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          <title><![CDATA[桜巡りの途中で立ち寄った グランビルアイランド。 建物を結ぶ外通路の屋根を見上げてみた  #屋根 #シンメトリー #グランビルイランド #バンクーバー #4月 #symmetry #abstract #granvilleisland #vancouver #april #dailylife #diary #cityscape | littlekiss photography]]></title>
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          <description><![CDATA[Unduh foto Tampilan struktur interior tenda dengan warna merah dan hijau berkualitas tinggi dan gratis yang diambil oleh littlekiss photography di cizucu.]]></description>
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            <media:description><![CDATA[Unduh foto Tampilan struktur interior tenda dengan warna merah dan hijau berkualitas tinggi dan gratis yang diambil oleh littlekiss photography di cizucu.]]></media:description>
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          <title><![CDATA[影が面白い模様を創り出してくれました。  #葉 #影 #光 #自然 #グリーン #5月 #日記 #abstract #leaves #shadow #light #sunlight #green #may #maydiary | littlekiss photography]]></title>
          <link>https://www.cizucu.com/id/photos/HDNMIY8NVO9lqqWKd3PX</link>
          <description><![CDATA[Unduh foto Daun paku hijau yang saling bertumpuk menciptakan bayangan rumit berkualitas tinggi dan gratis yang diambil oleh littlekiss photography di cizucu.]]></description>
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          <pubDate>Mon, 20 May 2024 16:10:17 GMT</pubDate>
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            <media:description><![CDATA[Unduh foto Daun paku hijau yang saling bertumpuk menciptakan bayangan rumit berkualitas tinggi dan gratis yang diambil oleh littlekiss photography di cizucu.]]></media:description>
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          <title><![CDATA[#抽象 #abstract #red #passion #情熱 #赤 #線香 #春節  | YuKoreeda ]]></title>
          <link>https://www.cizucu.com/id/photos/By0PZ3T9PIrNejlVxbOt</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari YuKoreeda  di cizucu.]]></description>
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            <name>YuKoreeda </name>
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          <pubDate>Sun, 18 Feb 2024 01:11:46 GMT</pubDate>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari YuKoreeda  di cizucu.]]></media:description>
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          <title><![CDATA[Memory is an abstract concept. We usually associate the term with being personal. However, the concept is much broader; memory can be a collective one. This image represents both sides of memory: my memory of a place and a time, and also memory of the place. | Pieng-Or P.]]></title>
          <link>https://www.cizucu.com/id/photos/9yy9haU4w6ycGqKCC6OY</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Pieng-Or P. di cizucu.]]></description>
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            <name>Pieng-Or P.</name>
            <uri>https://www.cizucu.com/id/protectpuffins</uri>
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          <pubDate>Sun, 01 Mar 2026 15:29:31 GMT</pubDate>
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            <media:title><![CDATA[Memory is an abstract concept. We usually associate the term with being personal. However, the concept is much broader; memory can be a collective one. This image represents both sides of memory: my memory of a place and a time, and also memory of the place. | Pieng-Or P.]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Pieng-Or P. di cizucu.]]></media:description>
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          <title><![CDATA[This film photograph was taken at Old Harry Rocks, Southern England. It captures the dramatic cliffs and the rhythmic motion of ocean waves, highlighting the abstract textures crafted by nature. The journey to this site was unforgettable, amidst this scene, I was reminded of the true beauty of our Earth—a moment of awe preserved on film. | Mjay Lai]]></title>
          <link>https://www.cizucu.com/id/photos/aKidRqEPkIosp1AvrtkM</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Mjay Lai di cizucu.]]></description>
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            <name>Mjay Lai</name>
            <uri>https://www.cizucu.com/id/users/TMYfRCInewSEepMcdRG8jAtvw6d2</uri>
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          <pubDate>Sun, 05 Apr 2026 07:34:45 GMT</pubDate>
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            <media:title><![CDATA[This film photograph was taken at Old Harry Rocks, Southern England. It captures the dramatic cliffs and the rhythmic motion of ocean waves, highlighting the abstract textures crafted by nature. The journey to this site was unforgettable, amidst this scene, I was reminded of the true beauty of our Earth—a moment of awe preserved on film. | Mjay Lai]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Mjay Lai di cizucu.]]></media:description>
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          <title><![CDATA[This photo taken in Suzhou, China reminds of the quiet geometry of canals and alleys of the city. Taken in black-and-white, the edges dissolve and familiar forms become abstracted echoes. It is a small, personal testimony of feeling out of place and creating in that dislocation. | Darren Low]]></title>
          <link>https://www.cizucu.com/id/photos/nZhFOLWeTups0HFJuNBJ</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Darren Low di cizucu.]]></description>
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            <name>Darren Low</name>
            <uri>https://www.cizucu.com/id/users/8JLOzi8u1ocu6rE9SzLlkpjxVzn2</uri>
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          <pubDate>Sun, 15 Mar 2026 11:44:02 GMT</pubDate>
