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          <title><![CDATA[東京  16KP 50mm F1.2 Projection lens ————————— #16kp50mmf12 #po1091a #russianlens  #oldlens #snap #vintagelens  #fijifilm #xe5 #オールドレンズ #スナップ | 吉田 草風]]></title>
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          <title><![CDATA[11月  16KP 50mm F1.2 Projection lens ————————— #16kp50mmf12 #po1091a #russianlens  #oldlens #snap #vintagelens  #fijifilm #xe4  #オールドレンズ #スナップ | 吉田 草風]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari 吉田 草風 di cizucu.]]></description>
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          <title><![CDATA[林檎  16KP 50mm F1.2 Projection lens ————————— #16kp50mmf12 #po1091a #russianlens  #oldlens #snap #vintagelens  #fijifilm #xe5 #オールドレンズ #スナップ | 吉田 草風]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari 吉田 草風 di cizucu.]]></description>
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          <pubDate>Fri, 14 Nov 2025 12:45:41 GMT</pubDate>
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          <title><![CDATA[protection | Paolo Del Rocino]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Paolo Del Rocino di cizucu.]]></description>
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          <pubDate>Mon, 09 Feb 2026 07:03:02 GMT</pubDate>
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          <title><![CDATA[古いレンズと冬の太陽  焦点から外に崩壊する絵、歪み 降り注ぐ光を可視化する  16KP 50mm F1.2 Projection lens ————————— #16kp50mmf12 #po1091a #russianlens  #oldlens #snap #vintagelens  #fijifilm #xe4  #オールドレンズ #スナップ | 吉田 草風]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari 吉田 草風 di cizucu.]]></description>
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            <name>吉田 草風</name>
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          <pubDate>Sat, 26 Apr 2025 00:01:38 GMT</pubDate>
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          <title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Wee di cizucu.]]></description>
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            <name>Wee</name>
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          <pubDate>Sun, 22 Feb 2026 16:57:32 GMT</pubDate>
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            <media:title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Wee di cizucu.]]></media:description>
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          <title><![CDATA[Wong Kar Wai's Rhapsody. Inspired by the color palette of Wong Kar-wai’s cinema, this photograph explores memory as atmosphere rather than narrative. The yellow-green room evokes a childhood space altered by time, while the girl’s tights and skirt reference images I once loved and imagined for myself. The work becomes a projection of past emotions—uncertain, intimate, and softly lingering. | Erica_林瑋瑜]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Erica_林瑋瑜 di cizucu.]]></description>
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            <name>Erica_林瑋瑜</name>
            <uri>https://www.cizucu.com/id/erica09174</uri>
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          <pubDate>Thu, 22 Jan 2026 22:48:13 GMT</pubDate>
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            <media:title><![CDATA[Wong Kar Wai's Rhapsody. Inspired by the color palette of Wong Kar-wai’s cinema, this photograph explores memory as atmosphere rather than narrative. The yellow-green room evokes a childhood space altered by time, while the girl’s tights and skirt reference images I once loved and imagined for myself. The work becomes a projection of past emotions—uncertain, intimate, and softly lingering. | Erica_林瑋瑜]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Erica_林瑋瑜 di cizucu.]]></media:description>
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          <title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></title>
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          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Nishikantsnaps di cizucu.]]></description>
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          <pubDate>Fri, 13 Mar 2026 13:43:41 GMT</pubDate>
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            <media:title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Nishikantsnaps di cizucu.]]></media:description>
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          <title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></title>
          <link>https://www.cizucu.com/id/photos/lLVqB9q7T3gHEIJx8LId</link>
          <description><![CDATA[Lihat lebih banyak karya luar biasa dari Eli Mastaine di cizucu.]]></description>
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            <name>Eli Mastaine</name>
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          <pubDate>Mon, 09 Mar 2026 02:16:10 GMT</pubDate>
          <atom:updated>2026-03-09T02:16:10+09:00</atom:updated>
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            <media:title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></media:title>
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            <media:description><![CDATA[Lihat lebih banyak karya luar biasa dari Eli Mastaine di cizucu.]]></media:description>
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