>
            <name>Vanness Choon</name>
            <uri>https://www.cizucu.com/id/users/MId4f4RKdtcmg9JLGphmluDRwKv2</uri>
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          <pubDate>Tue, 07 Apr 2026 19:26:51 GMT</pubDate>
          <atom:updated>2026-04-07T19:27:21+09:00</atom:updated>
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            <media:title><![CDATA[Some people feel that black and white photos look like memorial photos,  But to me, it’s not about death it feels more like a trace that's left behind  When color is taken away, we focus more on the expression, emotion, and the details we usually miss.  Black and white doesn’t create distance, it actually brings us closer to the subject.  So this image is not about an ending, it's about a more honest way of seeing.  and also i took this photo is her birthday present | Vanness Choon]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4qSsAEGav42A4r1AUng8.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Vanness Choon di cizucu.]]></media:description>
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        <item>
          <title><![CDATA[He sits on the bus back to Tokyo, still in his best suit, asleep before the journey has really begun. Finally giving in to the quiet as the sunlight rests on his face, revealing lines that feel less like age and more like a record of everything he’s lived through. Subtle details of time, not as wear, but as something earned. There’s a sense that whatever filled his day, he met it fully. Not perfectly, but with experience. The kind that only comes from years of showing up and figuring things out as you go. Allowing himself this small pause, not an ending, just a moment to rest before everything begins again. | arvin nicholas]]></title>
          <link>https://www.cizucu.com/id/photos/NUqqo1OU6sirqUbXKdgJ</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari arvin nicholas di cizucu.]]></description>
          <author>
            <name>arvin nicholas</name>
            <uri>https://www.cizucu.com/id/users/F64DZVCtptYc69iFRCXLID3O8Fk2</uri>
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          <pubDate>Thu, 30 Apr 2026 04:19:20 GMT</pubDate>
          <atom:updated>2026-05-03T09:58:39+09:00</atom:updated>
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            <media:title><![CDATA[He sits on the bus back to Tokyo, still in his best suit, asleep before the journey has really begun. Finally giving in to the quiet as the sunlight rests on his face, revealing lines that feel less like age and more like a record of everything he’s lived through. Subtle details of time, not as wear, but as something earned. There’s a sense that whatever filled his day, he met it fully. Not perfectly, but with experience. The kind that only comes from years of showing up and figuring things out as you go. Allowing himself this small pause, not an ending, just a moment to rest before everything begins again. | arvin nicholas]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari arvin nicholas di cizucu.]]></media:description>
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        <item>
          <title><![CDATA[He sits on the bus back to Tokyo, still in his best suit, asleep before the journey has really begun. Finally giving in to the quiet as the sunlight rests on his face, revealing lines that feel less like age and more like a record of everything he’s lived through. Subtle details of time, not as wear, but as something earned. There’s a sense that whatever filled his day, he met it fully. Not perfectly, but with experience. The kind that only comes from years of showing up and figuring things out as you go. Allowing himself this small pause, not an ending, just a moment to rest before everything begins again. | arvin nicholas]]></title>
          <link>https://www.cizucu.com/id/photos/NUqqo1OU6sirqUbXKdgJ</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari arvin nicholas di cizucu.]]></description>
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            <name>arvin nicholas</name>
            <uri>https://www.cizucu.com/id/users/F64DZVCtptYc69iFRCXLID3O8Fk2</uri>
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          <pubDate>Thu, 30 Apr 2026 04:19:20 GMT</pubDate>
          <atom:updated>2026-04-30T04:19:20+09:00</atom:updated>
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            <media:title><![CDATA[He sits on the bus back to Tokyo, still in his best suit, asleep before the journey has really begun. Finally giving in to the quiet as the sunlight rests on his face, revealing lines that feel less like age and more like a record of everything he’s lived through. Subtle details of time, not as wear, but as something earned. There’s a sense that whatever filled his day, he met it fully. Not perfectly, but with experience. The kind that only comes from years of showing up and figuring things out as you go. Allowing himself this small pause, not an ending, just a moment to rest before everything begins again. | arvin nicholas]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/NUqqo1OU6sirqUbXKdgJ.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari arvin nicholas di cizucu.]]></media:description>
