Foto 觀賞性 | Unduh Gambar Bebas Royalti & Resolusi Tinggi https://www.cizucu.com/id/explore/photos/%E8%A7%80%E8%B3%9E%E6%80%A7 id 2026-07-28T05:08:43+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. id https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[20250621 ppp東京 Gallery Conceal Shibuya #ppp東京 #cizucu #shibuya | つばさ製作所]]> https://www.cizucu.com/id/photos/ifvjzFcEmKYswkZPaWTb つばさ製作所 https://www.cizucu.com/id/tsubasa_mfg https://www.cizucu.com/id/photos/ifvjzFcEmKYswkZPaWTb Sat, 21 Jun 2025 20:29:21 GMT 2026-01-18T11:42:27+09:00 https://cdn.cizucu.com/images/photos/ifvjzFcEmKYswkZPaWTb.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[20250608 ppp東京 Gallery Conceal Shibuya #ppp #tokyo #cizucu #conceal | つばさ製作所]]> https://www.cizucu.com/id/photos/HPdIAViGgrhDTADagZl7 つばさ製作所 https://www.cizucu.com/id/tsubasa_mfg https://www.cizucu.com/id/photos/HPdIAViGgrhDTADagZl7 Sun, 08 Jun 2025 20:33:10 GMT 2026-01-18T12:45:59+09:00 https://cdn.cizucu.com/images/photos/HPdIAViGgrhDTADagZl7.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[20250621 ppp東京 Gallery Conceal Shibuya #ppp東京 #cizucu #shibuya | つばさ製作所]]> https://www.cizucu.com/id/photos/7TFd75AD4MW9Hqe8byAh つばさ製作所 https://www.cizucu.com/id/tsubasa_mfg https://www.cizucu.com/id/photos/7TFd75AD4MW9Hqe8byAh Sat, 21 Jun 2025 20:35:23 GMT 2026-01-18T11:42:15+09:00 https://cdn.cizucu.com/images/photos/7TFd75AD4MW9Hqe8byAh.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[ppp東京20250405穏田ギャラリー #ppp #cizucu | つばさ製作所]]> https://www.cizucu.com/id/photos/BPejP3iV543lOlIXr2or つばさ製作所 https://www.cizucu.com/id/tsubasa_mfg https://www.cizucu.com/id/photos/BPejP3iV543lOlIXr2or Sat, 05 Apr 2025 20:36:30 GMT 2026-05-04T14:17:01+09:00 https://cdn.cizucu.com/images/photos/BPejP3iV543lOlIXr2or.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[You are an ‘Art’ to Someone You know how they say, “oh what an honour to be a Muse to an Artist” Now whom to call ‘The Art’ and whom ‘The Artist’ is a frivolous battle. It is what is right in front of your eyes that tells everything. An Artist’s love for an ‘Art’ and a ‘Lover’s’ love for the ‘Artist’. It makes me wonder what could any “Art” count in the face of this strongest impulse called “Love” | Drishti Gowda]]> https://www.cizucu.com/id/photos/Q2UXrVZSja44vDkW9rcV Drishti Gowda https://www.cizucu.com/id/users/pz5fnme1yVgVSeHjB4YtCunhYCC3 https://www.cizucu.com/id/photos/Q2UXrVZSja44vDkW9rcV Fri, 20 Mar 2026 23:28:12 GMT 2026-04-20T10:28:48+09:00 https://cdn.cizucu.com/images/photos/Q2UXrVZSja44vDkW9rcV.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[2025/10/25 @&vogue gallery #PPP #Sapporo | Nana]]> https://www.cizucu.com/id/photos/vPclOjp8JoqHz3PiWdCA Nana https://www.cizucu.com/id/users/EMXGN3EM1FbD3ouzC1HU0iR0WQ33 https://www.cizucu.com/id/photos/vPclOjp8JoqHz3PiWdCA Sun, 02 Nov 2025 20:05:40 GMT 2026-01-18T01:59:02+09:00 https://cdn.cizucu.com/images/photos/vPclOjp8JoqHz3PiWdCA.