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          <title><![CDATA[Portrait doux d'une femme tenant des feuilles dans un parc d'automne | saku._.photo]]></title>
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          <description><![CDATA[Téléchargez gratuitement des photos Portrait doux d'une femme tenant des feuilles dans un parc d'automne de haute qualité prises par saku._.photo sur cizucu.]]></description>
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          <pubDate>Fri, 28 Feb 2025 09:47:57 GMT</pubDate>
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          <title><![CDATA[A quiet peace hidden in the hardness of stone: silence, refuge, and inner stillness. This image reflects both the majesty and the calm spirit of Mt. Nokogiri, a serenity concealed in the heart of the rocks against the noise of the outside world. | suleler]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de suleler sur cizucu.]]></description>
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          <pubDate>Thu, 28 Aug 2025 23:45:49 GMT</pubDate>
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          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Souvik Roy sur cizucu.]]></description>
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          <pubDate>Sat, 14 Mar 2026 18:17:45 GMT</pubDate>
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            <media:title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></media:title>
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          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
          <link>https://www.cizucu.com/fr/photos/2liSNRVpSQ1iBWS2wvoy</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Souvik Roy sur cizucu.]]></description>
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          <pubDate>Mon, 16 Mar 2026 03:16:14 GMT</pubDate>
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            <media:title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></media:title>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de a.da.md sur cizucu.]]></description>
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          <pubDate>Sun, 18 Jan 2026 16:03:24 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></media:title>
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          <title><![CDATA[This photograph created in 2021 is from a series of self-portraits called 'A study in Self' which has been ongoing since a few years. Around 2016-17, I found myself to be going through a serious mental health crisis, navigating through depression, anxiety and being diagnosed with OCD because of some resurfaced childhood trauma. Soon enough I had to be admitted to a rehabilitation center and put on medicines to recover, and couldn't really see myself living my life beyond my early 20s. As I was homebound during these phases, Self-portraiture came to me as a way of trying to find stillness and meaning within all the chaos of my life through these years. It became a means of reconnecting with myself and my body and mind. It was kind of a reassurance of my existence when I felt that I had lost myself. One such photograph among many self-portraits is this one, which was viscerally and spontaneously created depicting the stillness and serenity that I deeply craved inside. | Surabhi Manisha]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Surabhi Manisha sur cizucu.]]></description>
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            <name>Surabhi Manisha</name>
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          <pubDate>Sat, 14 Mar 2026 22:52:50 GMT</pubDate>
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            <media:title><![CDATA[This photograph created in 2021 is from a series of self-portraits called 'A study in Self' which has been ongoing since a few years. Around 2016-17, I found myself to be going through a serious mental health crisis, navigating through depression, anxiety and being diagnosed with OCD because of some resurfaced childhood trauma. Soon enough I had to be admitted to a rehabilitation center and put on medicines to recover, and couldn't really see myself living my life beyond my early 20s. As I was homebound during these phases, Self-portraiture came to me as a way of trying to find stillness and meaning within all the chaos of my life through these years. It became a means of reconnecting with myself and my body and mind. It was kind of a reassurance of my existence when I felt that I had lost myself. One such photograph among many self-portraits is this one, which was viscerally and spontaneously created depicting the stillness and serenity that I deeply craved inside. | Surabhi Manisha]]></media:title>
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