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            <media:title><![CDATA[This photo taken in Suzhou, China reminds of the quiet geometry of canals and alleys of the city. Taken in black-and-white, the edges dissolve and familiar forms become abstracted echoes. It is a small, personal testimony of feeling out of place and creating in that dislocation. | Darren Low]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Darren Low di cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken in Bangkok capturing the quiet coexistence of the ancient and the contemporary. Framed against the ornate architecture of a Thai temple, everyday figures move through a space steeped in history.   Through street photography, I seek to find stillness within movement, where overlap and reflections blur the boundary the real and the abstract. I'm interested in what happens when worlds collide within a single frame. | Aparna Guli]]></title>
          <link>https://www.cizucu.com/id/photos/UpRNTXH3cB9I6Tzbyvva</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Aparna Guli di cizucu.]]></description>
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            <name>Aparna Guli</name>
            <uri>https://www.cizucu.com/id/users/1sBbSrS9wXUphPIIXUXzvjEbnOU2</uri>
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          <pubDate>Mon, 13 Apr 2026 13:46:59 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken in Bangkok capturing the quiet coexistence of the ancient and the contemporary. Framed against the ornate architecture of a Thai temple, everyday figures move through a space steeped in history.   Through street photography, I seek to find stillness within movement, where overlap and reflections blur the boundary the real and the abstract. I'm interested in what happens when worlds collide within a single frame. | Aparna Guli]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Aparna Guli di cizucu.]]></media:description>
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          <title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></title>
          <link>https://www.cizucu.com/id/photos/F3NgSSzO6r8lgqyxoKae</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Him謙 di cizucu.]]></description>
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            <name>Him謙</name>
            <uri>https://www.cizucu.com/id/users/zjBHZF3XZ2fazvjboU8yuc0bVdA3</uri>
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          <pubDate>Wed, 15 Apr 2026 13:40:04 GMT</pubDate>
          <atom:updated>2026-04-15T13:40:04+09:00</atom:updated>
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            <media:title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Him謙 di cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
          <link>https://www.cizucu.com/id/photos/hgTYSErakAPBxlkfS9Iv</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari a.da.md di cizucu.]]></description>
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            <name>a.da.md</name>
            <uri>https://www.cizucu.com/id/users/wLkRPPkJVNhxaYlznXVZoat6s4h1</uri>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari a.da.md di cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></title>
          <link>https://www.cizucu.com/id/photos/5uQprujr5kh3O40uW4oI</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari a.da.md di cizucu.]]></description>
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            <name>a.da.md</name>
            <uri>https://www.cizucu.com/id/users/wLkRPPkJVNhxaYlznXVZoat6s4h1</uri>
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          <pubDate>Sun, 18 Jan 2026 16:03:24 GMT</pubDate>
          <atom:updated>2026-01-18T16:03:24+09:00</atom:updated>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari a.da.md di cizucu.]]></media:description>
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          <title><![CDATA[« Liquid Metropolis » Here, the concrete city finally succumbs to the 'floating world.' In this reflection on the palace moat, the rigid grid of modern skyscrapers liquefies into wavering abstract lines. The solidity of the architecture is revealed as an illusion, echoing the Ukiyo-e philosophy that the material world is fluid and ever-changing.  Note: This work is currently competing in the 23rd International Photography Awards (IPA).  ここで、コンクリートの都市はついに「浮世」に屈します。皇居の堀のこの反射の中で、現代の摩天楼の硬直したグリッドは、揺らめく抽象的な線へと溶け出します。建築の堅固さは幻影として露呈し、物質的な世界は流動的で常に変化するという浮世絵の哲学と共鳴しています。 備考： 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]></title>
          <link>https://www.cizucu.com/id/photos/6DbTw6LLaMPcXGOIJ9iS</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Corinne Vallienne di cizucu.]]></description>
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            <name>Corinne Vallienne</name>
            <uri>https://www.cizucu.com/id/japantokyodaybyday</uri>
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          <pubDate>Sat, 31 Jan 2026 17:12:14 GMT</pubDate>
          <atom:updated>2026-01-31T17:12:14+09:00</atom:updated>
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            <media:title><![CDATA[« Liquid Metropolis » Here, the concrete city finally succumbs to the 'floating world.' In this reflection on the palace moat, the rigid grid of modern skyscrapers liquefies into wavering abstract lines. The solidity of the architecture is revealed as an illusion, echoing the Ukiyo-e philosophy that the material world is fluid and ever-changing.  Note: This work is currently competing in the 23rd International Photography Awards (IPA).  ここで、コンクリートの都市はついに「浮世」に屈します。皇居の堀のこの反射の中で、現代の摩天楼の硬直したグリッドは、揺らめく抽象的な線へと溶け出します。建築の堅固さは幻影として露呈し、物質的な世界は流動的で常に変化するという浮世絵の哲学と共鳴しています。 備考： 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Corinne Vallienne di cizucu.]]></media:description>
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