Foto Kremlin | Unduh Gambar Bebas Royalti & Resolusi Tinggi https://www.cizucu.com/id/explore/photos/Kremlin id 2026-04-28T02:58:48+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. id https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Moscow dosn't believe in tears | LUMING ZHAO ]]> https://www.cizucu.com/id/photos/HYugge1DTdvJwloHmPaA LUMING ZHAO https://www.cizucu.com/id/users/iaBzQimVp8ZizcRp7tZjJig5REr2 https://www.cizucu.com/id/photos/HYugge1DTdvJwloHmPaA Tue, 05 Nov 2024 23:23:42 GMT 2024-11-05T23:24:03+09:00 https://cdn.cizucu.com/images/photos/HYugge1DTdvJwloHmPaA.jpg?auto=compress,format <![CDATA[Set mainan karakter Disney Pixar Cars yang menampilkan Profesor Z dan Tyler Gremlin | 長田コウキ]]> https://www.cizucu.com/id/photos/C6QH75HnL7hiuBoyO0IX 長田コウキ https://www.cizucu.com/id/users/O0r1Gt8U9ORRIAYkWuXFvEggDtv1 https://www.cizucu.com/id/photos/C6QH75HnL7hiuBoyO0IX Sun, 13 Oct 2024 18:57:18 GMT 2024-10-13T18:57:22+09:00 https://cdn.cizucu.com/images/photos/C6QH75HnL7hiuBoyO0IX.jpg?auto=compress,format <![CDATA[When the light falls, some walk into the light, while others remain in the shadow. | 易辰]]> https://www.cizucu.com/id/photos/fwpunTkzVFFl4zVwYpws 易辰 https://www.cizucu.com/id/stantasi8762 https://www.cizucu.com/id/photos/fwpunTkzVFFl4zVwYpws Tue, 14 Apr 2026 13:28:23 GMT 2026-04-14T13:28:23+09:00 https://cdn.cizucu.com/images/photos/fwpunTkzVFFl4zVwYpws.jpg?auto=compress,format <![CDATA[Standstill From the window of a passing Shinkansen, a dense queue of taxis waits in silence outside Nagoya Station. Vehicles built for motion remain suspended in place, forming a temporary stillness within the flow of the city. Seen from speed, the city appears motionless. | sho13nabe]]> https://www.cizucu.com/id/photos/DVqwj97uZqe2SH06OmL4 sho13nabe https://www.cizucu.com/id/sho_13 https://www.cizucu.com/id/photos/DVqwj97uZqe2SH06OmL4 Wed, 25 Mar 2026 19:40:59 GMT 2026-03-25T19:40:59+09:00 https://cdn.cizucu.com/images/photos/DVqwj97uZqe2SH06OmL4.jpg?auto=compress,format <![CDATA[A silhouetted figure stands beneath an umbrella as a rainbow emerges through the fading storm. The composition balances stillness and motion the grounded presence of the subject against the passing flight of birds. This work explores hope not as certainty, but as persistence. It lives in the decision to remain present, even when clarity hasn’t arrived yet. | __rohit.uk]]> https://www.cizucu.com/id/photos/nenShS4kXESrtZTORN2U __rohit.uk https://www.cizucu.com/id/users/EkllMyLWYUZnXsclfgSc1GTOYUC3 https://www.cizucu.com/id/photos/nenShS4kXESrtZTORN2U Thu, 26 Mar 2026 07:23:01 GMT 2026-03-26T07:23:01+09:00 https://cdn.cizucu.com/images/photos/nenShS4kXESrtZTORN2U.jpg?auto=compress,format <![CDATA[A Passage at 68° North At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather. Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]> https://www.cizucu.com/id/photos/wFqZnMBFteLEsFN7qFAj Felicity Gan https://www.cizucu.com/id/users/cea1tCcTJZWAVLzZHhrHHMjrlWQ2 https://www.cizucu.com/id/photos/wFqZnMBFteLEsFN7qFAj Sun, 05 Apr 2026 17:23:19 GMT 2026-04-05T17:23:19+09:00 https://cdn.cizucu.com/images/photos/wFqZnMBFteLEsFN7qFAj.jpg?auto=compress,format <![CDATA[A Passage at 68° North At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather. Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]> https://www.cizucu.com/id/photos/J6oW6BgNDWFx3cYDNu8e Felicity Gan https://www.cizucu.com/id/users/cea1tCcTJZWAVLzZHhrHHMjrlWQ2 https://www.cizucu.com/id/photos/J6oW6BgNDWFx3cYDNu8e Sat, 04 Apr 2026 23:27:00 GMT 2026-04-04T23:27:00+09:00 https://cdn.cizucu.com/images/photos/J6oW6BgNDWFx3cYDNu8e.jpg?auto=compress,format <![CDATA[Memory doesn't manifest as a clear image. It feels more like a fading sensation, blurry and often elusive. This series captures that feeling. The afterimage in each photograph isn't a mistake. It reflects my way of remembering: the flowers remain present, but they are slowly fading. I chose not to cling to their beauty. What lingers for me isn't the flower itself, but its trace, a reminder that life is temporary. This is where my journey begins. | Nayoung]]> https://www.cizucu.com/id/photos/H8kjUw4s4hrqBulgGNLl Nayoung https://www.cizucu.com/id/users/dG3PxV81AtbvL9OB3hitUDX5O2E3 https://www.cizucu.com/id/photos/H8kjUw4s4hrqBulgGNLl Mon, 30 Mar 2026 10:00:56 GMT 2026-03-30T10:00:56+09:00 https://cdn.cizucu.com/images/photos/H8kjUw4s4hrqBulgGNLl.jpg?auto=compress,format <![CDATA['The Master of Stares' Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands. Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect. Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/id/photos/GmG5c98t8qyvIemmkbiY Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/id/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/id/photos/GmG5c98t8qyvIemmkbiY Mon, 16 Mar 2026 19:26:03 GMT 2026-03-16T19:26:03+09:00 https://cdn.cizucu.com/images/photos/GmG5c98t8qyvIemmkbiY.jpg?auto=compress,format <![CDATA[“The Master of Stillness” Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands. Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.” Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/id/photos/1eyhxZQn4uTXWO7fHhv6 Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/id/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/id/photos/1eyhxZQn4uTXWO7fHhv6 Sat, 24 Jan 2026 20:08:23 GMT 2026-01-24T20:08:23+09:00 https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?auto=compress,format <![CDATA[“I Wasn’t Looking at the Scenery, I Was Looking at Time.” This is my hometown by the sea. The west coast used to be always overcast— a dull grey sky, rusted warehouses, and faint memories cast in shadow. Back in high school, I never really liked this place. Now it’s been redeveloped—cleaner, brighter. And even though none of the old signs remain, I find myself lifting my camera every time I return. The breeze feels softer now. Calmer, somehow more forgiving. Shot with the Nikon Zf. It wasn’t just the landscape that changed. Maybe my way of seeing it did too. #nikonzf #leicalove #minimalismphotography #capitalminimalism #streetphotography #moodytones #photomemoir #visualstorytelling #japanphotography #都市とミニマリズム #キャピタルミニマリズム | Andy]]> https://www.cizucu.com/id/photos/mnHH5KKfeYHgwdqRIp0E Andy https://www.cizucu.com/id/andy https://www.cizucu.com/id/photos/mnHH5KKfeYHgwdqRIp0E Thu, 01 May 2025 09:35:29 GMT 2025-05-01T09:35:46+09:00 https://cdn.cizucu.com/images/photos/mnHH5KKfeYHgwdqRIp0E.jpg?auto=compress,format <![CDATA[This photo was taken on a scorching afternoon in Southern China, just days before I moved to London. I was walking to my grandparents' graves to say goodbye. It was my first time going there all by myself, and