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          <title><![CDATA[For the first Europe trip of my life, I decided to go to Portugal and Spain during summer. For this trip, I wanted to do film simulations to maximise the European summer sun. Hence, I applied Veres Deni Alex' recipes , but with a few tweaks based on the available features on my cam.  An unforgettable place I visited was Alhambra, one of the oldest and best-preserved palaces during the Arab rule in Spain. I was in awe of the architecture -- from its intricate details to the way the sunlight naturally illuminated the spaces. I found myself slowing down, wandering through the grounds, and really taking in both the history and the atmosphere.  Sharing one of my favourite shots from that day. | _jotriessomething]]></title>
          <link>https://www.cizucu.com/id/photos/yivpwxE4fUA3sdiHtONL</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari _jotriessomething di cizucu.]]></description>
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            <name>_jotriessomething</name>
            <uri>https://www.cizucu.com/id/users/jYwyL9fsZrR3ajHx1TLep1bCn4n2</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/id/photos/yivpwxE4fUA3sdiHtONL</guid>
          <pubDate>Sat, 21 Mar 2026 16:53:58 GMT</pubDate>
          <atom:updated>2026-03-21T16:53:58+09:00</atom:updated>
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            <media:title><![CDATA[For the first Europe trip of my life, I decided to go to Portugal and Spain during summer. For this trip, I wanted to do film simulations to maximise the European summer sun. Hence, I applied Veres Deni Alex' recipes , but with a few tweaks based on the available features on my cam.  An unforgettable place I visited was Alhambra, one of the oldest and best-preserved palaces during the Arab rule in Spain. I was in awe of the architecture -- from its intricate details to the way the sunlight naturally illuminated the spaces. I found myself slowing down, wandering through the grounds, and really taking in both the history and the atmosphere.  Sharing one of my favourite shots from that day. | _jotriessomething]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/yivpwxE4fUA3sdiHtONL.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari _jotriessomething di cizucu.]]></media:description>
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          <title><![CDATA[For the first Europe trip of my life, I decided to go to Portugal and Spain during summer of 2025. For this trip, I wanted to do film simulations to maximise the European summer sun. Hence, I applied Veres Deni Alex' recipes , but with a few tweaks based on the available features on my Sony ZV-E10 cam.  An unforgettable place I visited was Alhambra, one of the oldest and best-preserved palaces during the Arab rule in Spain. I was in awe of the architecture -- from its intricate details to the way the sunlight naturally illuminated the spaces. I found myself slowing down, wandering through the grounds, and really taking in both the history and the atmosphere.  Sharing one of my favourite shots from that day. | _jotriessomething]]></title>
          <link>https://www.cizucu.com/id/photos/yivpwxE4fUA3sdiHtONL</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari _jotriessomething di cizucu.]]></description>
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            <name>_jotriessomething</name>
            <uri>https://www.cizucu.com/id/users/jYwyL9fsZrR3ajHx1TLep1bCn4n2</uri>
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          <pubDate>Sat, 21 Mar 2026 16:53:58 GMT</pubDate>
          <atom:updated>2026-03-21T18:44:33+09:00</atom:updated>
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            <media:title><![CDATA[For the first Europe trip of my life, I decided to go to Portugal and Spain during summer of 2025. For this trip, I wanted to do film simulations to maximise the European summer sun. Hence, I applied Veres Deni Alex' recipes , but with a few tweaks based on the available features on my Sony ZV-E10 cam.  An unforgettable place I visited was Alhambra, one of the oldest and best-preserved palaces during the Arab rule in Spain. I was in awe of the architecture -- from its intricate details to the way the sunlight naturally illuminated the spaces. I found myself slowing down, wandering through the grounds, and really taking in both the history and the atmosphere.  Sharing one of my favourite shots from that day. | _jotriessomething]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari _jotriessomething di cizucu.]]></media:description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/id/photos/cLMlwd2zuriHaAa7UIXB</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Arthur Liew di cizucu.]]></description>
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            <name>Arthur Liew</name>
            <uri>https://www.cizucu.com/id/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2</uri>
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          <pubDate>Sun, 22 Mar 2026 16:38:29 GMT</pubDate>
          <atom:updated>2026-03-22T16:38:29+09:00</atom:updated>
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            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
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