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[2025/10/25 @&vogue gallery #PPP #Sapporo | Nana]]> https://www.cizucu.com/id/photos/Gs5uNAUxDWc83SN1WdyH Nana https://www.cizucu.com/id/users/EMXGN3EM1FbD3ouzC1HU0iR0WQ33 https://www.cizucu.com/id/photos/Gs5uNAUxDWc83SN1WdyH Sun, 02 Nov 2025 20:06:52 GMT 2026-01-18T01:59:00+09:00 https://cdn.cizucu.com/images/photos/Gs5uNAUxDWc83SN1WdyH.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[2025/10/25 @&vogue gallery #PPP #Sapporo | Nana]]> https://www.cizucu.com/id/photos/Z9lPTZBU8ZdkIIm6j162 Nana https://www.cizucu.com/id/users/EMXGN3EM1FbD3ouzC1HU0iR0WQ33 https://www.cizucu.com/id/photos/Z9lPTZBU8ZdkIIm6j162 Sun, 02 Nov 2025 20:07:56 GMT 2026-01-18T01:58:57+09:00 https://cdn.cizucu.com/images/photos/Z9lPTZBU8ZdkIIm6j162.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[Blooming. | im.ha_hmiee]]> https://www.cizucu.com/id/photos/Reetu5rS7cK0Sl70dzrn im.ha_hmiee https://www.cizucu.com/id/users/jZqs3ccR6sQRDL0NpzhJ0soXXdH3 https://www.cizucu.com/id/photos/Reetu5rS7cK0Sl70dzrn Thu, 16 Apr 2026 21:25:42 GMT 2026-05-03T11:49:10+09:00 https://cdn.cizucu.com/images/photos/Reetu5rS7cK0Sl70dzrn.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[2025 年，特地到世博 (大阪) 觀賞主建築「大屋根」。 傍晚時，我走在環形廊道的第二層，從人群中鑽進一處縫隙裡停下。剛靜下心，便發現向外望去的這一幕很美。近處是熱鬧的商店，遠方是遼闊的郊區，以及帶著迷幻感的海灣。 吸引我的不僅是場域本身的多元性，還有人造建築與大自然、清晰的線條結構與模糊的色彩邊界，都在同一個畫面裡同時出現在。那一刻，我感受到 藤本壯介 表達的，不單是「大屋根」這座建築，也包括它所連結的環境與人的活動脈絡。 | moto]]> https://www.cizucu.com/id/photos/UeqhQ00W2K27ly81Vnx7 moto https://www.cizucu.com/id/users/k2tWpDCWwYXnusuxQwKLUQ4PuWw2 https://www.cizucu.com/id/photos/UeqhQ00W2K27ly81Vnx7 Fri, 03 Jul 2026 17:20:33 GMT 2026-07-03T17:21:01+09:00 https://cdn.cizucu.com/images/photos/UeqhQ00W2K27ly81Vnx7.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[seorang wanita memegang payung merah duduk di kursi bioskop | 黒水雪那]]> https://www.cizucu.com/id/photos/xhWN6Vqq213IQynLvyzX 黒水雪那 https://www.cizucu.com/id/users/ZqsVScyqE0RStJUvGLD8DhUcrAB2 https://www.cizucu.com/id/photos/xhWN6Vqq213IQynLvyzX Wed, 01 Oct 2025 23:15:48 GMT 2026-05-03T21:52:05+09:00 https://cdn.cizucu.com/images/photos/xhWN6Vqq213IQynLvyzX.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[제일 좋아하는 미술관이라는 공간에서 작품을 보며 따라 그리는 할아버지를 보게 되었고, 좋아하는 것에 몰두하는 모습의 순간을 좋아하는 카메라의 렌즈를 통해 담은 사진 | 김수연]]> https://www.cizucu.com/id/photos/X4ZWo5C64YpWezyWhW5G 김수연 https://www.cizucu.com/id/users/BK3Z7BVDqQRT9YZTQB2R7xA6Qnl1 https://www.cizucu.com/id/photos/X4ZWo5C64YpWezyWhW5G Fri, 19 Jun 2026 14:48:46 GMT 2026-06-19T15:04:48+09:00 https://cdn.cizucu.com/images/photos/X4ZWo5C64YpWezyWhW5G.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[這是一張在美術館所拍攝的照片，藉由光影的運用，看展覽的人們，在我的相機中，同時也呈現出另一幅作品。