Photos de Toldo | Téléchargez des images libres de droits et en haute résolution https://www.cizucu.com/fr/explore/photos/toldo fr 2026-05-01T07:51:30+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. fr https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[This photo was taken with my first camera, a second-hand Nikon D5100 that my dad bought for me after I told him I wanted to make movies. The girl in this photo was my best friend. She was the reason I felt brave enough to try so many new things, because I knew she always had my back. She’s still out there, living her life… we just don’t talk anymore. On the surface, this photo feels ordinary. But to me, it holds everything, the camera, the place, and the dreams I used to have. It’s a quiet reminder of a version of my life I still miss. | NAREE W.]]> https://www.cizucu.com/fr/photos/3OwPdpt2MO6lqVHuaGd0 NAREE W. https://www.cizucu.com/fr/users/kAsp1sNUqEPCVWiiJAlx4F22ZQx1 https://www.cizucu.com/fr/photos/3OwPdpt2MO6lqVHuaGd0 Sun, 12 Apr 2026 11:56:38 GMT 2026-04-12T11:56:38+09:00 https://cdn.cizucu.com/images/photos/3OwPdpt2MO6lqVHuaGd0.jpg?auto=compress,format <![CDATA[For the first Europe trip of my life, I decided to go to Portugal and Spain during the summer of 2025. For this trip, I wanted to do film simulations to maximize the European summer sun. Hence, I applied Veres Deni Alex' recipes , but with a few tweaks based on the available features on my cam. This is a playful view of Segovia's popular spot -- the Viaduct. A friend strongly recommended me to go on a day trip here (and Toledo) as it's one of the most important remnants of the Romans in Spain. This was probably one of my 'chillest' day since I didn't have to DIY my way around, and I admired the tour guide who had to explain things both in Spanish and English (for tourists like me). | _jotriessomething]]> https://www.cizucu.com/fr/photos/hJK9fJN3uuv4biUCtIyB _jotriessomething https://www.cizucu.com/fr/users/jYwyL9fsZrR3ajHx1TLep1bCn4n2 https://www.cizucu.com/fr/photos/hJK9fJN3uuv4biUCtIyB Sat, 21 Mar 2026 17:46:28 GMT 2026-03-21T17:46:28+09:00 https://cdn.cizucu.com/images/photos/hJK9fJN3uuv4biUCtIyB.jpg?auto=compress,format <![CDATA[Living in Happyland In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in. I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere. As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances. This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]> https://www.cizucu.com/fr/photos/5rLps4AdmWu1rEHn4sQW Victor Tan KH https://www.cizucu.com/fr/users/iVywoqF9Dgd0tIYYYiwLtXXfs1n2 https://www.cizucu.com/fr/photos/5rLps4AdmWu1rEHn4sQW Sun, 18 Jan 2026 21:43:45 GMT 2026-01-18T21:43:45+09:00 https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?auto=compress,format <![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five. They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day. We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself. This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]> https://www.cizucu.com/fr/photos/1IuVoF2K24vT83YiYK40 熊寶 https://www.cizucu.com/fr/users/zdddXarNsJdBtAS3ArljH0VHCDA2 https://www.cizucu.com/fr/photos/1IuVoF2K24vT83YiYK40 Tue, 14 Apr 2026 12:44:16 GMT 2026-04-14T12:44:16+09:00 https://cdn.cizucu.com/images/photos/1IuVoF2K24vT83YiYK40.jpg?auto=compress,format