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      <title>Foto Vorrat | Unduh Gambar Bebas Royalti &amp; Resolusi Tinggi</title>
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      <description><![CDATA[Temukan 5 foto Vorrat beresolusi tinggi terbaik di cizucu. Semuanya bebas royalti, gratis diunduh, dan sempurna untuk proyek apa pun tanpa memerlukan atribusi.]]></description>
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          <title><![CDATA[Desain unik gedung VORT dengan jendela berbentuk tidak teratur | YAMASAN]]></title>
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          <description><![CDATA[Unduh foto Desain unik gedung VORT dengan jendela berbentuk tidak teratur berkualitas tinggi dan gratis yang diambil oleh YAMASAN di cizucu.]]></description>
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          <pubDate>Thu, 01 Feb 2024 17:56:38 GMT</pubDate>
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            <media:title><![CDATA[Desain unik gedung VORT dengan jendela berbentuk tidak teratur | YAMASAN]]></media:title>
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          <title><![CDATA[Full sized photo of my submission as it had to be cropped for the exhibition. Cropping can never do any justice to a medium format photograph. | Kitty Chirapongse]]></title>
          <link>https://www.cizucu.com/id/photos/bu7fk0l4mbjINwy1AfcF</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Kitty Chirapongse di cizucu.]]></description>
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            <name>Kitty Chirapongse</name>
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          <pubDate>Mon, 06 Apr 2026 13:39:36 GMT</pubDate>
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            <media:title><![CDATA[Full sized photo of my submission as it had to be cropped for the exhibition. Cropping can never do any justice to a medium format photograph. | Kitty Chirapongse]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Kitty Chirapongse di cizucu.]]></media:description>
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          <title><![CDATA[The Last Interred  I brought a medium format camera to my grandmother’s funeral to capture the beauty found in the face of death. Rather than a mournful event, we celebrated her life and marked a new chapter in our family’s collective memory. She was the last of us to be interred; the rising cost and difficulty of burial mean that those who follow her will not have the same physical anchor. Without the permanence of a grave, future generations risk becoming only faint memories. In this shift, these photographs are meant to do more than just document. They now act in place of the stone. | Kitty Chirapongse]]></title>
          <link>https://www.cizucu.com/id/photos/p4nmJi7ozAJ0V0pp0po0</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Kitty Chirapongse di cizucu.]]></description>
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            <name>Kitty Chirapongse</name>
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          <pubDate>Mon, 06 Apr 2026 13:35:44 GMT</pubDate>
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            <media:title><![CDATA[The Last Interred  I brought a medium format camera to my grandmother’s funeral to capture the beauty found in the face of death. Rather than a mournful event, we celebrated her life and marked a new chapter in our family’s collective memory. She was the last of us to be interred; the rising cost and difficulty of burial mean that those who follow her will not have the same physical anchor. Without the permanence of a grave, future generations risk becoming only faint memories. In this shift, these photographs are meant to do more than just document. They now act in place of the stone. | Kitty Chirapongse]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Kitty Chirapongse di cizucu.]]></media:description>
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          <title><![CDATA[Title: Dream Job  They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar.  Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Bhavik Solanki di cizucu.]]></description>
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            <name>Bhavik Solanki</name>
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          <pubDate>Sat, 14 Mar 2026 11:37:09 GMT</pubDate>
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            <media:title><![CDATA[Title: Dream Job  They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar.  Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Bhavik Solanki di cizucu.]]></media:description>
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          <title><![CDATA[I’ve always been interested in pushing the vertical format on social media — seeing how much story I could fit into a small rectangle.  Around 2019, I started blending different images together, mostly out of instinct. I wasn’t trying to say anything specific. I was just experimenting, chasing energy, and making work that felt exciting.  When I looked at this image, it made me remember a version of myself I hadn’t thought about in a while.  Someone younger, reckless with energy, shooting almost every other weekend, posting constantly, chasing progress and social credit without questioning it.  This image feels like those two versions existing at the same time. Not a before and after, but an overlap.  It made me wonder if we forget how foolishly passionate we once were about the things we’re still doing every day. | Don Lim]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Don Lim di cizucu.]]></description>
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            <name>Don Lim</name>
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          <pubDate>Thu, 15 Jan 2026 16:03:31 GMT</pubDate>
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            <media:title><![CDATA[I’ve always been interested in pushing the vertical format on social media — seeing how much story I could fit into a small rectangle.  Around 2019, I started blending different images together, mostly out of instinct. I wasn’t trying to say anything specific. I was just experimenting, chasing energy, and making work that felt exciting.  When I looked at this image, it made me remember a version of myself I hadn’t thought about in a while.  Someone younger, reckless with energy, shooting almost every other weekend, posting constantly, chasing progress and social credit without questioning it.  This image feels like those two versions existing at the same time. Not a before and after, but an overlap.  It made me wonder if we forget how foolishly passionate we once were about the things we’re still doing every day. | Don Lim]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Don Lim di cizucu.]]></media:description>
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