觀賞著作品同時也是作品正在被觀賞。 | Yu-Jou Chuang]]> https://www.cizucu.com/id/photos/WkM8VkKGisGGVD7Qc6dw Yu-Jou Chuang https://www.cizucu.com/id/users/p2TAGYVsItcPaLBLE4dtcPv7zas2 https://www.cizucu.com/id/photos/WkM8VkKGisGGVD7Qc6dw Tue, 07 Oct 2025 19:55:51 GMT 2026-01-18T03:25:09+09:00 https://cdn.cizucu.com/images/photos/WkM8VkKGisGGVD7Qc6dw.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[RED to BLUE 嘗試將香港城市代表色抽離，進行一次關於色彩與城市記憶的實驗。 透過這樣的轉換，對藝術本真性提出一種微小而溫和的反動與抗衡。 當熟悉的色彩被移除，觀看經驗也隨之改變。 最終呈現的影像，大大顛覆了拍攝當下的原始想像。 | TSAIJUNG WU]]> https://www.cizucu.com/id/photos/qHbcpkrNkYprjT1yIWrq TSAIJUNG WU https://www.cizucu.com/id/users/9K9x8dUCarbv0W7AjcF2ATJn3dw2 https://www.cizucu.com/id/photos/qHbcpkrNkYprjT1yIWrq Sun, 22 Feb 2026 15:31:38 GMT 2026-02-22T15:33:16+09:00 https://cdn.cizucu.com/images/photos/qHbcpkrNkYprjT1yIWrq.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[攝影的決定性瞬間 （The Decisive Moment） 巴黎蒙馬特山丘可以眺望整座城市 當時受到音樂和啤酒吸引 我坐下欣賞街頭藝人的表演 跳舞的老先生和表演者並不認識 他只是享受著旋律 看著日落我心想 我一定會想念這個moment 於是拿起手機想記錄當下 就這樣 捕捉到我至今最愛的照片 | GOJIM]]> https://www.cizucu.com/id/photos/WpkQiz2ctNnksoTPFWVV GOJIM https://www.cizucu.com/id/users/jZ7nPSvbG6Rc9PP5ztwGiseRd293 https://www.cizucu.com/id/photos/WpkQiz2ctNnksoTPFWVV Wed, 03 Dec 2025 21:20:47 GMT 2026-05-03T18:35:31+09:00 https://cdn.cizucu.com/images/photos/WpkQiz2ctNnksoTPFWVV.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[這張照片是我在冰島的斯奈山半島，到了Malarrif Lighthouse這座歷史性建築觀光逗留時所拍攝的。當天天氣時晴時雨，在這一片薄雨中，拍下這張照片。相機本身的暗角特性為成像添加了幾分味道，很有趣的是照片中在燈塔下方的結伴旅者，那時候有一起分享了燈塔正下方的同個機位，故事分享各位。 後記：旁邊還有一個名叫Salthús的農漁醃漬屋，我也順手紀錄了這棟原為農漁業用，後來被藝術保存的建築。擁有自然鏽蝕痕跡的建築緊鄰懸崖，當下有捕捉小屋與拍上岸浪花的互動但可惜沒有到很滿意。後來回台有機會向記錄蘇格蘭西岸離島群的Kato Shu san請教捕捉海岸的技巧，"seven waves"，七個海浪為一個拍上岸的循環是他所觀察到的一個現象，挺有趣的一個知識。 | Jonas Kuo]]> https://www.cizucu.com/id/photos/TtnmoPSfN6aYwe1zjk9G Jonas Kuo https://www.cizucu.com/id/users/Csx9kzuZZrfFHonQEPNRHj1yAli1 https://www.cizucu.com/id/photos/TtnmoPSfN6aYwe1zjk9G Sat, 02 May 2026 17:28:06 GMT 2026-05-03T10:35:28+09:00 https://cdn.cizucu.com/images/photos/TtnmoPSfN6aYwe1zjk9G.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[[ささやかな反抗] 「第14回（2017年度）タムロン　マクロレンズフォトコンテスト　ノンジャンルの部　銅賞」を頂いた作品。 ノンジャンルの部「総評」 岡本洋子先生 　今回もノンジャンルならではの、なかなか楽しい作品が集まりました。マクロレンズの単焦点レンズとしての性能を余すところなく発揮して撮られた人物の作品やクローズアップして撮ったマクロならではのテーブルフォトの作品、どちらもユニークで素晴らしい作品が集まりました。上位の入選作品は審査員をうならせる目の付け所が良いもの、作品としての完成度が高いものばかりです。またテーブルフォトの世界は作者それぞれのアイデアが光る個性的な作品が多く、楽しませてもらいました。身近な被写体でもアイデア次第で無限の可能性があるということですね。次回も素敵な作品のご応募お待ちしています。 「選評」 　え、透明な画鋲、プッシュピンではないですか！！それをグレーの紙の上に並べて刺して、逆光気味に光を当てることでこんなに透明感があってきれいになるのですね。小さなプッシュピン一本一本が躍っているようにも見え、そんな中、一本転がってしまっているのを“ささやかな反抗”と見立てた作者のセンスに脱帽です。マクロならではのテーブルフォト、身近にある被写体でもアイデア次第で素晴らしい作品になるという良いお手本ですね。 #テーブルフォト #心象写真 #マクロ | me..]]