I felt like at that moment, I had truly become a mature adult. Along the way, I 'borrowed' a few lotus seed pods from a neighbor's pond to bring them a taste of summer. To me, memory is like these loofah vines: fragile and seasonal, yet stubbornly clinging to the sturdy trunk of home. Even now in London, the scent of the heat and the texture of those lotus seeds remain vivid—a living link to the roots I left behind. | hichubbypotato]]> https://www.cizucu.com/id/photos/pIDW724HfD5EDuCOIaUm hichubbypotato https://www.cizucu.com/id/users/gZWO4xQetegER2Nxn1ToiXNuzrd2 https://www.cizucu.com/id/photos/pIDW724HfD5EDuCOIaUm Sun, 05 Apr 2026 10:17:07 GMT 2026-04-05T10:17:07+09:00 https://cdn.cizucu.com/images/photos/pIDW724HfD5EDuCOIaUm.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/id/photos/zBVH8vhJGiud2L34AWx1 Park Seongjjn https://www.cizucu.com/id/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/id/photos/zBVH8vhJGiud2L34AWx1 Wed, 22 Apr 2026 22:07:39 GMT 2026-04-22T22:07:39+09:00 https://cdn.cizucu.com/images/photos/zBVH8vhJGiud2L34AWx1.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/id/photos/vOCvJjkgnBuOr1S8axhJ Park Seongjjn https://www.cizucu.com/id/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/id/photos/vOCvJjkgnBuOr1S8axhJ Sun, 19 Apr 2026 23:07:22 GMT 2026-04-19T23:07:22+09:00 https://cdn.cizucu.com/images/photos/vOCvJjkgnBuOr1S8axhJ.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/id/photos/v0mqxmWKtkFVtHmBGIug Park Seongjjn https://www.cizucu.com/id/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/id/photos/v0mqxmWKtkFVtHmBGIug Thu, 16 Apr 2026 21:40:58 GMT 2026-04-16T21:40:58+09:00 https://cdn.cizucu.com/images/photos/v0mqxmWKtkFVtHmBGIug.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/id/photos/tu9NjuRORzGAKRsfryuw Park Seongjjn https://www.cizucu.com/id/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/id/photos/tu9NjuRORzGAKRsfryuw Thu, 16 Apr 2026 21:42:27 GMT 2026-04-16T21:42:27+09:00 https://cdn.cizucu.com/images/photos/tu9NjuRORzGAKRsfryuw.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/id/photos/qnQUbgXG3pbTjP0a8jS0 Park Seongjjn https://www.cizucu.com/id/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/id/photos/qnQUbgXG3pbTjP0a8jS0 Sun, 19 Apr 2026 23:07:22 GMT 2026-04-19T23:07:22+09:00 https://cdn.cizucu.com/images/photos/qnQUbgXG3pbTjP0a8jS0.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/id/photos/q28pR46TecyGGVZQfGW4 Park Seongjjn https://www.cizucu.com/id/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/id/photos/q28pR46TecyGGVZQfGW4 Thu, 16 Apr 2026 21:38:50 GMT 2026-04-16T21:38:50+09:00 https://cdn.cizucu.com/images/photos/q28pR46TecyGGVZQfGW4.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/id/photos/ppsgLuUPLwSlXtuXmpAY Park Seongjjn https://www.cizucu.com/id/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/id/photos/ppsgLuUPLwSlXtuXmpAY Sun, 19 Apr 2026 23:07:22 GMT 2026-04-19T23:07:22+09:00 https://cdn.cizucu.com/images/photos/ppsgLuUPLwSlXtuXmpAY.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/id/photos/pDEF2WwGv6LygllBRgZG Park Seongjjn https://www.cizucu.com/id/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/id/photos/pDEF2WwGv6LygllBRgZG Sun, 19 Apr 2026 23:07:22 GMT 2026-04-19T23:07:22+09:00 https://cdn.cizucu.com/images/photos/pDEF2WwGv6LygllBRgZG.jpg?auto=compress,format