superposition façon double exposition : une femme couronnée de fleurs dans un champ d’herbe et de fleurs sauvages

This photo embodies the haze of faded memories and how certain parts inevitably slip away. You find yourself asking questions to reconstruct a moment buried so deep: What did she look like again? What book was she reading? How long ago was this? What did I wear that day? This is a core memory for me, as it was the first time I experimented with double exposures on film.

dim. 12 avr. 2026・ Londres

3 avril 2026

Migolta

This photo embodies the haze of faded memories and how certain parts inevitably slip away. You find yourself asking questions to reconstruct a moment buried so deep: What did she look like again? What book was she reading? How long ago was this? What did I wear that day? This is a core memory for me, as it was the first time I experimented with double exposures on film.

3 avril 2026

Migolta

This photo embodies the haze of faded memories and how certain parts inevitably slip away. You find yourself asking questions to reconstruct a moment buried so deep: What did she look like again? What book was she reading? How long ago was this? What did I wear that day? This is a core memory for me, as it was the first time I experimented with double exposures on film.

dim. 12 avr. 2026・ Londres

3 avril 2026

Migolta

This photo embodies the haze of faded memories and how certain parts inevitably slip away. You find yourself asking questions to reconstruct a moment buried so deep: What did she look like again? What book was she reading? How long ago was this? What did I wear that day? This is a core memory for me, as it was the first time I experimented with double exposures on film.

3 avril 2026