> https://www.cizucu.com/id/photos/b5tHW5BCONgCJND54Kal me.. https://www.cizucu.com/id/users/Vvx4pA78vGXf7xKv7QhwPP4akmD2 https://www.cizucu.com/id/photos/b5tHW5BCONgCJND54Kal Thu, 13 Jun 2024 09:21:18 GMT 2026-01-21T16:26:18+09:00 https://cdn.cizucu.com/images/photos/b5tHW5BCONgCJND54Kal.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。 這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。 我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。 當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。 在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。 During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments. This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture. By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy. Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role. Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]> https://www.cizucu.com/id/photos/KxmYJu8uTx7YorZUymnh Joanne Sun https://www.cizucu.com/id/users/V3yZQQPOmCV388zQun7pQGQnn1L2 https://www.cizucu.com/id/photos/KxmYJu8uTx7YorZUymnh Thu, 07 May 2026 02:19:00 GMT 2026-05-07T02:20:37+09:00 https://cdn.cizucu.com/images/photos/KxmYJu8uTx7YorZUymnh.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。 這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。 我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。 當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。 在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。 During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments. This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture. By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy. Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role. Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]> https://www.cizucu.com/id/photos/hIoi7PaTCs672IrajR0s Joanne Sun https://www.cizucu.com/id/users/V3yZQQPOmCV388zQun7pQGQnn1L2 https://www.cizucu.com/id/photos/hIoi7PaTCs672IrajR0s Mon, 11 May 2026 14:50:49 GMT 2026-05-11T14:50:49+09:00 https://cdn.cizucu.com/images/photos/hIoi7PaTCs672IrajR0s.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。 這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。 我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。 當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。 在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。 During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments. This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture. By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy. Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role. Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]> https://www.cizucu.com/id/photos/KpT2BNd1rIgt88NrbYC6 Joanne Sun https://www.cizucu.com/id/users/V3yZQQPOmCV388zQun7pQGQnn1L2 https://www.cizucu.com/id/photos/KpT2BNd1rIgt88NrbYC6 Mon, 11 May 2026 14:50:49 GMT 2026-05-11T14:50:49+09:00 https://cdn.cizucu.com/images/photos/KpT2BNd1rIgt88NrbYC6.jpg?auto=format%2Ccompress&cs=srgb